This book analyzes the exile ontology of Spanish philosopher María Zambrano (1904-1991). Karolina Enquist Källgren connects Zambrano’s lived exile and political engagement with the Spanish Civil War to her poetic reason, and argues that Zambrano developed a theory of expressive subjectivity that combined embodiment with the expressive creativity of the human mind. The analysis of recurring literary figures and concepts—such as new materialism, the confession, image, the ruin, the heart, and awakening— show how a comprehensive argument runs as a thread through her works. Further, this book situates Zambrano’s thought in a larger European philosophical context by showing how Zambrano’s poetic reason was directly related to her unconventional exile readings of Martin Heidegger, Aristotle, Immanuel Kant, and Xavier Zubiri, among others.

This book analyzes the exile ontology of Spanish philosopher María Zambrano (1904-1991). Karolina Enquist Källgren connects Zambrano’s lived exile and political engagement with the Spanish Civil War to her poetic reason, and argues that Zambrano developed a theory of expressive subjectivity that combined embodiment with the expressive creativity of the human mind. The analysis of recurring literary figures and concepts—such as new materialism, the confession, image, the ruin, the heart, and awakening— show how a comprehensive argument runs as a thread through her works. Further, this book situates Zambrano’s thought in a larger European philosophical context by showing how Zambrano’s poetic reason was directly related to her unconventional exile readings of Martin Heidegger, Aristotle, Immanuel Kant, and Xavier Zubiri, among others.

This book analyzes the exile ontology of Spanish philosopher María Zambrano (1904-1991). Karolina Enquist Källgren connects Zambrano's lived exile and political engagement with the Spanish Civil War to her poetic reason, and argues that Zambrano developed a theory of expressive subjectivity that combined embodiment with the expressive creativity of the human mind. The analysis of recurring literary figures and concepts--such as new materialism, the confession, image, the ruin, the heart, and awakening-- show how a comprehensive argument runs as a thread through her works. Further, this book situates Zambrano's thought in a larger European philosophical context by showing how Zambrano's poetic reason was directly related to her unconventional exile readings of Martin Heidegger, Aristotle, Immanuel Kant, and Xavier Zubiri, among others.

Struck by the contrast between the prestige of their literary tradition and their apparent philosophical insignificance, modern writers from Spain have devoted themselves to exploring the relation between literature and philosophy. This Side of Philosophy focuses on four major authors—Miguel de Unamuno, José Ortega y Gasset, Antonio Machado, and María Zambrano—who engage literary resources in order to reach beyond philosophy to the essential sources of life. Connecting their work to that of other European thinkers dedicated to illuminating the fertile interaction of literature and philosophy—especially Plato, Schlegel, Heidegger, and Derrida—Stephen Gingerich makes a case for the relevance of Spanish thought to contemporary efforts to expand the ethical and theoretical powers of thinking through literature. At the same time, Gingerich challenges the conventional view that contemporary Spanish thought fuses or reconciles literature and philosophy, instead discerning a call to appreciate their difference in relation. For these writers, literature and philosophy are repulsed by each other as inexorably as they are drawn together.

María Zambrano is widely regarded as one of the most original Spanish thinkers of the twentieth century. Her biggest contribution to intellectual history is, without doubt, her poetic reason and unique attempt to overcome the limiting coordinates of the framework of rationality established by the Enlightenment. Having spent forty-five years in exile, the relevance of this Spanish Republican thinker has only been recognised in recent decades, and this monograph explores the political dimension present throughout her work to argue for it as one of her key motivations. This monograph, therefore, reveals the political dimension inherent to Zambrano’s proposal for an alternative rationality – that is, poetic reason – and, to this end, this book questions existing assumptions regarding Zambrano’s thought and reframes it with its emphasis on the pivotal role of reason.

Detached from Shakespeare’s English, Hamlet has been rewritten numerous times in European languages, the various translations into any one language jostling with each other for dominance and spawning new Hamlets that depart decisively from Shakespeare as a source. This book focuses on the rich tradition of drawing from Hamlet in European cultures to produce new, independent works, which include Hamlet theatre, Hamlet ballet, Hamlet poetry, Hamlet fiction, Hamlet essays and Hamlet films. It examines how the myth of Hamlet has crossed back and forth over Europe’s linguistic borders for four hundred years, repeatedly reinvigorated by being bent to specific geo-political and cultural locations. The enquiries in this book show how, in the process of translation, adaptation and reinventing, Hamlet has become the common cultural currency of Europe.

Rich with analyses of concepts from deconstruction, systems theory, and post-Marxism, with critiques of fundamentalist thought and the war on terror, this volume argues for developing a philosophy of being in order to overcome the quandary of postmodern relativism. Undergirding the contributions are the premises that ontology is a vital concept for philosophy today, that an acceptable leftist ontology must avoid the kind of identity politics that has dominated recent cultural studies, and that a new ontology must be situated within global capitalism.