"The ... story of a fourteen-year-old sentenced to life in prison, of the extraordinary relationship that developed between him and the woman he shot, and of his release after twenty-six years of imprisonment through the efforts of ... legal activist Bryan Stevenson"--

The Wig, The Bitch & The Meltdown is a satirical look behind the scenes of the fictional reality model competition show Model Muse, and global phenomenon. Seen through the eyes of our moral compass narrator, Pablo Michaels-the heart of the production in the helter-skelter world of Model Muse-we see behind-the-scenes and backstage shenanigans of the fashion/reality TV world. As the "The Fixer,” Pablo is the man everyone turns to in a crisis. Struggling to hold the fledgling production together, he juggles his duties to his “BFF,” the ruthless and vulnerable antihero Keisha Kash, his Supermodel boss and to his soul.

New portrait of Manuel II Palaiologos, investigating his tumultuous reign, literary, philosophical and theological oeuvre and personal life.

Manuel Puig & The Spider Woman tells the life story of the innovative and flamboyant novelist and playwright himself. Suzanne Jill Levine, his principal English translator, draws upon years of friendship as well as copious research and interviews in her remarkable book, the first biography of the inimitable writer. Manuel Puig (1932-1990), Argentinian author of Kiss of the Spider Woman and pioneer of high camp, stands alone in the pantheon of contemporary Latin American literature. Strongly influenced by Hollywood films of the thirties and forties, his many-layered novels and plays integrate serious fiction and popular culture, mixing political and sexual themes with B-movie scenarios. When his first two novels were published in the late 1960s, they delighted the public but were dismissed as frivolous by the leftist intellectuals of the Boom; his third novel was banned by the Peronist government for irreverence. His influence was already felt, though-even by writers who had dismissed him-and by the time the film version of Kiss of the Spider Woman became a worldwide hit, he was a renowned literary figure. Puig's way of life was as unconventional as his fiction: he spoke of himself in the female form in Spanish, renamed his friends for his favorite movie stars, referred to his young male devotees as "daughters," and, as a perennial expatriate, lived (often with his mother) everywhere from Rome to Rio de Janeiro.

Michael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla’s mature works and musical identity. Part II traces the evolution of his flamenco-inspired Spanish style through contacts with Claude Debussy, Maurice Ravel and Igor Stravinsky, while Part III explores the impact of post-World War I modernities on Falla’s musical nationalism. The final part reflects on aspects of Falla’s music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla as well as to the wider fields of musical modernism, exoticism, and music and politics.

Peter Manuel was an icy-eyed psychopath and sexual predator, a petty thief and a relentless liar given to violent and uncontrollable rages. His unprecedented crimes presented the Scottish police and public with a new sort of criminal: the ruthless serial killer. Manuel was hanged at the age of thirty-one and convicted of seven murders, but suspected of many more. He slew many of his victims as they lay sleeping in bed, while others were picked up in lonely places and strangled or savagely beaten to death. Right up to his final arrest, he played a taunting game with the police, mocking their bungling attempts to trap him and continuing to kill with impunity - that is until he was trapped by his own vanity and arrogance. This definitive definitive biography recounts Manuel's chilling story from his birth in the USA to the moment the hangman's rope snapped his spine in Glasgow's notorious Barlinnie Prison.

Lin-Manuel Miranda is one of the most accomplished entertainers working today. From his Broadway hit Hamilton to Oscar-nominated songs from Moana, Miranda is fast becoming a household name. This volume, featuring annotated quotes, vibrant photographs, sidebars, and a detailed timeline, follows Miranda from his early life in New York to the stage and screen work that has earned him such great acclaim. Including stories from his childhood, the writing process of In the Heights and Hamilton, and his time working on Mary Poppins Returns, this book will spark any reader to take a shot at their dreams.