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Excerpt from Magicians' Magic Movements and Ceremonies: According to the Latest Formulas 1916 Hold the sword against the right shoulder, edge to the front, thumb and forefinger holding the hilt and supported against the right thigh, arm hanging naturally. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Contains everything that beginners need to start their esoteric training The Magician's Workbook has a single purpose: to present a graded and integrated series of practical exercises designed to teach the essentials of ritual magic. It contains no history or theory-just forty exercises that anyone can do without prior training, special tools, or costly materials. The content ranges from simple mental exercises to complete rituals that form templates for future work in Western magic. These exercises do not merely teach-they transform. When practiced regularly, they cause changes in the body, brain, perceptions, emotions, and the will-changes necessary for the successful working of magic in any of its ancient or modern traditions. A complete basic training manual for serious beginners who want to start performing ritual magic, rather than just reading about it Presents a progressive, forty-week schedule of daily study that fully integrates inner mental conditioning with external movements, gestures, and words Enables students to go on to study the Golden Dawn system in greater depth, or move forward with confidence to any other form of Western magic

'A rich, sprawling epic full of history and magic.' Alix E. Harrow, Hugo award-winning author A sweeping tale of revolution and wonder in a world not quite like our own, A Declaration of the Rights of Magicians is a genre-defying story of magic, war, and the struggle for freedom. It is the Age of Enlightenment -- of new and magical political movements, from the necromancer Robespierre calling for revolution in France to the weather mage Toussaint L'Ouverture leading the slaves of Haiti in their fight for freedom, to the bold new Prime Minister William Pitt weighing the legalization of magic amongst commoners in Britain and abolition throughout its colonies overseas. But amidst all of the upheaval of the enlightened world, there is an unknown force inciting all of human civilisation into violent conflict. And it will require the combined efforts of revolutionaries, magicians, and abolitionists to unmask this hidden enemy before the whole world falls to chaos. For more from H.G. Parry, check out The Unlikely Escape of Uriah Heep 'Impressively intricate; fans of the magic-and-history of Jonathan Strange & Mr Norrell will be delighted.' Alexandra Rowland, author of A Conspiracy of Truths 'A beautiful tapestry of words, a combination of carefully observed and researched history and a well-thought-out and fascinating system of magic. An absolute delight to read.' Genevieve Cogman, author of The Invisible Library 'Puts a human face on the titans of the past, while weaving in supernatural elements that add a whole new dimension. I stayed up well past my bedtime to find out what happens next.' Marie Brennan, author of the Memoirs of Lady Trent series

French composer Maurice Ravel was described by critics as a magician, conjurer, and illusionist. Scholars have been aware of this historical curiosity, but none so far have explained why Ravel attracted such critiques or what they might tell us about how to interpret his music. Magician of Sound examines Ravel's music through the lens of illusory experience, considering how timbre, orchestral effects, figure/ground relationships, and impressions of motion and stasis might be experienced as if they were conjuring tricks. Applying concepts from music theory, psychology, philosophy, and the history of magic, Jessie Fillerup develops an approach to musical illusion that newly illuminates Ravel's fascination with machines and creates compelling links between his music and other forms of aesthetic illusion, from painting and poetry to fiction and phantasmagoria. Fillerup analyzes scenes of enchantment and illusory effects in Ravel's most popular works, including Boléro, La Valse, Daphnis et Chloé, and Rapsodie espagnole, relating his methods and musical effects to the practice of theatrical conjurers. Drawing on a rich well of primary sources, Magician of Sound provides a new interdisciplinary framework for interpreting this enigmatic composer, linking magic and music.