At the bottom of the sea, freedivers find that the world bestows humans with the magic of bodily and mental freedom, binding them in small communities of play, affect and respect for nature. On land, rational human interests dissolve this magic into prescriptive formulas of belonging to a profession, a nation and an acceptable modernity. The magical exploration is morphed by such multiple interventions successively from a pilgrimage, to a cinematic and digital articulation of an anarchic project, to an exercise in national citizenship and finally, a projection of post-imperial cosmopolitan belonging. This is the story of an embodied, relational and affective journey: the making of the explorer of worlds. At its heart stands a clash between individual and collective desires to belong, aspirations to create and the pragmatics of becoming recognised by others. The primary empirical context in which this is played is the contemporary margins of European modernity: the post-troika Greece. With the project of a freediving artist, who stages an Underwater Gallery outside the iconic island of Amorgos, as a sociological spyglass, it examines the networks of mobility that both individuals and nations have to enter to achieve international recognition, often at the expense of personal freedom and alternative pathways to modernity. Inspired by fusions of cultural pragmatics, phenomenology, phanerology, the morphogenetic approach, feminist posthumanism and especially postcolonial theories of magical realism, this study examines interconnected variations of identity and subjectivity in contexts of contemporary mobility (digital and embodied travel/tourism). As a study of cultural emergism, the book will be of interest to students and scholars in critical theory, cultural, postcolonial and decolonial studies, and tourism/pilgrimage theory.

Examines how contemporary German and Polish novels reimagine borderlands as cosmopolitan spaces by engaging in border poetics, a narrative practice that relates political borders to figurative boundaries.Globalization notwithstanding, we live in an age of borders, as the ongoing conflict at Europe's eastern edge reminds us. Borders are meant to protect, but they more often divide and exclude. This book, however, focuses on literature that pushes back against the divisiveness of borders, advocating for transborder connections and criticizing exclusionary boundaries. It examines novels that reimagine past and present German-Polish borderlands as cosmopolitan spaces. Novels by Nobel Prize winners Olga Tokarczuk and Günter Grass are discussed alongside works by authors less well known internationally: the Polish Inga Iwasiów, the German Tanja Dückers, and the German-Polish Sabrina Janesch.The book utilizes and elaborates the concept of border poetics, a narrative and cultural practice that places political borders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.ders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.ders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.ders in relation to less concrete borders such as those of gender, ethnicity, or class, as well as in relation to epistemological and ontological boundaries: of language, knowledge, even reality. Because border poetics rests on the same productive tension between the particular and the universal that drives contemporary notions of cosmopolitanism, the book argues for the practice as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.e as an expression of what sociologist Gerard Delanty has termed "cosmopolitan imagination." The richly contextualized analysis is framed within transnational German Studies and draws on border studies, cosmopolitanism, European literature, and world literature.

On the Genealogy of Critique intervenes into both contemporary academic debates on critique, and today’s mainstream criticism, by reflecting upon the relationship between criticality and social change in the age of post-politics. What does it mean to be critical? When we are told that civilisation is facing extinction, does the idea of critique still hold any value? Today, more than ever, we seem to be critical of everything. Yet, paradoxically, our criticism exerts very little political influence. Taking this problematique as its starting point, this book reclaims the transformative potential of critique, challenging the common assumptions about criticality. It presents a counter-history of criticism, demonstrating how the modern notion of critical subjectivity embodies an imperative to the securitisation of the status quo. In elaborating on a range of contemporary critical (dis)positions, the book advocates new ways of thinking about critique and social change. Through this, it equips the reader with analytical tools useful for thinking the way out of our post-political predicament. This book is of relevance to anyone concerned with social change. Particularly, it will be of use to academics, postgraduates and advanced undergraduate students working in the areas of sociology, politics, philosophy and cultural studies.

Children’s participation in social movements is presented through a theoretical typology consisting of strategic participants, participants by default and active participants. This range of participation accounts for the social location of children historically and internationally, calling for their inclusion into social movement research. Children are unresearched and untheorized participants within social movement literature. Providing rich detail of children’s participation through illustrative case studies, this book presents the ideal types of participation as grounded in their social movement activity. These cross cultural, historical and contemporary case studies include, whenever possible, children’s perspective in their own words. Utilizing insights from childhood studies on agency and rights of children enhances the understanding of social movement strategies and mobilization. Following the chapters on each type of participation, suggestions are provided for rethinking existing social movement theories to acknowledge child participants. Scholars and students of social movements and childhood studies, as well as within the field of sociology will find interest in the wide range of case studies presented of children in social movements. The discussion of how social movement theory might be applied to the types of participation is meant to inspire future research and expand analysis of children’s participation in social movements.

Inter-marriage both reflects and brings social change. This book draws on a unique survey of randomly selected samples of national and European binational couples to demonstrate that the latter are core cells of a future European society. Unrestricted freedom of movement has enabled a rise in the number of lower-class and middle-class binational couples among Europeans. Euro-couples fully integrate in their host cities but secure less support in solving everyday problems than do national ones, partly because of a relatively small network of relatives living close-by. Embeddedness in a dense international network and a cosmopolitan outlook also distinguish them from national couples. The book challenges the view of cosmopolitanism as exclusively middle-class and highlights contrasts between lower-class and middle-class binational couples. Furthermore, it shows that social cosmopolitanism among binational couples is not matched by a commensurate weaker national identification that would enhance support to a more federal Europe. This book is primarily addressed to the general public interested in contemporary European society and to academics interested in inter-marriage. Since the chapters are quasi stand-alone pieces devoted to specific topics, it provides suitable reading material for social stratification, social networks, civil society, popular culture, and European integration undergraduate and graduate courses.

This volume explores the nature of nostalgia as an important emotion in contemporary society and social theory. Situated between the ‘sociology of emotions’ and ‘nostalgia studies’, it considers the reasons for which nostalgia appears to be becoming an increasingly significant and debated emotion in late-modern culture. With chapters offering studies of nostalgia at micro-, meso- and macro-levels of society, it offers insights into the rise to prominence of nostalgia and the attendant consequences. Thematically organised and examining the role of nostalgia on an individual level – in the lives of concrete individuals – as well as analysing its function on a more historical social level as a collective and culturally shared emotion, Nostalgia Now brings together the latest empirical and theoretical work on an important contemporary emotion and proposes new agendas for research. As such, it will appeal to scholars of sociology, social theory, psychology and cultural studies with interests in the emotions.

Queer Campus Climate: An Ethnographic Fantasia is a visceral and provocative account of the lives of ten queer college men living in the Deep South. The book serves many goals. It is an emancipatory research document told in the raucous, fiery voices of these queer men whose narratives are presented free from the sanitizing impulses of traditional scholarship. It is a manifesto on postqualitative paradigms applied to a queer subject. It is a public history of the life and times of queers subjects living under an alt-right political assault. And it is an analysis of how a hostile campus climate impacts psychosocial development of marginalized students. Blurring the line between literature and research, Queer Campus Climate: An Ethnographic Fantasia contains a cast of characters (including a bear, a twink, and three drag queens) who dish on sex, gender performance, mental wellness, relationships, harassment, addiction, professional development, and politics. Their stories are told against a musical backdrop that includes selections from Puccini to Frank Ocean, which provides a multisensory experience unlike anything else in sociological research.