A Globe and Mail Best Books of the Year 2011 Title More than a decade ago, Sara Wheeler traveled to Antarctica to understand a continent nearly lost to myth and lore. In the widely acclaimed, bestselling Terra Incognita, she chronicled her quest to find a hidden history buried in Antarctica's extreme surroundings. Now, Wheeler journeys to the opposite pole to create a definitive picture of life on the fringes. In The Magnetic North, she takes full measure of the Arctic: at once the most pristine place on earth and the locus of global warming. Inspired by the spiraling shape of a reindeer-horn bangle, she travels counterclockwise around the North Pole through the territories belonging to Russia, the United States, Canada, Denmark, Norway, and Finland, marking the transformations of what once seemed an unchangeable landscape. As she witnesses the mounting pollution concentrated at the pole, Wheeler reckons with the illness of the whole organism of the earth. Smashing through the Arctic Ocean with the crew of a Russian icebreaker, shadowing the endless Trans-Alaska Pipeline with a tough Idaho-born outdoorswoman, herding reindeer with the Lapps, and visiting the haunting, deceptively peaceful lands of the Gulag, Wheeler brings the Arctic's many contradictions to life. The Magnetic North is an urgent, beautiful book, rich in dramatic description and vivid reporting. It is a singular, deeply personal portrait of a region growing daily in global importance.

This book reveals the magnificent landscape paintings of the Group of Seven and their associates and explores how they contributed to Canada's modern cultural identity. The early decades of the 20th century were marked by artistic, economic, and social transformation in Canada and around the world. Starting in Toronto, a group of young modern artists, including Tom Thomson and Lawren S. Harris, and Emily Carr in British Columbia, desired to create a new painting vocabulary for the young nation coming into its own cultural identity. They turned away from city life and explored Canada's landscape, painting sublime vistas, monumental rivers, ancient forests around the great lakes, the mighty Rocky Mountains, and the arctic tundra, determined to break away from European stylistic traditions. Together, their paintings imagined a mythical Canada, expansive and rugged, that added to their country's growing sense of national pride. Featuring paintings, sketches, photographs, film stills, and documentary material, this catalog examines the language of Canadian modernism. It also includes essays and interviews that offer contemporary indigenous perspectives on the impact of industry on nature, issues surrounding national identity, and modern Canadian landscape painting. This generously illustrated book critically reviews Canada's modernism in art history.

This stunning collection from the award-winning poet Linda Gregerson examines the intersections of history, science, and art. Touching on subjects as diverse as a breakthrough discovery in cell biology and the films of Ingmar Bergman, the anatomy of a possum and the Nazi occupation of Poland, Gregerson seeks to distill "the shape of the question," the tenuous connection between knowing and suffering, between the brightness of the body and the shadows of the mind. "Choose any angle you like," she writes, "the world is split in two." Longtime readers of Gregerson's poetry will be fascinated by her departure from the supple tercets in which she has worked for nearly twenty years: Magnetic North is a bold anthology of formal experiments. It is also a heartening act of sustained attention from one of our most mindful American poets

Magnetic North: the Landscapes of Tom Uttech presents a survey of more than thirty years of Tom Uttech’s art. Uttech – one of the most widely admired landscape painters in America – reestablishes the wilderness as a mystical place where the colors of nature flourish and the various forces of nature are played out. He is inspired by the northern woods and prairie of Wisconsin and his numerous camping and canoeing trips to Northern Minnesota and Quetico Provincial Park in Ontario, Canada.

The mystery of Earth's invisible, life-supporting power Alanna Mitchell's globe-trotting history of the science of electromagnetism and the Earth's magnetic field--right up to the latest indications that the North and South Poles may soon reverse, with apocalyptic results--will soon change the way you think about our planet. Award-winning journalist Alanna Mitchell's science storytelling introduce intriguing characters--from the thirteenth-century French investigations into magnetism and the Victorian-era discover that electricity and magnetism emerge from the same fundamental force to the latest research. No one has ever told so eloquently how the Earth itself came to be seen as a magnet, spinning in space with two poles, and that those poles have dramatically reversed many time, often coinciding with mass extinctions. The most recent reversal was 780,000 years ago. Mitchell explores indications that the Earth's magnetic force field is decaying faster than previously thought. When the poles switch, a process that takes many years, the Earth is unprotected from solar radiation storms that would, among other disturbances, wipe out much and possible all of our electromagnetic technology. Navigation for all kinds of animals is disrupted without a stable, magnetic North Pole. But can you imagine no satellites, no Internet, no smartphones--maybe no power grids at all? Alanna Mitchell offers a beautifully crafted narrative history of surprising ideas and science, illuminating invisible parts of our own planet that are constantly changing around us.

This “fantastic story” of one of physics’ great riddles takes us through centuries of scientific history (Simon Lamb, author of Devil in the Mountain). Why do compass needles point north—but not quite north? What guides the migration of birds, whales, and fish across the world’s oceans? How is Earth able to sustain life under an onslaught of solar wind and cosmic radiation? For centuries, the world’s great scientists have grappled with these questions, all rooted in the same phenomenon: Earth’s magnetism. Over two thousand years after the invention of the compass, Einstein called the source of Earth’s magnetic field one of greatest unsolved mysteries of physics. Here, for the first time, is the complete history of the quest to understand the planet’s attractive pull—from the ancient Greeks’ fascination with lodestone to the geological discovery that the North Pole has not always been in the North—and to the astonishing modern conclusions that finally revealed the true source. Richly illustrated and skillfully told, North Pole, South Pole unfolds the human story behind the science: that of the inquisitive, persevering, and often dissenting thinkers who unlocked the secrets at our planet’s core. “In recent years, many very good books for interested non-scientists have been published: Richard Dawkins’s Climbing Mount Improbable and The Ancestor’s Tale, Stephen Jay Gould’s The Lying Stones of Marrakech, and Dava Sobel’s Longitude and The Planets, to name some of them. North Pole, South Pole . . . is a worthy addition to that list . . . Turner has a great story to tell, and she tells it well.” —The Press (New Zealand)

“Windburned, eyes closed, this: beneath the keening of bergs, a deeper thresh of glaciers calving, creaking with sun. Sound of earth, her bones, wide russet bowl of hips splaying open. From these sere flanks, her desiccating body, what a sea change is born.” From the endangered Canadian boreal forest to the environmentally threatened Svalbard archipelago off the coast of Norway, Jenna Butler takes us on a sea voyage that connects continents and traces the impacts of climate change on northern lands. With a conservationist, female gaze, she questions explorer narratives and the mythic draw of the polar North. As a woman who cannot have children, she writes out the internal friction of travelling in Svalbard during the fertile height of the Arctic summer. Blending travelogue and poetic meditation on place, Jenna Butler draws readers to the beauty and power of threatened landscapes, asking why some stories in recorded history are privileged while others speak only from beneath the surface.