Tourists started visiting the American West in sizable numbers after the Union Pacific and Central Pacific Railroads were completed in 1869. Contemporary travel brochures and guidebooks of the 1870s sold tourists on the spectacular scenery of the West, and depicted its cities as extensions of the natural landscape—as well as places where efficient business operations and architectural grandeur prevailed—all now easily accessible thanks to the relative comfort of transcontinental rail travel. Yet as people flocked to western cities, it was the everyday life that captured their interest—the new technologies, incessant clatter, and all the upheaval of modern metropolises. In Manifest Destinations, J. Philip Gruen examines the ways in which tourists experienced Chicago, Denver, Salt Lake City, and San Francisco between 1869 and 1893, a period of rapid urbanization and accelerated modernity. Gruen pays particular attention to the contrast between the way these cities were promoted and the way visitors actually experienced them. Guidebooks made Chicago, Denver, Salt Lake City, and San Francisco seem like picturesque environments sprinkled with civilized buildings and refined people. But Gruen’s research in diaries, letters, and traveler narratives shows that tourists were interested—as tourists usually are—in the unexpected encounters that characterize city life. Visitors relished the cities’ unfamiliar storefronts and advertising, public transit systems, ethnic diversity, and multiple dwellings in all their urban messiness. They thrust themselves into the noise, danger, and cacophony. Western cities did not always live up to the marketing strategies of guidebooks, but the western cities’ fast pace and many novelties held extraordinary appeal to visitors from the East Coast and abroad. In recounting lively anecdotes, and by focusing on tourist perceptions of everyday life in western cities, Gruen shows how these cities developed the economy of tourism to eventually encompass both the urban and the natural West.

Stagecoaches carried visitors to and through Yellowstone National Park for thirty-eight years, from 1878 to 1916, and helped establish Yellowstone as a world-famous travel destination. This Volume One of a two-volume set by preeminent Yellowstone historian Lee Whittlesey is an engaging account of stagecoaching’s first years in the park. In lively, often humorous prose, Whittlesey describes the evolution of stagecoach travel in Yellowstone, the colorful men—and women—who ran the stagecoach companies, and the types of stagecoaches that carried tourists in the park, including the famed “Tally-ho” design. Along the way, Whittlesey profiles the stagecoach drivers who were “rough and profane but men of undoubted nerve,” and he shares stories from passengers who were appalled by their drivers, the “mind-shattering and bone-rattling” roads, the armed hold-ups, and the relentless dust, yet who were entranced by the wonders of this new Wonderland. "A new book by Yellowstone’s premier historian is always cause for celebration. Lee Whittlesey’s “Off with the Crack of a Whip!” is both a lively, colorful paean to the park’s legendary stagecoach days and an astonishing achievement of research on an encyclopedic scale. An amazing book.” — Paul Schullery, author of Searching for Yellowstone and The Bear Doesn’t Know “This book is an excellent source for anyone doing research on Yellowstone history, because stagecoach tourism, as Lee Whittlesey shows, was intertwined with almost every aspect of Yellowstone’s development. Thoroughly well-documented, “Off with the Crack of a Whip!” is a fascinating ride into Yellowstone’s stagecoaching past.” — Dr. Judith Meyer, Professor Emeritus, Missouri State University-Springfield (retired), and author of The Spirit of Yellowstone

In Securing Paradise, Vernadette Vicuña Gonzalez shows how tourism and militarism have functioned together in Hawai`i and the Philippines, jointly empowering the United States to assert its geostrategic and economic interests in the Pacific. She does so by interpreting fiction, closely examining colonial and military construction projects, and delving into present-day tourist practices, spaces, and narratives. For instance, in both Hawai`i and the Philippines, U.S. military modes of mobility, control, and surveillance enable scenic tourist byways. Past and present U.S. military posts, such as the Clark and Subic Bases and the Pearl Harbor complex, have been reincarnated as destinations for tourists interested in World War II. The history of the U.S. military is foundational to tourist itineraries and imaginations in such sites. At the same time, U.S. military dominance is reinforced by the logics and practices of mobility and consumption underlying modern tourism. Working in tandem, militarism and tourism produce gendered structures of feeling and formations of knowledge. These become routinized into everyday life in Hawai`i and the Philippines, inculcating U.S. imperialism in the Pacific.

From Sister Wives and Big Love to The Book of Mormon on Broadway, Mormons and Mormonism are pervasive throughout American popular media. In Latter-day Screens, Brenda R. Weber argues that mediated Mormonism contests and reconfigures collective notions of gender, sexuality, race, spirituality, capitalism, justice, and individualism. Focusing on Mormonism as both a meme and an analytic, Weber analyzes a wide range of contemporary media produced by those within and those outside of the mainstream and fundamentalist Mormon churches, from reality television to feature films, from blogs to YouTube videos, and from novels to memoirs by people who struggle to find agency and personhood in the shadow of the church's teachings. The broad archive of mediated Mormonism contains socially conservative values, often expressed through neoliberal strategies tied to egalitarianism, meritocracy, and self-actualization, but it also offers a passionate voice of contrast on behalf of plurality and inclusion. In this, mediated Mormonism and the conversations on social justice that it fosters create the pathway toward an inclusive, feminist-friendly, and queer-positive future for a broader culture that uses Mormonism as a gauge to calibrate its own values.

Lewis, Clark and the surviving members of their expedition continue westward, only to learn there is nowhere to run on the river.