What sort of creatures may have haunted the Mardi Gras festival and who may have said farewell to the flesh in a horribly unique way (and why and how) are the subjects of this collection of murder stories set in New Orleans.

Three woodland friends confront Mardi Gras litter and remind everyone to keep the environment clean.

Just a fun girls' weekend in New Orleans during Mardi Gras...except for the murders. Chantilly Romero held an important place as a mover and a shaker within the New Orleans business world. An upstanding member of the community, everyone admired and respected her. But she had her secrets. Did she run an illegal high-stakes poker game out of her whiskey distillery? Had her bodyguard committed a few dastardly deeds, so Chantilly could profit? Did Chantilly's husband die by his own hand, or did she help him along to the pearly gates? Regardless, the police never found proof of any wrong doing. Did someone take matters into their own hands? This book is the fourth of the Small-Town Girl Mystery Series.

The festival of Mardi Gras is a tradition dating back more than 200 years. Its roots can be traced back to the Latin 'carnivale', which means - roughly - 'farewell to flesh'. The premise was simple: a time of great feasting prior to the time of fasting that traditionally begins with Ash Wednesday.

Introduces Mardi Gras and the Carnival festival, including the history of the holiday and how it is celebrated throughout the world.

In this study, Reid Mitchell takes the reader to Mardi Gras - a yearly ritual that sweeps the multicultural city of New Orleans into a frenzy of parades, pageantry, dance, drunkenness, music, sexual display, and social and political bombast.

Cajun Women and Mardi Gras is the first book to explore the importance of women’s contributions to the country Cajun Mardi Gras tradition, or Mardi Gras “run.” Most Mardi Gras runs--masked begging processions through the countryside, led by unmasked capitaines--have customarily excluded women. Male organizers explain that this rule protects not only the tradition’s integrity but also women themselves from the event’s rowdy, often drunken, play. Throughout the past twentieth century, and especially in the past fifty years, women in some prairie communities have insisted on taking more active and public roles in the festivities. Carolyn E. Ware traces the history of women’s participation as it has expanded from supportive roles as cooks and costume makers to increasingly public performances as Mardi Gras clowns and (in at least one community) capitaines. Drawing on more than a decade of fieldwork interviews and observation in Mardi Gras communities, Ware focuses on the festive actions in Tee Mamou and Basile to reveal how women are reshaping the celebration as creative artists and innovative performers.