An inventive and action-packed mix of fantasy, science fiction, and mythology, all in a realistic contemporary setting. Rowan has won a battle, but not the war. With proper allies, Rowan’s armies could storm the demon stronghold, capture its ruler, and end the reign of demonkind. But while nations clash, a greater struggle lies elsewhere. In his desperate pursuit of Astaroth, Elias Bram scours the world for clues to the fiend’s true origins, identity, and purpose. His horrifying discoveries hint that not only is humanity at risk, but the earth itself. Its fate may depend upon three children. With their unmatchable skills, it’s up to Max McDaniels, David Menlo, and little Mina to tip the balance! In the Tapestry’s final volume, Henry H. Neff concludes an unforgettable series in which magic can live, gods can die, and the highest stakes require the greatest sacrifice.

'As I stood soaking it all in, my nerves were momentarily replaced by a rush of excitement: I was at the heartbeat of music.' Jay Merchant has landed an internship for the best job in music television. He has access-all-areas to the biggest VIP parties and the hottest celebrities all over the world. The velvet rope has been lifted - now he's got to capture it on camera. But behind the scenes, Jay is thrown into a life of early starts, late nights, blood, sweat and tears. He has six months to turn his intern dream into a real job - but at what price? It's time for Jay to face the music . . . ** The Devil Wears Prada for the music TV industry. ** Being an intern has never been more popular or competitive, and combined with the appeal of behind-the-scenes of the music TV industry, this should be the must-read fiction title for teenagers and under-graduates in summer 2012. 'A great insight into how hard it is to be an intern at a music television company. A must-read' - Trevor Nelson (Radio 1, 1Xtra) 'A brilliant insight into a world I know all too well. A real page-turner' - Reggie Yates (Radio 1) 'A revealing and engaging account of taking those first steps into music television. Jay could be any number of people I have worked with. The Devil Wears Prada meets Entourage' - Laura Whitmore (MTV)

A darkly imaginative writer in the tradition of Joe Abercrombie, Peter V. Brett, and Neil Gaiman conjures a gritty mind-bending fantasy, set in a world where delusion becomes reality . . . and the fulfillment of humanity’s desires may well prove to be its undoing. When belief defines reality, those with the strongest convictions—the crazy, the obsessive, the delusional—have the power to shape the world. And someone is just mad enough to believe he can create a god . . . Violent and dark, the world is filled with the Geisteskranken—men and women whose delusions manifest. Sustained by their own belief—and the beliefs of those around them—they can manipulate their surroundings. For the High Priest Konig, that means creating order out of the chaos in his city-state, leading his believers to focus on one thing: helping a young man, Morgen, ascend to become a god. A god they can control. Trouble is, there are many who would see a god in their thrall, including the High Priest’s own doppelgangers, a Slaver no one can resist, and three slaves led by possibly the only sane man left. As these forces converge on the boy, there’s one more obstacle: time is running out. Because as the delusions become more powerful, the also become harder to control. The fate of the Geisteskranken is to inevitably find oneself in the Afterdeath. The question, then, is: Who will rule there?

The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.