Several chapters about zines, including a reprint of Milo Miller's interview from Jenna Brager & Jami Sailor's zine "Archiving the Underground."

From admired historian—and coiner of one of feminism's most popular slogans—Laurel Thatcher Ulrich comes an exploration of what it means for women to make history. In 1976, in an obscure scholarly article, Ulrich wrote, "Well behaved women seldom make history." Today these words appear on t-shirts, mugs, bumper stickers, greeting cards, and all sorts of Web sites and blogs. Ulrich explains how that happened and what it means by looking back at women of the past who challenged the way history was written. She ranges from the fifteenth-century writer Christine de Pizan, who wrote The Book of the City of Ladies, to the twentieth century’s Virginia Woolf, author of A Room of One's Own. Ulrich updates their attempts to reimagine female possibilities and looks at the women who didn't try to make history but did. And she concludes by showing how the 1970s activists who created "second-wave feminism" also created a renaissance in the study of history.

"In The History of Make-Believe, Holly Haynes acutely queries the relationship of historiography, historical reality, and symbolic representations of lived historical processes. This is a serious book, informed by wide reading, and full of startlingly original insights on some of the most prominent and significant themes in Tacitus’s works. Indeed, it deserves close attention by anyone interested in the political and social strategies of high Imperial Rome."—T. Corey Brennan, author of The Praetorship in the Roman Republic "In Tacitus the historical truth is conveyed in literary truth-telling. Instead of leaving the two separated as we do, Holly Haynes shows that Tacitus put them together in what she calls the combination ‘make-believe.’ Her book shines with originality and intelligence while opening the way to Tacitus’s canny wisdom."—Harvey Mansfield, author of Machiavelli's Virtue

We are living in the twilight of neoliberalism: the ruling classes can no longer rule as before, and ordinary people are no longer willing to be ruled in the old way. Pursued by global elites since the 1970s, neoliberalism is defined by dispossession and inequality. The refusal to continue to be ruled like this - "ya basta" - appears in an arc of resistance stretching from rural India to the cities of the global North. From this movement of movements, new visions emerge of a future beyond neoliberalism. We Make Our Own World responds to this experience. The first systematic Marxist analysis of social movements, it reclaims Marxism as the theory born from activist experience and practice. It shows how movements can develop from local conflicts to global struggles; how neoliberalism operates as collective action from above, and how popular struggles can create new worlds from below.

Dare to Make History is the story of two courageous and talented women who weren’t willing to accept anything less than being treated as equals. On their journey to a gold medal in women’s ice hockey, they became role models for generations before and after them. Twins Jocelyne Lamoureux-Davidson and Monique Lamoureux-Morando started playing ice hockey with their four older brothers and their friends on a frozen pond next to their home in North Dakota. No girls hockey teams, no problem―they just played on boys teams. They went on to win six World Championships and played in three Olympics, winning two silver medals and ultimately a gold medal in South Korea in 2018 for the USA Women’s National Team. They did not allow roadblocks and discrimination deter them from taking on their governing body—USA Hockey—threatening to boycott the 2017 World Championships and jeopardizing their ability to compete in the 2018 Olympics unless their gender equity issues were addressed. The success of Monique, Jocelyne, and their team thrust them into the center of the struggle for gender equity, for women in hockey and in sports in general, as well as in society at large. In Dare to Make History, the Lamoureux twins chronicle their journey to the pinnacle of their sport, their efforts along with almost 150 other hockey players to start a new professional women’s hockey league, their training to come back and make another national team after giving birth, their tireless efforts to advance the interests of disadvantaged communities in closing the digital divide, and their ongoing contributions as role models championing the dreams of future generations of girls in sports, education, and the workplace. This is not a hockey book. It is not a girls book. It is a book about the importance of the fight for equity, particularly gender equity. It is the inspirational story of how two young women from a small town in North Dakota have dreamed big—had the courage to take on huge battles—and in the end how they have dared to make history.

Good Girl's Don't Make History is an intersectional graphic novel on the history of women's suffrage in the US.

On June, 16th 1995, Michael Jackson's HIStory double album was released. This major work contained HIStory Begins, a compilation of his greatest hits, and HIStory Continues that was composed of his new songs of the time. Nearly two decades later, Brice Najar, a writer and fan of the King of Pop, decided to look into the behind the scenes of both records. That's how he contacted some musicians and technicians who took part in that great adventure so that they would share their memories. The result is that book gathering together many accounts from the artist's collaborators that contributed to making the (HI)Story. So let's go back to 1995 for an immersion into the studio with Michael Jackson in order to evoke the past, the present and the future.