Set in the early 1960s, The Mystery of the Caribbean Pearls follows young Biff Brewster as he visits his Uncle Charlie to discover priceless pearls in Martinique. Even worse, his uncle's friend has gone missing, leaving behind an anxious yet determined son. It is up to Biff Brewster and his new friend Derek to adventure through the Caribbean, dodging nefarious looters and kidnappers to find the hidden treasure and rescue Derek's father.

In the research for his book on the opportunities of the black population in Metropolitan France, Shelby T. McCloy found the treatment accorded to people of color in the French colonies so significantly different as to warrant a separate book. This historical study examines the black experience in the French West Indies -- the islands of Martinique, Guadeloupe, and Santo Domingo -- from the days of slavery and the brutal Code Noir through struggle and revolution to freedom. McCloy provides a detailed account of the black popluation's increasingly important place in the islands from early in the seventeenth century to 1960.

"At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris shows how and why music became part of the social changes Europe faced in the aftermath of World War One. It focuses on the story of black music in Paris and the people who created it, enjoyed it, criticised it and felt at home when they heard it. African Americans, French Antilleans, and French West Africans wrote, danced, sang, and acted politically in response to the heightened visibility of racial difference in Paris during this era. They were consumed with questions that continue to resonate today. Could one be black and French? Was black solidarity more important than national and colonial identity? How could French culture include the experiences and contributions of Africans and Antilleans? From highly educated women, like the Nardal sisters of Martinique, to the working black musicians performing in crowded nightclubs at all hours, At Home in Our Sounds gives a fully rounded view of black reactions to jazz in interwar Paris. It places that phenomenon in its historic and political context, and in doing so shows how music and music-making formed a vital terrain of cultural politics. It shows how music-making brought people together around pianos, on the dancefloor, and through reading and gossip, but it did not erase the political and regional and national differences between them. It shows that many found a home in Paris but did not always feel at home. This book reveals these dimensions of music-making, race, and cultural politics in interwar Paris"--