Mr. Mandingo is an author that is here to bring you the ancient African Kemetic secrets that will allow men to enhance their lives. Sometimes men overlook the fact they can always enhance their quality of life. Most men just accept certain things about their life, that if they took the time to change, it would better their life. Mr. Mandingo felt it necessary to bring out unknown and secret teachings that originate from the Motherland Africa, the cradle of humanity and bring them to the public, in order to help men all over the world.

In 1957, the novel "Mandingo" stunned readers with its lurid, unforgettable tale of Falconhurst--a pre-Civil War slave-breeding plantation where unspeakable acts of sex and brutality took place everyday between the masters and slaves. Over the next three decades, "Mandingo" sold millions of copies worldwide and spawned thirteen official sequel books as well as dozens of paperback imitators. The big-budget movie version of 1975 was one of the biggest hits of the year, as well as one of the most reviled films of all time. Now, for the first time, the complete history of the bizarre "Mandingo" phenomenon is told, including: the life of the eccentric author Kyle Onstott and the scandalous true stories that inspired him; the two writers who continued the Falconhurst series; and the background of the disastrous Broadway adaptation. Also covered extensively (including deleted scenes and alternate cuts) is the making of the "Mandingo" film and the production of the sequel, "Drum," as well as several other "slavesploitation" and "spaghetti Mandingo" movies. "Mondo Mandingo: The Falconhurst Books and Films" is exhaustively researched and contains dozens of rare illustrations and photographs plus exclusive, candid interviews with director Richard Fleischer, actor Ken Norton, and many others.

Scientists, scholars, and artists consider the political significance of recent advances in the biological sciences. Popular culture in this “biological century” seems to feed on proliferating fears, anxieties, and hopes around the life sciences at a time when such basic concepts as scientific truth, race and gender identity, and the human itself are destabilized in the public eye. Tactical Biopolitics suggests that the political challenges at the intersection of life, science, and art are best addressed through a combination of artistic intervention, critical theorizing, and reflective practices. Transcending disciplinary boundaries, contributions to this volume focus on the political significance of recent advances in the biological sciences and explore the possibility of public participation in scientific discourse, drawing on research and practice in art, biology, critical theory, anthropology, and cultural studies. After framing the subject in terms of both biology and art, Tactical Biopolitics discusses such topics as race and genetics (with contributions from leading biologists Richard Lewontin and Richard Levins); feminist bioscience; the politics of scientific expertise; bioart and the public sphere (with an essay by artist Claire Pentecost); activism and public health (with an essay by Treatment Action Group co-founder Mark Harrington); biosecurity after 9/11 (with essays by artists' collective Critical Art Ensemble and anthropologist Paul Rabinow); and human-animal interaction (with a framing essay by cultural theorist Donna Haraway). Contributors Gaymon Bennett, Larry Carbone, Karen Cardozo, Gary Cass, Beatriz da Costa, Oron Catts, Gabriella Coleman, Critical Art Ensemble, Gwen D'Arcangelis, Troy Duster, Donna Haraway, Mark Harrington, Jens Hauser, Kathy High, Fatimah Jackson, Gwyneth Jones, Jonathan King, Richard Levins, Richard Lewontin, Rachel Mayeri, Sherie McDonald, Claire Pentecost, Kavita Philip, Paul Rabinow, Banu Subramanian, subRosa, Abha Sur, Samir Sur, Jacqueline Stevens, Eugene Thacker, Paul Vanouse, Ionat Zurr

An introductionto African culture - its literatures, arts,and values.

The book illuminates the political process that over the course of six generations brought about the personalization of authority in Liberia; and it links that system of personal rule to the highly centralized structures of the postcolonial state. The book concludes by exploring the future of self-govenance in Liberia and all of postcolonial Africa. The author became president of the Republic of Liberia after the civil war 1989-90.

The canonical work of cultural criticism by the “profoundly influential critic” (Artnet), in a beautiful thirtieth-anniversary edition, featuring a new foreword by esteemed visual artist Mickalene Thomas Called “one of the country’s most influential feminist thinkers” by Artforum, bell hooks and her work have enjoyed a huge resurgence of popularity since her passing in 2021. Her 2018 book All About Love has sold upwards of 700,000 copies, and posthumous tributes have credited her with being “instrumental in cracking open the white, western canon for Black artists” (Artnet). To celebrate the thirtieth anniversary of her groundbreaking essay collection Art on My Mind, The New Press will publish a handsome, celebratory edition, featuring a new foreword by Tony-nominated producer and all-around creative phenom Mickalene Thomas and a new cover featuring original photos of bell hooks shot by African American photojournalist Eli Reed. This classic work, which, as the New York Times wrote, “examines the way race, sex and class shape who makes art, how it sells and who values it,” includes what Artforum calls “incisive essays” on the work of Jean-Michel Basquiat, Isaac Julien, Carrie Mae Weems, and Romare Bearden, among others. Her essays on Black vernacular architecture, representation of the Black male body, and the creative process of women artists, are complemented by conversations with Carrie Mae Weems, Emma Amos, Margo Humphrey, and LaVerne Wells-Bowie, which Kirkus Reviews calls “excellent indeed,” and “a real contribution to our understanding of the situation of black women artists.”

This book was written in the belief that while music is a system of sounds, an assumption that provides the point of departure for most studies of music in culture, it is also a complex of behavior which resonates throughout the whole cultural organism--social organization, esthetic activity, economics, religion. This book is to be distinguished from other studies by its model of music as human action, making this work of interest not only to the ethnomusicologist and anthropologist, but also to those concerned with the nature of music, the nature of man, and the nature of music in human culture. Specifically, this model for the study of ethnomusicology is equally applicable to the study of visual arts, dance, folklore, and literature. --Adapted from dust jacket.