Mainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. The U.S. networks Bravo and Logo broke new ground in the early 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media.

A veteran activist tackles urgent questions about where the gay movement should go and what the movement wants with a unique combination of visionary politics and hard-earned pragmatism. "A valuable, encyclopedic compendium of the gay movement’s modern history and challenges." —San Francisco Chronicle Since the decade to lift the ban on gays in the military, the emergence of gay conservatives, and the onslaught of antigay initiatives across America, the gay and lesbian community has been asking itself tough questions. In Virtual Equality, Urvashi Vaid offers wise answers.

The Reader's Guide to Lesbian and Gay Studies surveys the field in some 470 entries on individuals (Adrienne Rich); arts and cultural studies (Dance); ethics, religion, and philosophical issues (Monastic Traditions); historical figures, periods, and ideas (Germany between the World Wars); language, literature, and communication (British Drama); law and politics (Child Custody); medicine and biological sciences (Health and Illness); and psychology, social sciences, and education (Kinsey Report).

The story of gay rights has long been told as one of single-minded focus on the fight for sexual freedom. Yet its origins are much more complicated than this single-issue interpretation would have us believe, and to ignore gay liberation's multidimensional beginnings is to drastically underestimate its radical potential for social change. Ferguson shows how queer liberation emerged out of various insurgent struggles crossing the politics of race, gender, class, and sexuality, and deeply connected to issues of colonization, incarceration, and capitalism. Tracing the rise and fall of this intersectional politics, he argues that the one-dimensional mainstreaming of queerness falsely placed critiques of racism, capitalism, and the state outside the remit of gay liberation. As recent activism is increasingly making clear, this one-dimensional legacy has promoted forms of exclusion that marginalize queers of color, the poor, and transgender individuals. This forceful book joins the call to reimagine and reconnect the fight for social justice in all its varied forms.

Making Out in the Mainstream is the first full-length study of LGBT media activism, revealing the daily struggle to reconcile economic and professional pressures with conflicting personal, organizational, and political priorities. Documenting the rise and evolution of the Gay and Lesbian Alliance Against Defamation (GLAAD), Vincent Doyle presents a nuanced perspective on the complexity, contradictions, and ambivalences of advancing social causes through popular media. Based on participant observation, in-depth interviews, and archival research carried out at GLAAD’s New York and Los Angeles offices from 2000 to 2001, Making Out in the Mainstream analyzes the GLAAD Media Awards and the organization’s responses to controversial public figures such as Dr Laura Schlessinger and Eminem, and programs such as Queer as Folk. Doyle argues that the earlier political strategy of coming out to the mainstream, intended to dismantle closeted life and create a mass movement, has been supplanted by the market-oriented "making out" in the mainstream, which privileges respectable images of homosexuality in the pursuit of political and economic gain. He shows how this emphasis on respectability clashes with the development of a diverse movement that campaigns for greater inclusion and he offers a sophisticated appeal for more complicated understandings of assimilation and anti-normalization. Painting a complex portrait of a prominent gay and lesbian organization during a period of rapid social change, Making Out in the Mainstream reveals not only the limitations of “mainstreaming,” but also its political possibilities.

Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys illustrates queer cinematic aesthetics by highlighting key films that emerged at historical turning points throughout the twentieth century. Barbara Mennel traces the representation of gays and lesbians from the sexual liberation movements of the roaring 1920s in Berlin to the Stonewall Rebellion in New York City and the emergence of queer activism and film in the early 1990s. She explains early tropes of queerness, such as the boarding school or the vampire, and describes the development of camp from 1950s Hollywood to underground art of the late 1960s in New York City. Mennel concludes with an exploration of the contemporary mainstreaming of gay and lesbian films and global queer cinema. Queer Cinema: Schoolgirls, Vampires and Gay Cowboys not only offers an introduction to a gay and lesbian film history, but also contributes to an academic discussion about queer subversion of mainstream film.