Follow Mouse's epic journey from humble beginings as an orphaned D-grade inhabitant of The Greater Melbourne Megalopolis of the late 21st Century, to the end of the universe and back again. After escaping the secure state orphanage she grows up in, Mouse is taken in by the Ghosts, a gang of homeless teens who dwell in The Spirit World, a subterranean world of forgotten caverns and deserted basements sealed off from the towering skyscrapers above. Trained by the gang's leader, the Fagan-like Sensei, Mouse grows adept in the criminal arts, but when her life spirals into chaos she chooses the only option left to her: she trades her human body in for a cyboform, and joins the Space Corps. Will this be the escape she hopes for, or will her shady past catch up with her? From the author of Spare Parts and Polymer

The author of A Space Traveller’s Guide to the Solar System shares 101 fascinatingly fun facts sure to change how you see outer space—and Earth. Did you know a compost heap generates as much energy as the Sun? Or that dung beetles use the Milky Way to navigate? Maybe you have not been into space but if you have then you will know that astronauts have feet as soft as babies! 101 Facts You Didn't Know About Space takes you on a wild journey around the Universe bringing you facts galore. Whether you are a space enthusiast or a newcomer you will find plenty of facts in here to keep you amused and entertained. “A good read, and there’s something for all levels of space enthusiast, from young adults to more experienced readers.” —BBC Sky at Night (UK) “Everything is explained brilliantly, the illustrations are inspirational and truly breathtaking, and, if you ask me, this is the way science should be taught in schools . . . . With this excellent book, we will at least be prepared for what we find when we eventually do break free of our solar system and find our destiny in the stars! Exceptional!” —Books Monthly

Mark Clifton (1906–1963) was an American science fiction writer, the co-winner of the first Hugo Award for best novel (for THEY'D RATHER BE RIGHT, written with Frank Riley). This volume assembles some of Clifton's very best work -- including THEY'D RATHER BE RIGHT: STAR BRIGHT (1952) THE KENZIE REPORT (1953) WE'RE CIVILIZED! SENSE FROM THOUGHT DIVIDE (1955) A WOMAN'S PLACE (1955) DO UNTO OTHERS (1958) THEY'D RATHER BE RIGHT (1958) WHAT NOW, LITTLE MAN? (1959) EIGHT KEYS TO EDEN (1960) And if you enjoy this volume, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more entries in this great series, covering science fiction, fantasy, horror, mysteries, westerns, classics -- and much, much more!

The famous "Space Trilogy" of C.S Lewis deals with what he saw as the dehumanizing trends in contemporary science fiction. The first book, Out of the Silent Planet, was apparently written following a conversation with his friend J.R.R. Tolkien about these trends. Lewis's main character Elwin Ransom is based in part on Tolkien, a fact to which Tolkien alludes in his letters. The second novel, Perelandra, depicts a new Garden of Eden on the planet Venus, a new Adam and Eve, and a new "serpent figure" to tempt Eve. The story can be seen as an account of what might have happened if the terrestrial Adam had defeated the serpent and avoided the Fall of Man, with Ransom intervening in the novel to "ransom" the new Adam and Eve from the deceptions of the enemy. The third novel, That Hideous Strength, develops the theme of nihilistic science threatening traditional human values, embodied in Arthurian legend. Clive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, literary critic and lay theologian. He is best known for his fictional work, especially The Screwtape Letters, The Chronicles of Narnia and The Space Trilogy

A growing number of literary historians and critics now recognize the contemporary long poem as a distinctively Canadian genre. This collection of essays leads the reader to a deeper understanding of Canadian literary cultures in terms of their local intimacies and idiosyncrasies as well as in their national contexts.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Russian avant-garde of the 1920s is broadly recognised to have been Russia’s first truly original contribution to world culture. In contrast, Soviet design of the post-war period is often dismissed as hack-work and plagiarism that resulted in a shabby world of commodities. This book offers a new perspective on the history of Soviet design by focusing on the notion of the comradely object as an agent of progressive social relations that state-sponsored Soviet design inherited from the avant-garde. It introduces a shared history of domestic objects, hand-made as well as machine made, mass-produced as well as unique, utilitarian as well as challenging the conventional notion of utility. This is a study of post-avant-garde Russian productivism at the intersection of intellectual history, social history and material culture studies, an account attentive to the complexities and contradictions of Soviet design.