Scholarship has come to value the uncertainties haunting early modern knowledge cultures; indeed, the awareness of the fragility and plurality of knowledge is now offered as a key element of "Baroque Science". Yet early modern actors never questioned the possibility of certainty itself; including the notion that truth is out there, universal, and therefore situated at one remove from human manipulations. This book addresses the central question of how early modern actors managed not to succumb to postmodern relativism, amidst uncertainties and blatant disagreements about the nature of God, Man, and the Universe. An international and interdisciplinary team of experts in fields ranging from Astronomy to Business Administration to Theology investigate a number of practices that are central to maintaining and functionalizing the notion of absolute truth, the certainty that could be achieved about it, and of the credibility of a wide plethora of actors in differentiating fields of knowledge.

In Becoming a New Self, Moshe Sluhovsky examines the diffusion of spiritual practices among lay Catholics in early modern Europe. By offering a close examination of early modern Catholic penitential and meditative techniques, Sluhovsky makes the case that these practices promoted the idea of achieving a new self through the knowing of oneself. Practices such as the examination of conscience, general confession, and spiritual exercises, which until the 1400s had been restricted to monastic elites, breached the walls of monasteries in the period that followed. Thanks in large part to Franciscans and Jesuits, lay urban elites—both men and women—gained access to spiritual practices whose goal was to enhance belief and create new selves. Using Michel Foucault’s writing on the hermeneutics of the self, and the French philosopher’s intuition that the early modern period was a moment of transition in the configurations of the self, Sluhovsky offers a broad panorama of spiritual and devotional techniques of self-formation and subjectivation.

This volume demonstrates that the Catholic rhetoric of tradition disguised both novelties and creative innovations between 1550 and 1700. Innovation in Early Modern Catholicism reveals that the period between 1550 and 1700 emerged as an intellectually vibrant atmosphere, shaped by the tensions between personal creativity and magisterial authority. The essays explore ideas about grace, physical predetermination, freedom, and probabilism in order to show how the rhetoric of innovation and tradition can be better understood. More importantly, contributors illustrate how disintegrated historiographies, which often excluded Catholicism as a source of innovation, can be overcome. Not only were new systems of metaphysics crafted in the early modern period, but so too was a new conceptual language to deal with the pressing problems of human freedom and grace, natural law, and Marian piety. Overall, the volume shines significant light on hitherto neglected or misunderstood traits in the understanding of early modern Catholic culture. Re-presenting early modern Catholicism more crucially than any other currently available study, Innovation in Early Modern Catholicism is a useful tool for advanced undergraduates, postgraduates, and scholars in the fields of philosophy, early modern studies, and the history of theology.

John W. O’Malley works out a remarkable guide to the intellectual and historical developments behind the concepts of Catholic reform, the Counter Reformation, and, in his felicitous term, Early Modern Catholicism. The result is the single best overview of scholarship on Catholicism in early modern Europe, delivered in a pithy, entertaining style.

The so-called Counter- or Catholic Reformation has traditionally been viewed as a monolith, but these essays decisively challenge this interpretation, emphasizing the variety, vitality, and complexity of Catholicism in the early modern era.

Named a Book of the Year by History Today In a compelling examination of the hermeneutical and epistemological anxieties gripping both the early modern and our current world, Stefania Tutino shows that post-Reformation Catholicism did not simply usher in modernity, but postmodernity as well. This deft study provides new insight into and a fresh perspective on the context of the Protestant Reformation and the Catholic response to it. Shadows of Doubt provides a collection of case-studies centered on the relationship between language, the truth of men, and the Truth of theology. Most of these case-studies illuminate little-known figures in the history of early modern Catholicism. While the militant aspects of post-Tridentine Catholicism can be appreciated by studying figures such as Robert Bellarmine or Cesare Baronio, who were the solid pillars of the intellectual and theological structure of the Church of Rome, an understanding of the more fragile and shadowy aspects of early modernity requires an exploration of the demimonde of post-Reformation Catholicism. Tutino examines the thinkers whom few scholars mention and fewer read, demonstrating that post-Reformation Catholicism was not simply a world of solid certainties to be opposed to the Protestant falsehoods, but also a world in which the stable Truth of theology existed alongside and contributed to a number of far less stable truths concerning the world of men. Post-Reformation Catholic culture was not only concerned with articulating and affirming absolute truths, but also with exploring and negotiating the complex links between certainty and uncertainty. By bringing to light this fascinating and hitherto largely unexamined side of post-Tridentine Catholicism, Tutino reveals that post-Reformation Catholic culture was a vibrant laboratory for many of the issues that we face today: it was a world of fractures and fractured truths which we, with a heightened sensitivity to discrepancies and discontinuities, are now well-suited to understand.