A lifetime of candid reflections from physicist Freeman Dyson, “an acute observer of personality and human foibles” (New York Times Book Review). Written between 1940 and the late 1970s, the postwar recollections of renowned physicist Freeman Dyson have been celebrated as an historic portrait of modern science and its greatest players, including Robert Oppenheimer, Richard Feynman, Stephen Hawking, and Hans Bethe. Chronicling the stories of those who were engaged in solving some of the most challenging quandaries of twentieth-century physics, Dyson lends acute insight and profound observations to a life’s work spent chasing what Einstein called those “deep mysteries that Nature intends to keep for herself.” Whether reflecting on the drama of World War II, the moral dilemmas of nuclear development, the challenges of the space program, or the demands of raising six children, Dyson’s annotated letters reveal the voice of one “more creative than almost anyone else of his generation” (Kip Thorne). An illuminating work in these trying times, Maker of Patterns is an eyewitness account of the scientific discoveries that define our modern age.

A lifetime of candid reflections from physicist Freeman Dyson, “an acute observer of personality and human foibles” (New York Times Book Review). Written between 1940 and the late 1970s, the postwar recollections of renowned physicist Freeman Dyson have been celebrated as an historic portrait of modern science and its greatest players, including Robert Oppenheimer, Richard Feynman, Stephen Hawking, and Hans Bethe. Chronicling the stories of those who were engaged in solving some of the most challenging quandaries of twentieth-century physics, Dyson lends acute insight and profound observations to a life’s work spent chasing what Einstein called those “deep mysteries that Nature intends to keep for herself.” Whether reflecting on the drama of World War II, the moral dilemmas of nuclear development, the challenges of the space program, or the demands of raising six children, Dyson’s annotated letters reveal the voice of one “more creative than almost anyone else of his generation” (Kip Thorne). An illuminating work in these trying times, Maker of Patterns is an eyewitness account of the scientific discoveries that define our modern age.

Both recalling his life story and recounting many of the major advances in twentieth-century science, a renowned physicist shares his autobiography through letters. Having penned hundreds of letters to his family over four decades, Freeman Dyson has framed them with the reflections made by a man now in his nineties. While maintaining that “the letters record the daily life of an ordinary scientist doing ordinary work,” Dyson nonetheless has worked with many of the twentieth century’s most renowned physicists, mathematicians, and intellectuals, so that Maker of Patterns presents not only his personal story but chronicles through firsthand accounts an exciting era of twentieth-century science. Though begun in the dark year of 1941 when Hitler’s armies had already conquered much of Europe, Dyson’s letters to his parents, written at Trinity College, Cambridge, often burst with the curiosity of a precocious seventeen-year-old. Pursuing mathematics and physics with a cast of legendary professors, Dyson thrived in Cambridge’s intellectual ferment, working on, for example, the theory of partitions or reading about Kurt Gödel’s hypotheses, while still finding time for billiards and mountain climbing. After graduating and serving with the Royal Air Force’s Bomber Command operational research section, whose job it was “to demolish German cities and kill as many German civilians as possible,” Dyson visited a war-torn Germany, hoping through his experience to create a “tolerably peaceful world.” Juxtaposing descriptions of scientific breakthroughs with concerns for mankind’s future, Dyson’s postwar letters reflect the quandaries faced by an entire scientific generation that was dealing with the aftereffects of nuclear detonations and concentration camp killings. Arriving in America in 1947 to study with Cornell’s Hans Bethe, Dyson continued to send weekly missives to England that were never technical but written with grace and candor, creating a portrait of a generation that was eager, as Einstein once stated, to solve “deep mysteries that Nature intend[ed] to keep for herself.” We meet, among others, scientists like Richard Feynman, who took Dyson across country on Route 66, Robert Oppenheimer, Eugene Wigner, Niels Bohr, James Watson, and a young Stephen Hawking; and we encounter intellectuals and leaders, among them Reinhold Niebuhr, George Kennan, Arthur C. Clarke, as well as Martin Luther King, Jr. The “patterns of comparable beauty in the dance of electrons jumping around atoms” invariably replicate themselves in this autobiography told through letters, one that combines accounts of wanton arms development with the not-inconsiderable demands of raising six children. As we once again attempt to guide society toward a more hopeful future, these letters, with their reenactment of what, at first, seems like a distant past, reveal invaluable truths about human nature.

33 essays on the fads and fantasies of science and scientists—including climate prediction, genetic engineering, space colonization, and paranormal phenomena—by “the iconoclastic physicist who has become one of science’s most eloquent interpreters” (New York Times) “Provocative, touching, and always surprising.” —Wired Magazine From Galileo to today’s amateur astronomers, scientists have been rebels, writes Freeman Dyson. Like artists and poets, they are free spirits who resist the restrictions their cultures impose on them. In their pursuit of nature’s truths, they are guided as much by imagination as by reason, and their greatest theories have the uniqueness and beauty of great works of art. Dyson argues that the best way to understand science is by understanding those who practice it. He tells stories of scientists at work, ranging from Isaac Newton’s absorption in physics, alchemy, theology, and politics, to Ernest Rutherford’s discovery of the structure of the atom, to Albert Einstein’s stubborn hostility to the idea of black holes. His descriptions of brilliant physicists like Edward Teller and Richard Feynman are enlivened by his own reminiscences of them. He looks with a skeptical eye at fashionable scientific fads and fantasies, and speculates on the future of climate prediction, genetic engineering, the colonization of space, and the possibility that paranormal phenomena may exist yet not be scientifically verifiable. Dyson also looks beyond particular scientific questions to reflect on broader philosophical issues, such as the limits of reductionism, the morality of strategic bombing and nuclear weapons, the preservation of the environment, and the relationship between science and religion. These essays, by a distinguished physicist who is also a prolific writer, offer informed insights into the history of science and fresh perspectives on contentious current debates about science, ethics, and faith.

An NYRB Classics Original Winner of the 2014 PEN Translation Prize Winner of the 2014 Read Russia Prize The stakes are wildly high in Sigizmund Krzhizhanovsky’s fantastic and blackly comic philosophical fables, which abound in nested narratives and wild paradoxes. This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky’s most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room’s previous occupant; the fingers of a celebrated pianist’s right hand run away to spend a night alone on the city streets; a man’s lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.

The essays in Tracing the Autobiographical work with the literatures of several nations to reveal the intersections of broad agendas (for example, national ones) with the personal, the private, and the individual. Attending to ethics, exile, tyranny, and hope, the contributors listen for echoes and murmurs as well as authoritative declarations. They also watch for the appearance of auto/biography in unexpected places, tracing patterns from materials that have been left behind. Many of the essays return to the question of text or traces of text, demonstrating that the language of autobiography, as well as the textualized identities of individual persons, can be traced in multiple media and sometimes unlikely documents, each of which requires close textual examination. These “unlikely documents” include a deportation list, an art exhibit, reality TV, Web sites and chat rooms, architectural spaces, and government memos, as well as the more familiar literary genres—a play, the long poem, or the short story. Interdisciplinary in scope and contemporary in outlook, Tracing the Autobiographical is a welcome addition to autobiography scholarship, focusing on non-traditional genres and on the importance of location and place in life writing. Read the chapter “Gender, Nation, and Self-Narration: Three Generations of Dayan Women in Palestine/Israel” by Bina Freiwald on the Concordia University Library Spectrum Research Repository website.

The second volume of Goodall's autobiography in letters, this book covers her life after the publication of "In the Shadow of the Man, " the book that made her famous. photos.