This collection of essays examines medieval and early modern perceptions of the marvelous and the monstrous. The essays investigate the nature of those phenomena and how people of these periods experienced them and how they recreated that experience for others. The essays trace the development of representations of marvels and explicate individual incarnations of monster and miracles. They analyze the importance of marvelous difference in defining ethnic, racial, religious, class, and gender identities to ask what legacy the medieval confrontations with marvels left for the modern world. These excellent essays look at issues that have long perplexed readers, such as the meaning of marvels, and whether we can read them in earnest or whether they can be appreciated only as play. The different authors bring their expertise to the fore to discuss the development of thoughts on marvels from the classical tradition through the concept's development in the medieval and early modern tradition. This collection is essential reading for any analysis of the marvelous in these periods and the state of scholarship surrounding them.

This collection of essays examines medieval and early modern perceptions of the marvelous and the monstrous. The essays investigate the nature of those phenomena and how people of these periods experienced them and how they recreated that experience for others. The essays trace the development of representations of marvels and explicate individual incarnations of monster and miracles. They analyze the importance of marvelous difference in defining ethnic, racial, religious, class, and gender identities to ask what legacy the medieval confrontations with marvels left for the modern world. These excellent essays look at issues that have long perplexed readers, such as the meaning of marvels, and whether we can read them in earnest or whether they can be appreciated only as play. The different authors bring their expertise to the fore to discuss the development of thoughts on marvels from the classical tradition through the concept's development in the medieval and early modern tradition. This collection is essential reading for any analysis of the marvelous in these periods and the state of scholarship surrounding them.

The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological and cultural value. Monsters embody cultural tensions that go far beyond the idea of the monster as simply an unintelligible and abject other. This text looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writing and mystical texts, to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gendered and racial identities, religious symbolism and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. It should be of interest in the concept of monstrosity and its significance for medieval cultural production.

Marvels and Miracles is one of the last works written by Maria Woodworth-Etter in her long ministry as an evangelist in the Pentecostal movement. This story recounts many events during her lifetime, from holding tent revival meetings at her own expense, to persecution and violent attacks from local townspeople in attempts to silence her ministry. Contributors such as Stanley Frodsham, F.F. Bosworth, and many others recount the miracles and healings they received through Jesus Christ. With testimonies of healing from doctors, sinners, and saints; there is an overwhelming cloud of witnesses that these miraculous events did in fact take place. This proving what she taught so adamantly, that God is the same yesterday, today, and forever, and His power to heal has not diminished. It is the same as on the day of Pentecost, in 1924, and today.

""The marvelous follows us always" - or so the Italian philosopher Francesco Patrizi asserted in 1587. The essays in this book collectively make the case that this assertion could be an epigraph for the Renaissance. For Wonder was a concept absolutely central to the early modern period. Encompassing both inquiry and astonishment, "wonder" indeed followed the Renaissance everywhere - into redefinitions of the mind, the body, art, literature, the known world. Often called the age of discovery, the Renaissance should also be seen as the age of the marvelous." "However, defining just what la maraviglia would have meant for Patrizi and his age is no small task." "This volume, then, seeks to explore early modern views of wonder and the marvelous by revealing the complexity of la maraviglia in the Renaissance."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art history, religious studies, history, classics, and cultural and media studies. The companion will offer scholars and graduate students the first comprehensive and authoritative review of this emergent field.

The Anglo-Saxon Literature Handbook presents an accessible introduction to the surviving works of prose and poetry produced in Anglo-Saxon England, from AD 410-1066. Makes Anglo-Saxon literature accessible to modern readers Helps readers to overcome the linguistic, aesthetic and cultural barriers to understanding and appreciating Anglo-Saxon verse and prose Introduces readers to the language, politics, and religion of the Anglo-Saxon literary world Presents original readings of such works as Beowulf, The Battle of Maldon, The Wanderer, The Seafarer, and The Anglo-Saxon Chronicle