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Excerpt from A Manual of Church Decoration and Symbolism All that can be hoped, is that you may be by it inclined to a more intelligent cultivation of that branch of the Tree of Knowledge, whence, at the call of god, Bezaleel and Aholiab plucked the pomegranates, to deck His Tabernacle among men. Hence, too, unnumbered thousands after them, have gathered the ever ripening fruit, for the glorious service of the Sanctuary. I count not myself, by any means, to have apprehended the full increase of the ages; nor, while entering into the labours of others, to have done aught but glean after them. For this, like Ruth, may I not be rebuked, since I have tried only to take what lies ready to any man's hand. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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William Blake famously imagined 'Jerusalem builded here' in London. But Blake was not the first or the last to visualise a shimmering new metropolis on the banks of the River Thames. For example, the Romans erected a temple to Mithras in their ancient city of Londinium; medieval Londoners created Temple Church in memory of the Holy Sepulchre in which Jesus was buried; and Christopher Wren reshaped the skyline of the entire city with his visionary dome and spires after the Great Fire of London in 1666. In the modern period, the fabric of London has been rewoven in the image of its many immigrants from the Caribbean, South Asia, Eastern Europe and elsewhere. While previous books have examined literary depictions of the city, this is the first examination of the religious imaginary of the metropolis through the prism of the visual arts. Adopting a broad multicultural and multi-faith perspective, and making space for practitioners as well as scholars, its topics range from ancient archaeological remains and Victorian murals and cemeteries to contemporary documentaries and political cartoons.