The development of Martin Luther's thought was both a symptom and moving force in the transformation of the Middle Ages into the modern world. Geographical discovery, an emerging scientific tradition, and a climate of social change had splintered the unity of medieval Christian culture, and these changes provided the background for Luther's theological challenge. His new apprehension of Scripture and fresh understanding of man's relation to God demanded a break with the Church as then constituted and released the powerful impulses that carried the Reformation. Luther's vigorous, colorful language still retains the excitement it had for thousands of his contemporaries. In this volume, Dr. Dillenberger has made a representative selection from Luther's extensive writings, and has also provided the reader with a lucid introduction to his thought.

The development of Martin Luther's thought was both a symptom and moving force in the transformation of the Middle Ages into the modern world. Geographical discovery, an emerging scientific tradition, and a climate of social change had splintered the unity of medieval Christian culture, and these changes provided the background for Luther's theological challenge. His new apprehension of Scripture and fresh understanding of man's relation to God demanded a break with the Church as then constituted and released the powerful impulses that carried the Reformation. Luther's vigorous, colorful language still retains the excitement it had for thousands of his contemporaries. In this volume, Dr. Dillenberger has made a representative selection from Luther's extensive writings, and has also provided the reader with a lucid introduction to his thought.

Though most of the Protestant world can trace its roots back to the Reformation, many people today have only a vague knowledge of Martin Luther's writings. "Didn't he write the Ninety-Five Theses?" Jack Kilcrease and Erwin Lutzer step into this vacuum with a carefully selected collection of Luther's works. Centered around the five solas of the Reformation (sola Scriptura, sola fide, sola gratia, sola Christus, soli Deo gloria), the selections offer readers an accessible primer on works that are foundational to the theology of Protestantism in all its forms. Introductions to each writing include an explanation of the historical context and the theological significance of the piece. Students of the Bible, pastors, teachers, and seminary students will find this collection an enlightening introduction to Luther in his own words and a useful addition to their libraries.

John Dillenberger has written the first comprehensive account of the relation between the visual arts and theological currents in Europe during the first half of the sixteenth century. With an astute knowledge of the theology of the period and a keen interest in the lives and work of prominent artists, Dillenberger makes incisive connections that illuminate the cultural movements of the time. Images and Relics considers both popular and professional art within distinct religious contexts. It examines the works of Matthias Grunewald, Albrecht Durer, Lucas Cranach the Elder, Michelangelo, Hans Holbein the Younger, Hans Baldung Grien, and Albrecht Altdorfer, and demonstrates how these artists expressed and transformed the reigning theological ideas of their day. The book also addresses the range of iconoclastic movements from the 1520s to the 1570s, particularly in northern Europe. Finally, Dillenberger reflects on the ambiguity of the history of this period and its continuing impact on modern-day life.

Protestant Thought and Natural Science presents a concise interpretation of the relations between natural scientists and Protestant theologians from the Reformation to the present day. The book penetrates behind the skirmishes to the underlying issues in a manner not achieved before. John Dillenberger’s firsthand knowledge of the source material has enabled him to break through the “science-and-religion” stereotype in an account at once complex and interesting.