A woman approaching the 'invisible years' of middle age abandons her failing writing career to retrain as a chiropodist in the East Berlin suburb of Marzahn, once the GDR's largest prefabricated housing estate. From her intimate vantage point at the foot of the clinic chair, she observes her clients and co-workers, listening to their stories with empathy and curiosity. Part memoir, part collective history, Katja Oskamp's love letter to the inhabitants of Marzahn is a tender reflection on life's progression and our ability to forge connections in the unlikeliest of places. Each person's story stands alone as a beautifully crafted vignette, but together they form a portrait of a community.

From award-winning journalist and filmmaker Stefania Rousselle, a stunning collection of photographs and essays that seek to understand the universality of love Journalist and filmmaker Stefania Rousselle found herself overwhelmed and dejected with the horrors of the news after covering terrorist attacks, human trafficking, and the rise of extremism. To renew her faith in humanity, she took off on a solo road trip across France, determined to see if love still exists. Traveling from village to village, farming towns to industrial cities, heart to heart, Rousselle sought out ordinary women and men, all to ask them one question, What is love? Collecting more than 90 personal testimonies, each one moving and beautiful in its own way, alongside over 100 intimate photographs, Rousselle reveals the many facets of love, and discovers that love can still be found even in the darkest of places. From a baker in Normandy to a shepherd in the Pyrenees, from a tree trimmer in Martinique to a mail woman in the Alps, Amour is a visual testament to love in all its many forms.

** WINNER OF THE ENGLISH PEN WRITERS IN TRANSLATION AWARD ** **LONG-LISTED FOR THE 2013 FRANK O'CONNOR INTERNATIONAL SHORT STORY AWARD** **BOOK OF THE MONTH IN THE SKINNY** A soldier with the ability to predict the future finds himself blackmailed by an insurgent into the ultimate act of terror… A deviser of crosswords survives a car-bomb attack, only to discover he is now haunted by one of its victims… Fleeing a robbery, a Baghdad shopkeeper falls into a deep hole, at the bottom of which sits a djinni and the corpse of a soldier from a completely different war… From legends of the desert to horrors of the forest, Blasim’s stories blend the fantastic with the everyday, the surreal with the all-too-real. Taking his cues from Kafka, his prose shines a dazzling light into the dark absurdities of Iraq’s recent past and the torments of its countless refugees. The subject of this, his second collection, is primarily trauma and the curious strategies human beings adopt to process it (including, of course, fiction). The result is a masterclass in metaphor – a new kind of story-telling, forged in the crucible of war, and just as shocking. 'At first, you receive Blasim with the kind of shocked applause you’d award a fairly transgressive stand-up. You’re quite elated. Then you stop reading it at bedtime. At his best, Blasim produces a corrosive mixture of broken lyricism, bitter irony and hyper-realism which topples into the fantastic and the quotidian in the same reading moment.' – M John Harrison 'Perhaps the best writer of Arabic fiction alive...' – The Guardian. 'Bolaño-esque in its visceral exuberance, and also Borgesian in its gnomic complexity... a master of metaphor.' – The Guardian.

A schoolmaster in the heart of Africa takes his best and most attentive student, a chimp, to England. The chimp, Emily, has learned to read and obtained a classically trained mind. We listen as her thoughts become a searchlight upon the English culture of the 1920s. A remarkable social satire, and a best seller.

A collection of highly personal and poetic essays about life, literature, and politics by the renowned German writer, Jenny Erpenbeck Jenny Erpenbeck’s highly acclaimed novel Go, Went, Gone was a New York Times notable book and launched one of Germany’s most admired writers into the American spotlight. In the New Yorker, James Wood wrote: “When Erpenbeck wins the Nobel Prize in a few years, I suspect that this novel will be cited.” On the heels of this literary breakthrough comes , a book of personal, profound, often humorous meditations and reflections. Erpenbeck writes, “With this collection of texts, I am looking back for the first time at many years of my life, at the thoughts that filled my life from day to day.” Starting with her childhood days in East Berlin (“I start with my life as a schoolgirl … my own conscious life begins at the same time as the socialist life of Leipziger Strasse”), Not a Novel provides a glimpse of growing up in the GDR and of what it was like to be twenty-two when the wall collapsed; it takes us through Erpenbeck’s early adult years, working in a bakery after immersing herself in the worlds of music, theater, and opera, and ultimately discovering her path as a writer. There are lively essays about her literary influences (Thomas Bernhard, the Brothers Grimm, Kafka, and Thomas Mann), unforgettable reflections on the forces at work in her novels (including history, silence, and time), and scathing commentaries on the dire situation of America and Europe today. “Why do we still hear laments for the Germans who died attempting to flee over the wall, but almost none for the countless refugees who have drowned in the Mediterranean in recent years, turning the sea into a giant grave?” With deep insight and warm intelligence, Jenny Erpenbeck provides us with a collection of unforgettable essays that take us into the heart and mind of “one of the finest and most exciting writers alive” (Michel Faber).

It's October 1918 and the war is drawing to a close. Toussaint Caillet returns home to his wife, Jeanne, and the young daughter he hasn't seen growing up. He is not coming back from the front line but from the department for facial injuries at Val-de-Grâce military hospital, where he has spent the last two years. For Jeanne, who has struggled to endure his absence and the hardships of wartime, her husband's return marks the beginning of a new battle. With the promise of peace now in sight, the family must try to stitch together a new life from the tatters of what they had before.

THE PERFECT GIFT FOR POETRY LOVERS "Broad in scope, generous in spirit and wittily accompanied by Risbridger's commentary" Sarah Perry, author of The Essex Serpent Set Me On Fire is an anthology for a new moment in poetry: a collection of fresh, vibrant voices from poets all over the globe, both living and dead. With an intuitive, accessible, feelings-first format, these are poems for the moments when you really need to know that someone else has been there too. These are poems about eating and kissing and having too many feelings, about being outside and inside and loving someone so much you think you might die. They are about break-ups and getting back together and oh-god-it’s-complicated-don’t-ask-me moments. They are about wanting and waiting and having, about grieving and life after death and the end of the world. They are, in other words, about being alive.