A richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, Making Strange reasserts the role of French photobooks in the history of modern art.

Making Strange: The Chara Schreyer Collection brings together more than two hundred iconic art works that each in their own way ask us to reconsider how we look at the world. How do artists challenge us to see the everyday world around us with fresh eyes? How do they make our world strange? Making Strange: The Chara Schreyer Collection brings together nearly 250 art works spanning the course of more than 100 years of history that each in their own way ask us to reconsider how we look at the world. Brought together by Chara Schreyer over the course of three decades, the works in this volume invite us to rethink our perception of the everyday in the wake of Marcel Duchamp's radical re-imagination of the object of art and the Russian revolutionary-era literary critic Viktor Shklovsky's conception of "making strange." Whether looking at the idea of "making strange" in the work of Duchamp and Georgia O'Keefe, the legacy of minimalism and its discontents in the sculptures of Donald Judd and Felix Gonzalez Torres, the idea of disaster in America as seen through the eyes of Andy Warhol and Kara Walker, the concrete uses of language in the works of Lawrence Weiner and Glenn Ligon, or the restaging of life through the photographic medium in artists from Diane Arbus to Cindy Sherman, the essays in this catalogue reevaluate the relationship between art and the world and offer a new perspective on the personal act of collecting.

From one of our preeminent neuroscientists: a landmark reflection that spans the biological and social sciences, offering a new way of understanding the origins of life, feeling, and culture. The Strange Order of Things is a pathbreaking investigation into homeostasis, the condition of that regulates human physiology within the range that makes possible not only the survival but also the flourishing of life. Antonio Damasio makes clear that we descend biologically, psychologically, and even socially from a long lineage that begins with single living cells; that our minds and cultures are linked by an invisible thread to the ways and means of ancient unicellular life and other primitive life-forms; and that inherent in our very chemistry is a powerful force, a striving toward life maintenance that governs life in all its guises, including the development of genes that help regulate and transmit life. In The Strange Order of Things, Damasio gives us a new way of comprehending the world and our place in it.

How to talk about Jesus in a way that connects with modern culture. As followers of Jesus, we know that the good news is deeply attractive. But we often fear that to those on the outside, it comes across as irrelevant or even repellent. Sometimes the Christian worldview feels so out of step with everything else going on that we don't know how to share our faith. However, author Daniel Strange wants to show you that the connections are there—in fact, the longings that our culture cannot help but express are the very ones that Jesus fulfils. Building on the work of theologian J.H. Bavinck, Dan reveals five recurring themes that our culture can’t stop talking about, or, as he puts it, the "five permanent ‘itches’ that in our work, rest, and play, we have to vigorously scratch." From TV to books to social media, these are the questions we can't stop asking and the tensions we can't stop wrestling with—and Jesus speaks powerfully into each one. This book will help you to spot these connections in our culture, excite you about how Jesus makes sense of humankind’s deepest questions and longings, apply them to your own life first and then equip you to speak of him to others in a way that is truly magnetic. "Dan Strange has written another terrific, down-to-earth book to help believers engage in fruitful conversations with friends about faith." Dr. Timothy Keller, who has also written the foreword to this book.

This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear 'strange', and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this 'strangeness', the general reader is given an initial, non-technical description of the 'aesthetic of the strange' as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopted by writers and artists to 'make it strange'. The book closes with a systematic summary of the theoretical underpinnings of the 'aesthetic of the strange', focussing on the ways in which it differs from both the earlier 'aesthetic of the beautiful' and the 'aesthetic of the sublime'. It is made amply clear that the strangeness characteristic of modern and postmodern art has ushered in an entirely new, 'third' kind of aesthetic – one that has undergone further transformation over the past two decades. Beyond its usefulness as a practical introduction to the 'aesthetic of the strange', the present study also takes up the most recent, cutting-edge aspects of scholarly debate, while initiates are offered an original approach to the theoretical implications of this seminal phenomenon.

An international bestseller and one of The Times’ “Top 50 Novels Published in the 21st Century,” Claire Keegan’s piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas’ house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end. Winner of the prestigious Davy Byrnes Award and published in an abridged version in the New Yorker, this internationally bestselling contemporary classic is now available for the first time in the US in a full, standalone edition. A story of astonishing emotional depth, Foster showcases Claire Keegan’s great talent and secures her reputation as one of our most important storytellers.

"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.