A fun collection of Martin Parr's food pictures, which documents the simple notion that 'we are what we eat'. Real Food celebrates all things food through the eyes of the renowned British photographer Martin Parr - a kaleidoscope of foods the world over, from hot dogs to sticky buns and langoustine to lemon meringue pie. Featuring photographs taken throughout Martin Parr's prolific career to-date, Real Food will comprise the very best of Parr's iconic imagery - a collection of close-up food shots, in typical garish colour, taken by Parr throughout his travels across the world. Introduced with an essay by Fergus Henderson, British chef and founder of the restaurant St John's in London, which considers Parr's photographs in the context of global cuisine, and Parr's fascination with the social aspect of food that is at the heart of these photographs.

In a unique visual dialogue, Deja View brings together the work of beloved photographer Martin Parr, master of capturing the art in everyday existence, with The Anonymous Project's archive of unidentified vintage slides, collected from across Europe and America. Surprising and delighting in their similarity, these affectionately matched images celebrate photography's power to capture the small moments of humour, warmth, ennui and absurdity that are in fact our most important of all.

Photography and pop-culture buffs, get out your crayons and colored pencils! Martin Parr's colorful and tongue-in-cheek photographs--his comedy of contemporary manners--have been transformed into a coloring book. Here is Parr's affectionate and hilarious catalogue of human foibles--bad fashion choices, messy foods, trashy souvenirs and the tourists who buy them--rendered afresh. The book's eighty pages are packed with the most iconic and beloved Parr images, made into original drawings by Jane Mount, offering hours of coloring entertainment.

Revised and updated edition of Parr's sought-after classic, first published in 1996. It is a biting, funny satire in which Parr looks at tourism worldwide, exposing the increasingly homogenous global culture' where, in the search for different cultures, those same cultures are destroyed. The issues raised by Parr a decade ago are even more relevant today. A member of the prestigious Magnum photo agency, Parr is one of the best known photographers in the world today. He has published innumerable books and his work has been exhibited worldwide.'

In 1975, fresh out of art school, Martin Parr found poor footing in the London photography scene, so he moved to the picturesque Yorkshire Pennine mill town of Hebden Bridge. Over a period of five years, he documented the town in photographs, showing in particular the aspects of traditional life that were beginning to decline. Susie Parr, whom he had met in Manchester, joined him in documenting a year in the life of a small Methodist chapel, together with its farming community. Such chapels seemed to encapsulate the region's disappearing way of life. Here Martin Parr found his photographic voice, while together he and Susie assembled a remarkable and touching historic document--now published in book form for the first time. The Non-Conformists takes its title from the Methodist and Baptist chapels that then char - acterized this area of Yorkshire and defined the fiercely independent character of the town. In words and pictures, the Parrs vividly and affectionately document cobbled streets, flat-capped mill workers, hardy gamekeepers, henpecked husbands, and jovial shop owners. The best Parr photographs are interleaved with Susie Parr's detailed background descriptions of the society they observed.

In his epitaph to the age of conspicuous consumption and wealth, Luxury featuresMartin Parrs photographs fromfive years of watching the rich and fabulous at international champagne-fuelled gatherings. In a series thatmanages to be both satirical and warmly affectionate towards air-kissing luxury-victims, Parrs subjects include parties, horse races and notable luxury events including theMillionaires Fair,Moscow, the Dubai Art Fair and the Art BaselMiami. Designed with an appropriately luxurious silver-foiled padded leatherette cover and introduced with an argument for a newmorality by leading British fashion designer Sir Paul Smith, Luxury is the powerful statement about the era before the bubble burst.