Encouraged by his minister, Ken decides to find himself and his faith by impulsively flying to London, where he navigates the new and somewhat dangerous realm of British counterculture. Tracy Letts's play dares to ask the big questions, revealing the hidden yearning and emotion that can spur eccentric behaviour in outwardly conventional people."--BOOK JACKET.

For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. Omaha Sketchbook is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power.

The harrowing story of a Native American man’s tragic loss of land and family, and his heroic journey to reclaim his humanity. In 1877, Chief Standing Bear’s Ponca Indian tribe was forcibly removed from their Nebraska homeland and marched to what was then known as Indian Territory (now Oklahoma), in what became the tribe’s own Trail of Tears. A third of the tribe died on the grueling march, including Standing Bear’s only son. “I Am a Man” chronicles what happened when Standing Bear set off on a six-hundred-mile walk to return the body of his son’s body to the Ponca’s traditional burial ground. It chronicles his efforts to reclaim his land and rights, culminating in his successful use of habeas corpus to gain access to the courts and secure his freedoms. This is a story of survival that explores fundamental issues of citizenship, constitutional protection, and the nature of democracy. Joe Starita’s well-researched and insightful account bring this vital piece of American history brilliantly to life.

"Christopher W. Merritt combines and highlights the historical and archaeological records of the Overseas Chinese experience in Montana, beginning with the arrival of Chinese immigrants in 1862 to the repeal of the Chinese Exclusion Act in 1943."--Provided by publisher.

Based on the lives of John J. Cozad and Robert Henri.

A resonant true story of small-town politics and community perseverance and of decent people and questionable choices, Zoo Nebraska is a timely requiem for a rural America in the throes of extinction. Royal, Nebraska, population eighty-one--where the church, high school, and post office each stand abandoned, monuments to a Great Plains town that never flourished. But for nearly twenty years, they had a zoo, seven acres that rose from local peculiarity to key tourist attraction to devastating tragedy. And it all began with one man's outsize vision. When Dick Haskin's plans to assist primatologist Dian Fossey in Rwanda were cut short by her murder, Dick's devotion to primates didn't die with her. He returned to his hometown with Reuben, an adolescent chimp, in the bed of a pickup truck and transformed a trailer home into the Midwest Primate Center. As the tourist trade multiplied, so did the inhabitants of what would become Zoo Nebraska, the unlikeliest boon to Royal's economy in generations and, eventually, the source of a power struggle that would lead to the tragic implosion of Dick Haskin's dream.

The people, places, and events of Nebraska are recorded in this collection of images taken during the photographer's ten thousand miles of travel throughout his home state, on an odyssey that takes him from the Wayne Chicken Show to Omaha and everywhere in between. Original.