Traces the life of Margaret of York, sister of two kings, describes her influence on the politics of the period, and looks at her role as patron of the arts and the church

The amazing life of Margaret of York, the woman who tried to overthrow the Tudors.

This lavishly illustrated handbook was conceived to accompany an international exhibition organised by the city of Mechelen (Malines) in 2005. Both the exhibition and the catalogue highlight an important aspect of Burgundian culture: the impact of noble women on life at the court and in the city around 1500. Margaret of York (1446-1503), the English princess married to Duke Charles-the-Bold, and Margaret of Austria (1480-1530), the only daughter of Mary of Burgundy, both lived in Mechelen as well-to-do widows and are therefore the focal point of this publication. At the time, the city of Mechelen was the cosmopolitan and administrative centre of the Burgundian Netherlands. It forms the stage on which their lives as dowager duchess and as regent of the Netherlands unfold. Both women carried high responsibilities in matters of education, learning, devotion, government, diplomacy, patronage, public appearance and court etiquette. The book looks at the way in which court ladies were meant to behave within a given societal framework and also discusses how each individual interpreted her role by actively negotiating her position of authority. The sixteen essays which introduce the five distinct catalogue sections were written by leading scholars from different disciplines such as Wim Blockmans, Krista De Jonge, Dagmar Eichberger, Marie-Madeleine Fontaine, Anne-Marie Legare, Philippe Lorentz and Walter Prevenier. This book provides much more than a biographical account of two "women of distinction," but regards their lives as paradigmatic for upper-class women of that time. The study takes a fresh look at the transition from the late Middle Ages to the early modern period and offers the reader essential information as well as new insights into matters of gender and female concern.

In The Monstrous Regiment of Women , Sharon Jansen explores the case for and against female rule by examining the arguments made by theorists from Sir John Fortescue (1461) through Bishop Bossuet (1680) interweaving their arguments with references to the most well-known early modern queens. The 'story' of early modern European political history looks very different if, instead of focusing on kings and their sons, we see successive generations of powerful women and the shifting political alliances of the period from a very different, and revealing, perspective.

Presented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.