A stalker, a journalist and a librarian converge in small-town Saskatchewan in this brilliantly quirky and entertaining novel of love, obsession and the pursuit of fame. Broken Head has only one famous resident, and Joan Swift, the local librarian, is about to find out all about him. Darwin Andrew Goodwin hails from nearby Venus, Alberta, and is renowned for stalking Stephanie Rush, a Canadian-born starlet who lives in L.A. with her movie director husband. We learn all about Goodwin's obsession from Joan, and when Joan begins her own sultry affair with Jason Warwick, a new arrival from Toronto who is a reporter for the local newspaper, The Standard, the stage is set for a story filled with surprises. To spice up small-town life even more, Joan, who bears a striking resemblance to Stephanie Rush, agrees to impersonate the starlet as part of Jason's plan to write a book. Their hope is to entice Goodwin into telling his side of the story to the look-alike. And when Goodwin is charged and Joan shows up in court dressed as Stephanie, the town starts to buzz with rumour and speculation, and Goodwin's own extraordinary tale of love is told.

"From Make-Believe Love To Real Love" is a book about overcoming obstacles in relationships to find real love.

If you feel that Unimaginably True is simply a love story, then my friend, think again because Unimaginably True is something more than everything. It is a work of fiction that would make you sail in the alpha and omega of this ocean of life, where somewhere you would place yourself in place of Aarav and Arvika. The book deals with the differences in cultures of IIT and DU. Also, a section of the book is dedicated to those girls who have been struggling to get their very existence in society SAVE GIRL CHILD. With many conflicts and hurdles, the journey of the love birds - Aarav and Arvika sail on! They keep flying!It's not a story, nor you can compare it to a saga like shown in the movies; it is above all...It is simply UNIMAGINABLY TRUE! #v&spublishers

Recovering from a long illness, Boston businessman Carl Stanton is unable to accompany his fiancée Cornelia on a mid-winter trip to warm and sunny Jacksonville. Lonely, bored, and disappointed in Cornelia's lack of affection, Carl decides to answer an advertisement from the Serial-Letter Company, which promises real letters, delivering comfort and entertainment, from imaginary persons. Carl signs up for their love letter program, thinking he might have a bit of fun, and teach his fiancée a lesson in the process.

Part spell book, part relationship manual, Bewitch a Man is the fun, empowering guide to conjuring up Mr. Right from real-life witch Fiona Horne.

1. The Dialectic of the Sex-Motif in Literature Sex is a function of culture; in literature today it plays only a small though aggressively righteous part. Nature, long held in bondage, periodically breaks out in revolt, but its victory is never complete. In every society, prim itive as well as modem, the sexual instinct is for good or evil always subject to some measure of regulation and restraint. In literature, where the battle between love and sex, spirit and flesh, is fought out in terms of symbolic action, the writers support their cause, for or against sexual freedom, with varying degrees of evangelical ardor and outspokenness. On this issue there is no unanimity for the simple reason that American culture is not unified in its beliefs concerning the nature of man. The central conflict between instinctual needs and the claims of the ideal, between physical desire and the inner check, between Dionysus and Christ, goes on all the time. Sublimation is the cultural process whereby sexual energy is deflected from its biological source and diverted into spiritually "higher" and socially more useful channels. But sublimation is for most men hard to achieve. As civilization grows more complex, the individual is exposed to a series of increasingly severe moral strains. Pitted against Nature while subject to its laws, he must hence forth be governed in his behavior by inner as well as outer controls.