The beautiful Marlowe twins, Marion and Dollie are in New York, living in a cheap boarding house and almost penniless. Marion had just found and rescued Dollie from the clutches of Professor Dabroski, the hypnotist, who had abducted her from her home in the country. In rescuing Dollie she had crossed swords with Emile Vorse, a fiend in the attire of a gentleman. Discovering who they are, their landlady tries to throw them out, but assistance arrives from an unexpected ally, who puts the landlady in her place. With her money returned the Marlow sisters and their new ally, Miss Allyn, depart Mrs Garvin’s shabby establishment. Ensconced in new rooms, the next day Dollie responds to an advertisement for a trainee typist and Marion wonders the city looking for work. Silas appears, as if from nowhere, and tells Dollie and Marion that he has bought the mortgage to their parents farm. He assumes that because Dollie’s reputation is somewhat tarnished, she would readily agree to marry him. He was wrong. With three months grace the sisters start laying plans to rescue their parents. But $9.00 is a long way from $500, especially in 1900’s New York. What adventures will the sisters plans lead them on and into in their attempt to earn enough to pay the $500 mortgage hanging over their parents’ lives without breaking the law? YESTERDAY’S BOOKS FOR TODAY’S CHARITIES 10% of the profit from the sale of this book will be donated to charity. ============= KEYWORDS-TAGS: Marion Marlowe, Courage, New York, broke, penniless, , Allyn, answer, aunt, Bert, block, boarders, boarding-house, body, breasts, bum, Carlotta, city, companion, concert, country, diamond, dollars, Dollie, Emile, exceptional, father, fellow, fiend, fireman, flush, forgive, furious, garments, Garvin, gentleman, German, girl, Haley, handsome, happily, heroine, home, hope, house, hundred, indignation, jacket, Jackson, Jenkins, Johnson, kindness, kiss, landlady, laugh, little, loan, love, luscious, man, Marcus, Marion Marlowe, marry, Matt, Miss, money, Moore, mortgage, New York, office, officer, Olio, orchestra, Otto, paper, passion, pleasant, pleasure, pocket, policeman, Poor, preacher, Professor, pussy, Dabroski, prompt, pussy, Ralph, Ray, room, Rosen, rush, sad, Samantha, Silas, sing, sister, sisters, sneer, song, started, starve, store, streets, thief, tremble, trouble, twins, typewriter, unconscious, vigorous, Vondergrift, Vorse, whisper, young, accost, kidnap

Harold Bloom, the doyen of American literary critics and author of 'The Western Canon', has spent a professional lifetime reading, writing about, and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare's genius in a radical and provocative re-reading of the plays.

Romantic Novel Award Nominee Zoe knows that it wasn't really her fault. Of course it wasn't. But if she'd just grasped harder, run faster, lunged quicker, she might have saved him. And Edward doesn't really blame her, though his bitter words at the time still haunt her, and he can no more take them back than she can halt the car that killed their son. Two years on, every day is a tragedy. Edward knows they should take healing steps together, but he's tired of being shut out. For Zoe, it just seems easier to let grief lead the way. A weekend in Paris might be their last hope for reconciliation, but mischance sees them separated before they've even left Gare du Nord. Lost and alone, Edward and Zoe must try to find their way back to each other--and find their way back to the people they were before. But is that even possible?

From the Helen Kay Chapbook Award-Winning poet Cassondra Windwalker, an unsuspecting librarian falls head-over-heels for a married man, but when she finds herself caught up in a whirlwind romance, she discovers her new husband's past wives have all met early deaths—and some aren't ready to let go yet. Obsession never dies. When librarian Sigrun falls head-over-heels for the sophisticated and very married Edgar Leyward, she never expects to find herself in his bed—or his heart. Nevertheless, when his enigmatic wife Octavia dies from a sudden illness, Sigrun finds herself caught up in a whirlwind romance worthy of the most lurid novels on her bookshelves. Sigrun soon discovers Octavia wasn't Edgar's first lost love, or even his second. Three women Edgar has loved met early deaths. As she delves into her beloved's past through a trove of discovered letters, the edges of Sigrun identity begin to disappear, fading into the women of the past. Sigrun tells herself it's impossible for any dark magic to be at play—that the dead can't possibly inhabit the bodies of the living—but something shadowy stalks the halls of the Leyward house and the lines between the love of the present and the obsessions of the past become increasingly blurred—and bloody. Mixing lyrical prose with simmering terror, Hold My Place is a modern gothic horror worthy of Shirley Jackson's nightmares and Daphne DuMaurier's dangerous lovers. "Hold My Place is a dark, sensuous tale about obliterating love, and Windwalker's superb prose fairly drips with beauty. You simply must read this haunting book." —Mercedes M. Yardley, Bram Stoker Award-winning author of Little Dead Red "Sinister undertones steadily build into a genuine sense of doom...as thought-provoking as it is harrowing." —Publishers Weekly "With ethereal prose [Hold My Place]'s departure from genre tropes will make it a favorite with gothic-horror and dark-romance readers." —Booklist "A satisfying blend of romance and ghost story.... Hold My Place is anything but ordinary or predictable, despite its firm roots in the horror world." —Midwest Book Review "Brimming with muted eroticism, Hold My Place is a dark romance novel punctuated by longing, lingering spirits and love without end." —Foreword Reviews

One of the greatest challenges for English language arts teachers today is the call to engage students in more complex texts. Tim Gillespie, who has taught in public schools for almost four decades, has found the lenses of literary criticism a powerful tool for helping students tackle challenging literary texts. Tim breaks down the dense language of critical theory into clear, lively, and thorough explanations of many schools of critical thought---reader response, biographical, historical, psychological, archetypal, genre based, moral, philosophical, feminist, political, formalist, and postmodern. Doing Literary Criticism gives each theory its own chapter with a brief, teacher-friendly overview and a history of the approach, along with an in-depth discussion of its benefits and limitations. Each chapter also includes ideas for classroom practices and activities. Using stories from his own English classes--from alternative programs to advance placement and everything in between--Tim provides a wealth of specific classroom-tested suggestions for discussion, essay and research paper topics, recommended texts, exam questions, and more. The accompanying CD offers abbreviated overviews of each theory (designed to be used as classroom handouts, examples of student work, collections of quotes to stimulate discussion and writing, an extended history of women writers, and much more. Ultimately, Doing Literary Criticism offers teachers a rich set of materials and tools to help their students become more confident and able readers, writers, and critical thinkers.