Mamluk Cairo, a Crossroads for Embassies offers an up-to-date insight into the diplomacy and diplomatics of the Mamluk sultanate with Muslim and non-Muslim powers. This rich volume covers the whole chronological span of the sultanate as well as the various areas of the diplomatic relations established by (or with) the Mamluk sultanate. Twenty-six essays are divided in geographical sections that broadly respect the political division of the world as the Mamluk chancery perceived it. In addition, two introductory essays provide the present stage of research in the fields of, respectively, diplomatics and diplomacy. With contributions by Frédéric Bauden, Lotfi Ben Miled, Michele Bernardini, Bárbara Boloix Gallardo, Anne F. Broadbridge, Mounira Chapoutot-Remadi, Stephan Conermann, Nicholas Coureas, Malika Dekkiche, Rémi Dewière, Kristof D’hulster, Marie Favereau, Gladys Frantz-Murphy, Yehoshua Frenkel, Hend Gilli-Elewy, Ludvik Kalus, Anna Kollatz, Julien Loiseau, Maria Filomena Lopes de Barros, John L. Meloy, Pierre Moukarzel, Lucian Reinfandt, Alessandro Rizzo, Éric Vallet, Valentina Vezzoli and Patrick Wing.

The Mamluk Sultanate ruled Egypt, Syria and the Arabian hinterland along the Red Sea. Lasting from the deposition of the Ayyubid dynasty (c. 1250) to the Ottoman conquest of Egypt in 1517, this regime of slave-soldiers incorporated many of the political structures and cultural traditions of its Fatimid and Ayyubid predecessors. Yet its system of governance and centralisation of authority represented radical departures from the hierarchies of power that predated it. Providing a rich and comprehensive survey of events from the Sultanate's founding to the Ottoman occupation, this interdisciplinary book explores the Sultanate's identity and heritage after the Mongol conquests, the expedience of conspiratorial politics, and the close symbiosis of the military elite and civil bureaucracy. Carl F. Petry also considers the statecraft, foreign policy, economy and cultural legacy of the Sultanate, and its interaction with polities throughout the central Islamic world and beyond. In doing so, Petry reveals how the Mamluk Sultanate can be regarded as a significant experiment in the history of state-building within the pre-modern Islamic world.

Building on his award-winning research, Christian Mauder’s In the Sultan’s Salon constitutes the first detailed study of the intellectual, religious, and political culture of the court of the Mamluk Sultanate (1250–1517), one of the most important polities in Islamic history.

This volume is a collection of research essays submitted by fellows of the Annemarie Schimmel Kolleg, an Advanced Center of Research in Mamluk Studies. It covers three themes, which correspond to the research agenda of the final three academic years of the Annemarie Schimmel Kolleg. These were: environmental history, material culture studies, and im/mobility. The aim of the contributions is to overcome the disciplinary boundaries of the field and to engage in scholarly debates in Ottoman Studies, European history, archae-ology and art history, and even the natural sciences.

"Ethiopia at the Crossroads celebrates the artistic traditions of Ethiopia from their origins to the present day, spanning over 1,700 years of history. Seated in the Horn of Africa between Europe and the Middle East, the country is an intersection of diverse climates, religions, and cultures. This landmark catalogue examines Ethiopian art as representative of the nation's notable history and demonstrates the enormous cultural significance of this often-overlooked African nation through the themes of cross-cultural exchange and the human role in the creation and movement of art objects. It features more than 250 images of objects including painted icons, illuminated manuscripts, coins, textiles, metalwork, and carved wooden crosses in addition to works by contemporary Ethiopian artists. Because the artistic production of Ethiopia is still relatively unknown to Western audiences, Ethiopia at the Crossroads provides an accessible overview of the history and culture of the region. The book includes a series of scholarly essays that expand upon the themes and historical moments of encounter between Ethiopia and surrounding cultures, as well as an illustrated checklist of objects in the exhibition and technical findings of the Walters conservation team"--

In this book, Doris Behrens-Abouseif responds to the Mamluk chroniclers whose loquacity regarding clothing matters demands our attention. Using a multiplicity of sources including chronicles, European and Muslim travel narratives, popular storytelling, legal treatises, literature, and poetry, Behrens-Abouseif delves into the details of Mamluk dress. Whether as a vehicle for the sultanate’s self-representation both internationally and domestically or as an expression of religious and social identities, status and wealth, female assertion, urban culture, and artistic creativity, clothing personified the broad Mamluk social spectrum. Replete with colorful anecdotes and copious illustrations, Dress and Dress Code in Medieval Cairo offers a lively and comprehensive study of this fascinating topic.

Breaching the Bronze Wall deals with the idea that the words of honorable Muslims constitutes proof and that written documents and the words of non-Muslims are of inferior value. Thus, foreign merchants in cities such as Istanbul, Damascus or Alexandria could barely prove any claim, as neither their contracts nor their words were of any value if countered by Muslims. Francisco Apellániz explores how both groups labored to overcome the ‘biases against non-Muslims’ in Mamlūk Egypt’s and Syria’s courts and markets (14th-15th c.) and how the Ottoman conquest (1517) imposed a new, orthodox view on the problem. The book slips into the Middle Eastern archive and the Ottoman Dīvān, and scrutinizes sharīʿa’s intricacies and their handling by consuls, dragomans, qaḍīs and other legal actors.