DigiCat Publishing presents to you this special edition of "Marse Henry, Complete" (An Autobiography) by Henry Watterson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This unique collection consists of the most influential narratives of former slaves, including numerous recorded testimonies, life stories and original photos of former slaves long after Civil War: Recorded Life Stories of Former Slaves from 17 different US States Narrative of the Life of Frederick Douglass 12 Years a Slave (Solomon Northup) The Underground Railroad Harriet Jacobs: The Moses of Her People Up From Slavery (Booker T. Washington) The Willie Lynch Letter: The Making of Slave! The Confessions of Nat Turner Narrative of Sojourner Truth The History of Mary Prince Running a Thousand Miles for Freedom (William & Ellen Craft) Thirty Years a Slave (Louis Hughes) Narrative of the Life of J. D. Green The Interesting Narrative of the Life of Olaudah Equiano Behind The Scenes: 30 Years a Slave & 4 Years in the White House (Elizabeth Keckley) Father Henson's Story of His Own Life (Josiah Henson) Fifty Years in Chains (Charles Ball) Twenty-Two Years a Slave and Forty Years a Freeman (Austin Steward) Narrative of the Life and Adventures of Henry Bibb The Narrative of William W. Brown, a Fugitive Slave The Story of Mattie J. Jackson (L. S. Thompson) A Slave Girl's Story (Kate Drumgoold) From the Darkness Cometh the Light (Lucy A. Delaney) Narrative of the Life of Moses Grandy, a Slave in the United States of America Narrative of Joanna Life of Henry Box Brown, Who Escaped in a 3x2 Feet Box Memoir and Poems of Phillis Wheatley Buried Alive Sketches of the Life of Joseph Mountain Documents: The History of the Abolition of African Slave-Trade History of American Abolitionism from 1787-1861 Pictures of Slavery in Church and State Report of the Proceedings at the Examination of Charles G. Davis, Esq., on the Charge of Aiding and Abetting in the Rescue of a Fugitive Slave Southern Horrors: Lynch Law in All Its Phases The Duty of Disobedience to the Fugitive Slave Act Emancipation Proclamation Gettysburg Address XIII Amendment Civil Rights Act of 1866 XIV Amendment ...

One of the major novelists of the post-World War I lost generation, John Dos Passos established a reputation as a social historian and radical critic of American life. His celebrated masterpiece, the U.S.A. trilogy, was ranked by the Modern Library as 23rd of the 100 best English-language novels of the twentieth century. Written in experimental, non-linear form, the landmark trilogy blends elements of biography, song lyrics and news reports to portray a vibrant tapestry landscape of early twentieth-century American culture. For the first time in publishing history, this eBook presents Dos Passos’ complete fictional works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Dos Passos’ life and works * Concise introductions to the major texts * All 15 novels, with individual contents tables * Rare novels appearing for the first time in digital publishing, including the unfinished novel ‘Century’s Ebb’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The plays and poetry — available in no other collection * Includes a wide selection of Dos Passos’ non-fiction * Features the seminal autobiography ‘The Best Times’ – discover Dos Passos’ literary life * Ordering of texts into chronological order and genres CONTENTS: The U.S.A. Trilogy The 42nd Parallel (1930) Nineteen Nineteen (1932) The Big Money (1936) District of Columbia Trilogy Adventures of a Young Man (1939) Number One (1943) The Grand Design (1949) Other Novels One Man’s Initiation — 1917 (1920) Three Soldiers (1921) Streets of Night (1923) Manhattan Transfer (1925) Chosen Country (1951) Most Likely to Succeed (1954) The Great Days (1958) Midcentury (1961) Century’s Ebb (1975) The Plays The Garbage Man (1926) Airways, Inc. (1934) Fortune Heights (1934) The Poetry Poems from ‘Eight Harvard Poets’ (1917) A Pushcart at the Curb (1922) The Non-Fiction Rosinante to the Road Again (1922) Facing the Chair (1927) Orient Express (1927) Why Write for the Theatre Anyway? (1934) The Men Who Made the Nation (1957) Mr. Wilson’s War (1962) Brazil on the Move (1963) The Portugal Story (1969) Easter Island (1970) The Autobiography The Best Times (1966)

Henry Watterson, editor of the Louisville Courier-Journal during the tumultuous decades between the Civil War and World War I, was one of the most influential and widely read journalists in American history. At the height of his fame in the early twentieth century, Watterson was so well known that his name and image were used to sell cigars and whiskey. A major player in American politics for more than fifty years, Watterson personally knew nearly every president from Andrew Jackson to Woodrow Wilson. Though he always refused to run, the renowned editor was frequently touted as a candidate for the U.S. Senate, the Kentucky governor’s office, and even the White House. Shortly after his arrival in Louisville in 1868, Watterson merged competing interests and formed the Courier-Journal, quickly establishing it as the paper of record in Kentucky, a central promoter of economic development in the New South, and a prominent voice on the national political stage. An avowed Democrat in an era when newspapers were openly aligned with political parties, Watterson adopted a defiant independence within the Democratic Party and challenged the Democrats’ consensus opinions as much as he reinforced them. In the first new study of Watterson’s historical significance in more than fifty years, Daniel S. Margolies traces the development of Watterson’s political and economic positions and his transformation from a strident Confederate newspaper editor into an admirer of Lincoln, a powerful voice of sectional reconciliation, and the nation’s premier advocate of free trade. Henry Watterson and the New South provides the first study of Watterson’s unique attempt to guide regional and national discussions of foreign affairs. Margolies details Watterson’s quest to solve the sovereignty problems of the 1870s and to quell the economic and social upheavals of the 1890s through an expansive empire of free trade. Watterson’s political and editorial contemporaries variously advocated free silverism, protectionism, and isolationism, but he rejected their narrow focus and maintained that the best way to improve the South’s fortunes was to expand its economic activities to a truly global scale. Watterson’s New Departure in foreign affairs was an often contradictory program of decentralized home rule and overseas imperialism, but he remained steadfast in his vision of a prosperous and independent South within an American economic empire of unfettered free trade. Watterson thus helped to bring about the eventual bipartisan embrace of globalization that came to define America’s relationship with the rest of the world in the twentieth century. Margolies’ groundbreaking analysis shows how Watterson’s authoritative command of the nation’s most divisive issues, his rhetorical zeal, and his willingness to stand against the tide of conventional wisdom made him a national icon.

Carl R. Osthaus examines the southern contribution to American Press history, from Thomas Ritchie's mastery of sectional politics and the New Orleans Picayune's popular voice and use of local color, to the emergence of progressive New South editors Henry Watterson, Francis Dawson, and Henry Grady, who imitated, as far as possible, the New Journalism of the 1880s. Unlike black and reform editors who spoke for minorities and the poor, the South's mainstream editors of the nineteenth century advanced the interests of the elite and helped create the myth of southern unity. The southern press diverged from national standards in the years of sectionalism, Civil War, and Reconstruction. Addicted to editorial diatribes rather than to news gathering, these southern editors of the middle period were violent, partisan, and vindictive. They exemplified and defended freedom of the press, but the South's press was free only because southern society was closed. This work broadens our understanding of journalism of the South, while making a valuable contribution to southern history.