What if Earth had several moons or massive rings like Saturn? What if the Sun were but one star in a double-star or triple-star system? What if Earth were the only planet circling the Sun? These and other imaginative scenarios are the subject of Arthur Upgren's inventive book Many Skies: Alternative Histories of the Sun, Moon, Planets, and Stars. Although the night sky as we know it seems eternal and inevitable, Upgren reminds us that, just as easily, it could have been very different. Had the solar sytem happened to be in the midst of a star cluster, we might have many more bright stars in the sky. Yet had it been located beyond the edge of the Milky Way galaxy, we might have no stars at all. If Venus or Mars had a moon as large as ours, we would be able to view it easily with the unaided eye. Given these or other alternative skies, what might Ptolemy or Copernicus have concluded about the center of the solar sytem and the Sun? This book not only examines the changes in science that these alternative solar, stellar, and galactic arrangements would have brought, it also explores the different theologies, astrologies, and methods of tracking time that would have developed to reflect them. Our perception of our surroundings, the number of gods we worship, the symbols we use in art and literature, even the way we form nations and empires are all closely tied to our particular (and accidental) placement in the universe. Many Skies, however, is not merely a fanciful play on what might have been. Upgren also explores the actual ways that human interferences such as light pollution are changing the night sky. Our atmosphere, he warns, will appear very different if we have belt of debris circling the globe and blotting out the stars, as will happen if advertisers one day pollute space with brilliant satellites displaying their products. From fanciful to foreboding, the scenarios in Many Skies will both delight and inspire reflection, reminding us that ours is but one of many worldviews based on our experience of a universe that is as much a product of accident as it is of intention.

Mama's away one night, and her son can't sleep. He tries to relax by counting stars, but the more of them he sees, the more determined he is to count every single one. Then the boy finds that Daddy can't sleep either. Together, the two of them set off on an unforgettable all-night journey of discovery.

In this second book in a series covering elements of the landscape, renowned watercolourist, David Bellamy shows how to paint skies, light and atmosphere and how choices involving these three key elements can affect a painting. Starting with skies, David Bellamy covers basic techniques, composition, clouds, special effects like silver linings, sunsets and shafts of light, and much more, then there is a step by step dramatic sky demonstration. Next comes light, with plenty of advice including warm and cool light, using glazes, cast shadows, light from different directions, painting the sun and reflected light, followed by a step by step demonstration featuring strong light and shadow. The atmosphere section covers haze and mist, fog, mountains in cloud, smoke and steam, rain, storms and tranquil moods, and is followed by an atmospheric step by step painting of a waterfall. David Bellamy's extensive travels and much admired painting style ensure that there are plenty of beautiful, inspiring paintings of skies, light and atmosphere throughout the book.

A small band of pilots fight against a seemingly unstoppable alien empire in this thrilling space opera. Commander Lanoe's skills made him a hero of the interplanetary civil war, but he was left with nothing except battle scars and painful memories. But now he faces the greatest threat mankind has ever known. Once again, Lanoe must go to war -- but he does not go alone. A ragtag band of criminal and outcast pilots stand with him. Some are old friends, one an old enemy, and despite their own battle scars, they are the only ones willing to fight back. Sometimes the few must stand against the many, but the best these aces can do might not be good enough. This explosive first novel from D. Nolan Clark is an epic tale of a fight against the odds -- and the terror of realizing that we're no longer alone in the cold vacuum of space.

Part sweeping evocation of Earth’s rhythms, part literary archive, part post-human novel, The Nature Book collages descriptions of the natural world into a singular symphonic paean to the planet. What does our nature writing say about us, and more urgently, what would it say without us? Tom Comitta investigates these questions and more in The Nature Book, a “literary supercut” that arranges writing about the natural world from three hundred works of fiction into a provocative re-envisioning of the novel. With fiction’s traditional background of flora and fauna brought to the fore, people and their structures disappear, giving center stage to animals, landforms, and weather patterns—honored in their own right rather than for their ambient role in human drama. The Nature Book challenges the confines of anthropocentrism with sublime artistic vision, traversing mountains, forests, oceans, and space to shift our attention toward the magnificently complex and interconnected world around us.