“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré When a wealthy aristocrat is found murdered in his home, Inspector Maigret must navigate a high-stakes case in the moneyed world of Paris’s upper crust Maigret is called to the home of Armand de Saint-Hilaire, a highly respected diplomat who has been found by his housekeeper, shot dead in his study. Maigret is urged to be discrete in his investigation, but after interviewing everyone concerned, the inspector is at a loss to the identity of the perpetrator—until he comes across a series of letters spanning decades between the victim and a widowed woman. As Maigret uncovers the details behind the pair’s relationship, he gets closer to discovering the tragic truth behind the official’s demise. With the pressure mounting, the inspector must navigate class divides and his own position in society to uncover the killer. Maigret and the Old People is an absorbing mystery and a thoughtful examination of the different worlds money creates.

Maigret is a registered trademark of the Estate of Georges Simenon.

'His artistry is supreme' John Banville Conflict rather than harmony probably reigned in eight out of ten of the still magnificent houses that surrounded the park. But he had rarely had the opportunity to breath such a strained atmosphere as the one between these walls. Everything seemed fake, grating, starting with the lodge of the concierge-cum-manservant, who was neither a concierge nor a manservant, despite his striped waistcoat, but a former poacher, a murderer turned guard dog. When a self-made man appeals to Maigret for protection at his lavish home, a years-old grudge from the past resurfaces and the inspector finds himself questioning his own motives. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré Inspector Maigret takes a case from a lively old widow whose maid has been poisoned The inexplicable murder of the wealthy Valentine Besson’s maid leads the older woman to believe that she herself was the intended target. Inspector Maigret undertakes the investigation, meeting Mrs. Besson’s dysfunctional family and a cavalcade of suspects. As he delves into the case, Maigret must unravel a tangled web of family politics—and confront Valentine’s stepsons, who may be harboring dark secrets of their own.

'Compelling, remorseless, brilliant' John Gray 'He had realized that it was her eyes as much as her vivacity that made her look so young. They were of a blue that was paler than the September sky over the sea and still had an expression of surprise, of wonderment' When a charming elderly widow appeals to him for help, Inspector Maigret travels to a seaside village in Normandy - uncovering a lost fortune and some poisonous family politics. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'Compelling, remorseless, brilliant' John Gray 'What he thought he had discovered, in place of the joyful candour that she usually displayed, was an irony which was neither less cheerful nor less childish, but which troubled him ... He wondered now if his exultation wasn't down to the fact that she was playing a part, not just to deceive him, not just to hide something from him, but for the pleasure of acting a part' When one of his best inspectors is shot, Maigret decides to book himself into Mademoiselle Clément's well-kept Paris boarding house nearby in order to find the culprit. 'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent