Union organizer and balladeer Ella May became a martyr for workers nationwide when she was murdered on her way to a union meeting in Gastonia, North Carolina, at age 28. A mother of nine and bookkeeper for the communist-led National Textile Workers Union, May worked to organize fellow mill workers in Gaston County. Her efforts to organize black workers--along with her brash, outspoken manner--incensed the local community and she was shot by an anti-union vigilante group on September 14, 1929. Written by her great-granddaughter, this book tells Ella May's story, including her involvement in the Loray Mill Strike, the largest communist-led strike on American soil. Her most famous ballad, "Mill Mother's Lament," reveals her motivation: "It is for our little children."

Union organizer and balladeer Ella May became a martyr for workers nationwide when she was murdered on her way to a union meeting in Gastonia, North Carolina, at age 28. A mother of nine and bookkeeper for the communist-led National Textile Workers Union, May worked to organize fellow mill workers in Gaston County. Her efforts to organize black workers--along with her brash, outspoken manner--incensed the local community and she was shot by an anti-union vigilante group on September 14, 1929. Written by her great-granddaughter, this book tells Ella May's story, including her involvement in the Loray Mill Strike, the largest communist-led strike on American soil. Her most famous ballad, "Mill Mother's Lament," reveals her motivation: "It is for our little children."

Working-Class Heroes is an organic melding of history, music, and politics that demonstrates with remarkably colorful evidence that workers everywhere will struggle to improve their conditions of life. And among them will be workers who share an insight: in order to better our lot, we must act collectively to change the world. This profusely illustrated treasury of song sheets, lyrics, photographs, histories, and biographical sketches explores the notion that our best hope lies in the capacity of ordinary working people to awaken to the need to emancipate ourselves and all of humanity. Featuring over a dozen songwriters, from Joe Hill to Aunt Molly Jackson,Working-Class Heroes delivers a lyrical death blow to the falsehood that so-called political songs of the twentieth century were all written by intellectuals in New York. Many, like Ella May Wiggins, were murdered by the bosses. Others, like Sarah Ogan Gunning, watched their children starve to death and their husbands die of black lung, only to rise up singing against the system that caused so much misery. Most of the songs collected here are from the early twentieth century, yet their striking relevance to current affairs invites us to explore the historical conditions that inspired their creation: systemic crisis, advancing fascism, and the threat of world war. In the face of violent terror, these working-class songwriters bravely stood up to fight oppression. Such courage is immortal, and the songs of such heroes can still lift our spirits, if we sing them today. Featured in this twenty-song collection are Sarah Ogan Gunning, Ralph Chaplin, Woody Guthrie, Ella May Wiggins, Joe Hill, Paul Robeson, John Handcox, Aunt Molly Jackson, Jim Garland, Alfred Hayes, Joseph Brandon, and several anonymous proletarian songwriters whose names have been long forgotten, though their words will never die.

Of all the 'third party' movements in American history, none have been as controversial as the Communist Party of the United States of America. Although denounced as a tool of the Soviet Union, accused of espionage and charged with advocating the revolutionary overthrow of the American government, before WWII it had been an accepted part of the political landscape. This collection offers an intriguing insight into this controversial political party in light of the Moscow archives that were made accessible after the end of the Cold War. This collection of original essays explores new aspects in the history of American Communism, drawing on a range of documents from Moscow and Eastern Europe. Examining traditional subjects in the light of new evidence, the essays cover a range of topics including party leaders, espionage, campaigns against racism, the Spanish Civil War, communism and gender, the fate of members after the McCarthy era and ways in which Communists became Anti-Communists.

Monuments honoring leaders and victorious armies have been raised throughout history. Following the American Civil War, however, this tradition expanded, and by the early twentieth century, the Confederate dead and surviving veterans, although defeated in battle, ranked among the world's most commemorated troops. This memorialization, described in North Carolina Civil War Monuments, evolved through a challenging and contentious process accomplished over decades. Prompted by the need to rebury wartime dead, memorialization, led by women, first expressed regional grief and mourning then expanded into a vital aspect of Southern memory. In North Carolina, 109 Civil War monuments--101 honoring Confederate troops and eight commemorating Union forces--were raised prior to the Civil War centennial. Photographs showcase each memorial while committee records, legal documents, and contemporaneous accounts are used to detail the difficult process through which these monuments were erected. Their design, location, and funding reflect not only the period's sculptural and cultural milieu but also reveal one state's evolving grief and the forging of public memory.

Two aging Civil War veterans mourned the death of their sons at a joint funeral in Knoxville National Cemetery. One, a cavalry general, had fought for the Union. The other had served as surgeon/major of a Confederate cavalry regiment. They met for the first time at the graves of their sons--two army lieutenants and University of Tennessee graduates killed together in Cuba during the Spanish-American War. Newspaper accounts presented the encounter as an example of reconciliation between North and South. This book recounts the meeting of two families from opposing sides of the war--both rooted in East Tennessee, a region harshly divided by the conflict--placing their story in the context of America's reconciliation narrative at the end of the 19th century.

Inspired by a 1937 map and travelogue of a newspaperman’s tour, author Mark W. Nichols embarked on his own long journey into the unique cities of the South. En route he met beekeepers, cheese makers, crawfish “bawlers,” duck callers, and a licensed alligator hunter, as well as entrepreneurs and governors. His keen observations encompass the southern states from Virginia to Arkansas and points south, and he unpacks the unique qualities of every city he visits. “It’s easy to say that getting to meet so many interesting and wonderful people was the best part of the journey--because it’s true,” Nichols writes. “I know there are friendly people everywhere, but southern friendliness is different.” His story embraces a wealth of southern charm from local characters, folklore, and customs to food, music, and dancing. Besides being just plain fun to read, Nichols’s account of his journey gives readers a true taste of the flavor of the evolving modern South.