"The map is not the territory" is a cartographic truism. It means that unless the map is drawn on a mile-to-mile scale and has the same physical characteristics as the territory itself, it cannot be perfectly accurate. But as David Turnbull demonstrates, the map is a metaphor not only for the territory it represents but for the culture that created it. As such, it takes on the meaning of the territory and its importance in that culture. In this ingenious book, Turnbull challenges common assumptions about the nature of cartography. In each of ten "exhibits" he addresses a seemingly basic concept—that a map is be factually accurate, for example, or that its symbols refer to concrete elements of the landscape—and then illustrates its complexities with maps from Western, Asian, and native cultures, from prehistoric to modern times, accompanied by quotations and historical background. The "exhibits" show how different cultures express their relation to the land, and how those differences ultimately define not only territory but also domination—religious, ideological, cultural, and political. An ideal introduction to the concepts of cartography, this book teaches not only how to read maps, but how to read them between the lines.

In this generously illustrated book, Jerry Brotton documents the dramatic changes in the nature of geographical representation which took place during the sixteenth century, explaining how much they convey about the transformation of European culture at the end of the early modern era. He examines the age's fascination with maps, charts, and globes as both texts and artifacts that provided their owners with a promise of gain, be it intellectual, political, or financial. From the Middle Ages through most of the sixteenth century, Brotton argues, mapmakers deliberately exploited the partial, often conflicting accounts of geographically distant territories to create imaginary worlds. As long as the lands remained inaccessible, these maps and globes were politically compelling. They bolstered the authority of the imperial patrons who employed the geographers and integrated their creations into ever more grandiose rhetorics of expansion. As the century progressed, however, geographers increasingly owed allegiance to the administrators of vast joint-stock companies that sought to exploit faraway lands and required the systematic mapping of commercially strategic territories. By the beginning of the seventeenth century, maps had begun to serve instead as scientific guides, defining objectively valid images of the world.

Discover the essential thinking tools you’ve been missing with The Great Mental Models series by Shane Parrish, New York Times bestselling author and the mind behind the acclaimed Farnam Street blog and “The Knowledge Project” podcast. This first book in the series is your guide to learning the crucial thinking tools nobody ever taught you. Time and time again, great thinkers such as Charlie Munger and Warren Buffett have credited their success to mental models–representations of how something works that can scale onto other fields. Mastering a small number of mental models enables you to rapidly grasp new information, identify patterns others miss, and avoid the common mistakes that hold people back. The Great Mental Models: Volume 1, General Thinking Concepts shows you how making a few tiny changes in the way you think can deliver big results. Drawing on examples from history, business, art, and science, this book details nine of the most versatile, all-purpose mental models you can use right away to improve your decision making and productivity. This book will teach you how to: Avoid blind spots when looking at problems. Find non-obvious solutions. Anticipate and achieve desired outcomes. Play to your strengths, avoid your weaknesses, … and more. The Great Mental Models series demystifies once elusive concepts and illuminates rich knowledge that traditional education overlooks. This series is the most comprehensive and accessible guide on using mental models to better understand our world, solve problems, and gain an advantage.

This Is Not an Atlas gathers more than 40 counter-cartographies from all over the world. This collection shows how maps are created and transformed as a part of political struggle, for critical research or in art and education: from indigenous territories in the Amazon to the anti-eviction movement in San Francisco; from defending commons in Mexico to mapping refugee camps with balloons in Lebanon; from slums in Nairobi to squats in Berlin; from supporting communities in the Philippines to reporting sexual harassment in Cairo. This Is Not an Atlas seeks to inspire, to document the underrepresented, and to be a useful companion when becoming a counter-cartographer yourself.

Between 1536 and 1601, at the request of the colonial administration of New Spain, indigenous artists crafted more than two hundred maps to be used as evidence in litigation over the allocation of land. These land grant maps, or mapas de mercedes de tierras, recorded the boundaries of cities, provinces, towns, and places; they made note of markers and ownership, and, at times, the extent and measurement of each field in a territory, along with the names of those who worked it. With their corresponding case files, these maps tell the stories of hundreds of natives and Spaniards who engaged in legal proceedings either to request land, to oppose a petition, or to negotiate its terms. Mapping Indigenous Land explores how, as persuasive and rhetorical images, these maps did more than simply record the disputed territories for lawsuits. They also enabled indigenous communities—and sometimes Spanish petitioners—to translate their ideas about contested spaces into visual form; offered arguments for the defense of these spaces; and in some cases even helped protect indigenous land against harmful requests. Drawing on her own paleography and transcription of case files, author Ana Pulido Rull shows how much these maps can tell us about the artists who participated in the lawsuits and about indigenous views of the contested lands. Considering the mapas de mercedes de tierras as sites of cross-cultural communication between natives and Spaniards, Pulido Rull also offers an analysis of medieval and modern Castilian law, its application in colonial New Spain, and the possibilities for empowerment it opened for the native population. An important contribution to the literature on Mexico's indigenous cartography and colonial art, Pulido Rull’s work suggests new ways of understanding how colonial space itself was contested, negotiated, and defined.

This book describes the emergence of the territorial state and examines the role that cartography has played in shaping its linear boundaries.

ELSE/WHERE: MAPPING charts the ascendancy of mapping as a powerful interdisciplinary strategy, one that links people and places, data and organizations, and physical and virtual environments. Traditionally written by history's victors, maps are gaining new currency in our information-saturated age as a means of making arguments and processes visible. Mapping technologies today are as diverse as the agendas driving them: social networks are mapped with dynamic digital interfaces; buildings are mapped with lasers; cities and regions are mapped by satellite. Illustrated with nearly 300 images, from archival woodcuts to Web-based maps and GPS drawings, ELSE/WHERE: MAPPING explores how cartographic techniques are being adapted to map the emerging landscapes of electronic communication. It showcases cutting-edge projects in graphic and industrial design, art, architecture, and technology by an international roster of writers, artists, and designers at the forefront of locative media practice. ELSE/WHERE: MAPPING proposes--by visual example and written analysis--that mapping is a fundamental design process that increasingly shapes the physical and conceptual dimensions of contemporary society. Deborah Littlejohn (designer) is design fellow at the University of Minnesota Design Institute. Distributed for the University of Minnesota Design Institute by the University of Minnesota Press.