The award-winning novel that’s “a foreboding, compelling story of humanity’s uneasy relationship with nature and with each other . . . a gripping read” (St.Louis Post-Dispatch). It has been twenty years since Lucie Bowen left the islands—when the May Day Quake shattered thousands of lives; when Lucie’s father disappeared in an explosion at the Marrow Island oil refinery, a tragedy that destroyed the island’s ecosystem; and when Lucie and her best friend, Katie, were just Puget Sound children hoping to survive. Now, Katie writes with strange and miraculous news. Marrow Island is no longer uninhabitable and no longer abandoned. She is part of a community that has managed to conjure life again from Marrow’s soil. Lucie returns. Her journalist instincts tell her there’s more to this mysterious “Colony” and their charismatic leader—a former nun with an all-consuming plan—than its members want her to know. As she uncovers their secrets, will Lucie endanger more than their mission? And what price will she pay for the truth? “Eerie and intriguing . . . captivates in the first few pages and delivers a gripping, compelling story throughout.”—Milwaukee Journal Sentinel “Smith’s excellent command of language gives life to arresting characters and their creepy surroundings, keeping the suspense in this dark environmental thriller running high.”—Elle “This alluring novel explores the darkness of love, how it can cajole you into danger or tip your actions toward cruelty. Clean but intoxicating writing . . . Ambitious.”—The New York Times Book Review “Transporting.”—Vanity Fair “Beautifully wrought.”—O, The Oprah Magazine “Engrossing and atmospheric, a thorny meditation on environmental responsibility with a big haunted heart.”—Miami Herald

A new novel from the author of the acclaimed Glaciers tracks a young woman's return home to investigate a secretive community that has mysteriously rescued an island devastated by natural and chemical disaster--as well as taken hold of one of her oldest friends.

A Vulture Best Short Book A She Reads Indie Book Club Pick for Summer “Alexis Smith’s brilliant debut novel is filled with kaleidoscopic pleasures. Line by line, in and out of time, this is a haunted, joyful, beautiful book—a true gift.” —Karen Russell “Her story could be told in other people’s things. The postcards and the photographs. A garnet ring and a needlepoint of the homestead. The aprons hanging from her kitchen door. Her soft, faded, dog-eared copy of Little House in the Big Woods. A closet full of dresses sewn before she was born. All these things tell a story, but is it hers?” Isabel is a single twenty-something in Portland, Oregon, who repairs damaged books in the basement of the local library, dreaming of a life she can’t quite reach. She is filled with longing—for a life in Amsterdam even though she’s never visited, for the unrequited love of a coworker, for a simpler time from her childhood in Alaska among the threatened glaciers she loves, and for the perfect vintage dress to wear to a party that just might change everything. Unfolding over the course of a single day, Alexis M. Smith’s shimmering debut finds Isabel looking into her past—remembering her parents’ separation, a meeting with an astrologer, and a life-changing encounter with a glacier—and shows us how fleeting, everyday moments can reveal an entire life. In classic movies, in old photographs and unsent postcards, rare books, and thrifted gems, Glaciers tells the story of a young woman’s love of the past and a hope to make something new and all her own.

The author of the New York Times bestseller Broken Open returns with a visceral and profound memoir of two sisters who, in the face of a bone marrow transplant—one the donor and one the recipient—begin a quest for acceptance, authenticity, and most of all, love. A mesmerizing and courageous memoir: the story of two sisters uncovering the depth of their love through the life-and-death experience of a bone marrow transplant. Throughout her life, Elizabeth Lesser has sought understanding about what it means to be true to oneself and, at the same time, truly connected to the ones we love. But when her sister Maggie needs a bone marrow transplant to save her life, and Lesser learns that she is the perfect match, she faces a far more immediate and complex question about what it really means to love—honestly, generously, and authentically. Hoping to give Maggie the best chance possible for a successful transplant, the sisters dig deep into the marrow of their relationship to clear a path to unconditional acceptance. They leave the bone marrow transplant up to the doctors, but take on what Lesser calls a "soul marrow transplant," examining their family history, having difficult conversations, examining old assumptions, and offering forgiveness until all that is left is love for each other’s true selves. Their process—before, during, and after the transplant—encourages them to take risks of authenticity in other aspects their lives. But life does not follow the storylines we plan for it. Maggie’s body is ultimately too weak to fight the relentless illness. As she and Lesser prepare for the inevitable, they grow ever closer as their shared blood cells become a symbol of the enduring bond they share. Told with suspense and humor, Marrow is joyous and heartbreaking, incandescent and profound. The story reveals how even our most difficult experiences can offer unexpected spiritual growth. Reflecting on the multifaceted nature of love—love of other, love of self, love of the world—Marrow is an unflinching and beautiful memoir about getting to the very center of ourselves.

In Island Bodies, Rosamond King examines sexualities, violence, and repression in the Caribbean experience. She analyzes the sexual norms and expectations portrayed in Caribbean and diaspora literature, music, film, and popular culture to show how many individuals contest traditional roles by maneuvering within and/or trying to change their society’s binary gender systems. She skillfully argues and demonstrates that these transgressions better represent Caribbean culture than the “official” representations perpetuated by governmental elites and often codified into laws that reinforce patriarchal, heterosexual stereotypes. Unique in its breadth and its multilingual and multidisciplinary approach, Island Bodies addresses homosexuality, interracial relations, transgender people, and women’s sexual agency in Dutch, Francophone, Anglophone, and Hispanophone works of Caribbean literature. Additionally, King explores the paradoxical nature of sexuality across the region: discussing sexuality in public is often considered taboo, yet the tourism economy trades on portraying Caribbean residents as hypersexualized. Ultimately King reveals that despite the varied national specificity, differing colonial legacies, and linguistic diversity across the islands, there are striking similarities in the ways Caribglobal cultures attempt to restrict sexuality and in the ways individuals explore and transgress those boundaries.

This "thought-provoking, hilarious, eloquent" (Kirkus Reviews) debut novel by a remarkable new talent explores the relationship between identity and place, marvels at the speed at which a well-planned life can change forever, and asks the question, " How can a total stranger understand you better than the people you've known your entire life?" When Lance's '93 Buick breaks down in the middle of nowhere, he tells himself Don't panic. After all, he's valedictorian of his class. First-chair trumpet player. Scholarship winner. Nothing can stop Lance Hendricks. But the locals don't know that. They don't even know his name. Stuck in a small town, Lance could be anyone: a delinquent, a traveler, a maniac. One of the townies calls him Wildman, and a new world opens up. He's ordering drinks at a roadhouse. Jumping a train. Talking to an intriguing older girl who is asking about his future. And what he really wants. As one day blurs into the next, Lance finds himself drifting farther from home and closer to a girl who makes him feel a way he's never felt before-like himself.