Gypsy, J'onn J'onzz's former JLA teamate, guest stars in a "jump-on" issue that has the ex-Justice Leaguer exploring some Egyptian tombs, only to unearth a deadly alien threat within! The Manhunter may be the only hope of stopping it--but how will J'onn defeat something that may be of Martian origin?

Collecting the 8-issue miniseries shedding new light on the popular JLAmember! When J'onn J'onzz learns he may not be the last of his race after all,it sends him on a mission to seek the real facts about his past and hislong-lost race. Martian Manhunter will stop at nothing to discover the truthabout himself and the world he lives in!

The team of writer Steve Orlando and artist Riley Rossmo (Batman: Night of the Monster Men) reteam for a reinvention of the Manhunter from Mars in this twisted, unexpected series. Back on Mars, J'onn J'onzz was about as corrupt as a law officer can be, and when a reckoning comes for his entire society, he'll get a second chance he doesn't want or deserve! One shocking murder, and an unexpected fragment of the Mars he lost, will change his life forever! Collects Martian Manhunter #1-12, plus a gallery of behind-the-scenes extras.

“CAPTIVES OF THE ALIEN ZOO!” Batman and Robin are mistaken for two-legged animals by alien hunters, who capture the Dynamic Duo and place them on display in an alien zoo.

The Martian Manhunter launches his solo series featuring the Justice League of America! After suffering colossal injuries at the hands of the evil Malefic, the Martian Manhunter has returned to Mars in an attempt to heal himself. But while he's away, Saturnian ships arrive to reclaim Jemm, Son of Saturn, who is still recovering from being used as a pawn in "DAY OF JUDGMENT." Collects the 1998 MARTIAN MANHUNTER #10-17.

How did a child from another planet named Kal-El become farm boy Clark Kent? What happened to his planet and family? What powers does he possess and what are his weaknesses? Who are his most trusted allies and fearsome foes? In this biography--complete with black-and-white illustrations, timelines, and fact boxes--young readers will delight in learning the complete history of Metropolis's fearless protector.

What do the comic book figures Static, Hardware, and Icon all have in common? Black Superheroes, Milestone Comics, and Their Fans gives an answer that goes far beyond “tights and capes,” an answer that lies within the mission Milestone Media, Inc., assumed in comic book culture. Milestone was the brainchild of four young black creators who wanted to part from the mainstream and do their stories their own way. This history of Milestone, a “creator-owned” publishing company, tells how success came to these mavericks in the 1990s and how comics culture was expanded and enriched as fans were captivated by this new genre. Milestone focused on the African American heroes in a town called Dakota. Quite soon these black action comics took a firm position in the controversies of race, gender, and corporate identity in contemporary America. Characters battled supervillains and sometimes even clashed with more widely known superheroes. Front covers of Milestone comics often bore confrontational slogans like “Hardware: A Cog in the Corporate Machine is About to Strip Some Gears.” Milestone's creators aimed for exceptional stories that addressed racial issues without alienating readers. Some competitors, however, accused their comics of not being black enough or of merely marketing Superman in black face. Some felt that the stories were too black, but a large cluster of readers applauded these new superheroes for fostering African American pride and identity. Milestone came to represent an alternative model of black heroism and, for a host of admirers, the ideal of masculinity. Black Superheroes, Milestone Comics, and Their Fans gives details about the founding of Milestone and reports on the secure niche its work and its image achieved in the marketplace. Tracing the company's history and discussing its creators, their works, and the fans, this book gauges Milestone alongside other black comic book publishers, mainstream publishers, and the history of costumed characters.