Jessica Grant flies under the radar of realism to find targets worth writing about. These stories are profound, magical and true to life. Nothing seems impossible. It's good to be reminded of that.

This book is intended to be a permanent public archive of the communal violence in Gujarat in early 2002. Drawing upon eyewitness reports from the English, Hindi and regional media, citizens and official articles by leading public figures and intellectuals, it provides an account of how and why the state was allowed to burn.

While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.

For many young men, it is not until they strip away everything they've known that they can begin to live according to the morals and values they believe are truly their own. Some fall victim to poor judgment and an ingenuous trust in human nature that leads them to suffer deadly consequences. In 1970 a group of young American ex-pats from wealthy families dropped out of college and establish Rosebud Farm in Far North Queensland to establish their ideal society. When Charlie Dean, a headstrong farm resident for the past year, decides to leave and explore Southeast Asia, he and an Australian companion are captured by Laotian communists and held in a rainforest prison camp. In spite of the Dean family's efforts, both young men suffer an unthinkable fate.

Rational Emotive Behaviour Therapy (REBT) is an approach to counselling and psychotherapy in which great emphasis is placed on how emotional problems can be caused by the role of thoughts, beliefs and behaviour. However, no book before has taught the skills needed to use this therapeutic approach in practice in a thorough and accessible way. Reason to Change is the first workbook which teaches the practical skills of REBT. Each skill is explained in detail, and examples are given of how each skill can be put into practice. These skills include: * developing a problem list and setting goals * choosing a target problem and assessing a specific example * questioning beliefs * dealing with your doubts, reservations and objections * taking action. By using these skills in an active way, it can be possible to overcome emotional problems such as anxiety, depression, shame, guilt, hurt, unhealthy anger, unhealthy jealousy and unhealthy envy. This book can be used by people on their own, and by those who are consulting an REBT therapist. It will also be of interest to therapists and counsellors.

Trent is a light tragedy with music aboutthe dangers of Hope and the delusions of Love. When Bob and Doris lose theirbaby boy, Trent, to a foolish mistake, they fall back on the old optimism of theclassic musical. Singing their pain away and defying their doubts, their loveof Trent teaches them that just because someone is gone it doesn't mean you stoploving them. Written by DinoStamatopoulos, the writer and actor who immortalized Starburns on "Community,"and illustrated by Leah Tiscione, with a complete, free, downloadable soundtrackfeaturing the singing voices of Scott Adsit, Britta Phillips and Jay Johnston,bathe in the glory that is the graphic novel that launched Starburns Industriesinto comics. TRENT is a specialbook for special people. It's probably not for you.

This volume is an accessible yet in-depth narratological study of Euripides’ Alcestis - the earliest extant play of Euripides and one of the most experimental masterpieces of Greek tragedy, not only standing in place of a satyr-play but also preserving at least some of its typical features. Commencing from the widely-held view, so lamentably ignored within the domain of Classics, that a narratology of drama should be predicated upon the notion of narrative as verbal, as well as visual, rendition of a story, this unique volume contextualizes the play in terms of its reception by the original audience, locating the intricate narrative tropes of the plot in the dynamics of fifth-century Athenian mythology and religion.