Otohiko Kaga's Marshland is an epic novel on a Tolstoyan scale, running from the pre-World War II period to the turbulence of 1960s Japan. At forty-nine, Atsuo Yukimori is a humble auto mechanic living an almost penitentially quiet life in Tokyo, where his coworkers know something of his military record but nothing of his postwar criminal past. Out of curiosity he accompanies his nephew to a demonstration at a nearby university, and is gradually drawn into a friendship, then a romance, with Wakaka Ikéhata, the brilliant but mentally unstable daughter of a university professor. As some of the student radical groups turn to violence and terrorism, Atsuo and Wakaka find themselves framed for the lethal bombing of a Tokyo train. During their long imprisonment the novel becomes a Kafkaesque procedural, revealing the corrupt intricacies of the police and judicial system of Japan. At the end of their hard pilgrimage to exoneration, Atsuo and Wakaka are finally able to return to his original hometown, Nemuro, on the eastern-most peninsula of Hokkaido island. Here is the marshland of the title, a remote and virtually unspoiled region of Japan where Kaga sets a large number of extraordinarily beautiful pastoral scenes. Marshland is a revelation of modern Japanese history and culture, a major novel from the hand of a master well-known in his own country, but virtually unheard-of--so far--in the United States and Anglophone world in general.

A novel written in reverse relates the story of an aging prisoner who is released only to be rescued from an assault by a curator, who works at a museum exhibiting "the marshes, " a conflict-torn wilderness where the former prisoner committed his crime.

A slim but powerful work of metafiction by a Nobel Prize-winning French writer and intellectual. André Gide is the inventor of modern metafiction and of autofiction, and his short novel Marshlands shows him handling both forms with a deft and delightful touch. The protagonist of Marshlands is a writer who is writing a book called Marshlands, which is about a reclusive character who lives all alone in a stone tower. The narrator, by contrast, is anything but a recluse: He is an indefatigable social butterfly, flitting about the Paris literary world and always talking about, what else, the wonderful book he is writing, Marshlands. He tells his friends about the book, and they tell him what they think, which is not exactly flattering, and of course those responses become part of the book in the reader’s hand. Marshlands is both a poised satire of literary pretension and a superb literary invention, and Damion Searls’s new translation of this early masterwork by one of the key figures of twentieth-century literature brings out all the sparkle of the original.

Marshland is a deep map of the east London marshes, a blend of local history, folklore and weird fiction, where nothing is quite as it seems. Cocker spaniel by his side, Rees wanders the marshes of Hackney, Leyton and Walthamstow, avoiding his family and the pressures of life. He discovers a lost world of Victorian filter plants, ancient grazing lands, dead toy factories and tidal rivers on the edgelands of a rapidly changing city. Ghosts are his friends. As strange tales of bears, crocodiles, magic narrowboats and apocalyptic tribes begin to manifest themselves, Rees embarks on a psychedelic journey across time and into the dark heart of London. It soon becomes clear that the very existence of the marshland is at threat. For on all sides, the developers are closing in...

A broad-based coalition of conservative southern politicians, countercultural activists, environmental scientists, sportsmen, devout Christians, garden clubs in Atlanta, and others came together to push the Coastal Marshlands Protection Act of 1970 through the Georgia state legislature. The law was a first-in-the-nation bill to save the marshes of a state from mining and aggressive development and was a political watershed that reflected the changing nature of the state. It set a foundation that would lead to the thoughtful use of the state’s coastal resources still relevant today. And the Coastlands Wait is the history of this legislative act, as told by St. Simons lawyer and leader of the coalition, Reid Harris. Harris served as head of the environmental section of Governor Jimmy Carter’s Goals for Georgia program and later as chairman of the governor’s State Environmental Council. The coastlands coalition he led backed a groundbreaking act that, when instated, set up a permitting process to control development and to protect five hundred thousand acres of precious Georgia marshland. That coalition did not survive for long and is now seen as an unusual moment in the history of conservation, when allies as deeply diverse as conservative governor Lester Maddox and Atlanta liberals stood together.