Highlighting work from the 1990s into the new millennium, Robert Bonazzi's fifth book of poems--his first in 20 years--draws upon the slow-gathering wisdom of late middle age. These poems are dialogues between the clockwork of ego and timeless solitude and between earthly intimacy and the death of loved ones; lucid discourses on global politics and besieged communities; and witty takes on poetics and the arts. Often considered one of the unsung heroes of modern American poetry, Bonazzi has elicited praise from such contemporaries as Mark Van Doren, Thomas Merton, Guy Davenport, Robert Peters, and Naomi Shihab Nye.

'One day there is life . . . and then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling.

Years after losing his lower right leg in a motorcycle crash, Robert Kull traveled to a remote island in Patagonia's coastal wilderness with equipment and supplies to live alone for a year. He sought to explore the effects of deep solitude on the body and mind and to find the spiritual answers he'd been seeking all his life. With only a cat and his thoughts as companions, he wrestled with inner storms while the wild forces of nature raged around him. The physical challenges were immense, but the struggles of mind and spirit pushed him even further. Solitude: Seeking Wisdom in Extremes is the diary of Kull's tumultuous year. Chronicling a life distilled to its essence, Solitude is also a philosophical meditation on the tensions between nature and technology, isolation and society. With humor and brutal honesty, Kull explores the pain and longing we typically avoid in our frantically busy lives as well as the peace and wonder that arise once we strip away our distractions. He describes the enormous Patagonia wilderness with poetic attention, transporting the reader directly into both his inner and outer experiences.

An oral history biography of the legendary Latin American writer and Nobel laureate Gabriel García Márquez, brimming with atmosphere and insight. Irrevent and hopeful, Solitude & Company recounts the life of a boy from the provinces who decided to become a writer. This is the story of how he did it, how little Gabito became Gabriel García Márquez, and of how Gabriel García Márquez survived his own self-creation. The book is divided into two parts. In the first, BC, before Cien años de soledad (One Hundred Years of Solitude), his siblings speak and those who were friends before García Márquez became the universally loved Latin American icon. Those who knew him when he still didn't have a proper English tailor nor an English biographer, and didn't accompany presidents. It gathers together the voices around the boy from the provinces, the sisters and brothers, the childhood friends, the drinking buddies and penniless fellow students. The second part, AC, describes the man behind the legend that García Márquez became. From Aracataca, to Baranquila, to Bogota, to Paris, to Mexico City, the solitude that García Márquez needed to produce his masterpiece turns out to have been something of a raucous party whenever he wasn't actually writing. Here are the writers Tomás Eloy Martínez, Edmundo Paz Soldán and William and Rose Styron; legendary Spanish agent Carmen Balcells; the translator of A Hundred Years of SolitudeGregory Rabassa; Gabo's brothers Luis Enrique, Jaime, Eligio and Gustavo, and his sisters Aida and Margot; María Luisa Elío, to whom A Hundred Years of Solitude is dedicated; and so much more: a great deal of music, especially the vallenato; the hilarious scenes of several hundred Colombians, García Márquez's chosen delegation, flying to Stockholm for the Nobel Prize celebrations; the time Mario Vargas Llosa punched Gabriel García Márquez in the face; and much, much more. In Living to Tell the Tale, the first volume of García Márquez's autobiography, Gabo writes: "I am consoled, however, that at times oral history might be better than written, and without knowing it we may be inventing a new genre needed by literature: fiction about fiction." Solitude & Company joins other great oral histories, like Jean Stein and George Plimpton's Edie: American Girl, their oral history biography of Edie Sedgwick, or Barry Gifford's oral history of Jack Kerouac, Jack's Book--an intimate portrait of the most human side of Gabriel García Márquez told in the words of those who knew him best throughout his life.

Much has been written about Luigi Pirandello, the great artist and grandiose personality. His beloved actress, Marta Abba’s side of the story, on the other hand, has never been adequately told.It’s a tale that includes intriguing behind-the-scenes vignettes of the early history of filmmaking, including Pirandello’s suspicions of Walt Disney; Marta’s meeting with Mussolini – a fan of hers – and her candid impressions of him; Marta’s marriage of convenience into the prominent Millikin family of Ohio; glimpses of an Italian media dynasty and its heavy-handed influence on the arts in general, and on Pirandello’s legacy and Marta’s career in particular.This book sketches out the story of a modern romance between an author and an actress, between an artist and his collaborating muse, between an older man and younger women. It also attempts to tackle the subject of Marta’s sexuality – an aspect of her life that has been little known until now.

In his semiautobiographical novel, Cyclops, Croatian writer Ranko Marinkovic recounts the adventures of young theater critic Melkior Tresic, an archetypal antihero who decides to starve himself to avoid fighting in the front lines of World War II. As he wanders the streets of Zagreb in a near-hallucinatory state of paranoia and malnourishment, Melkior encounters a colorful circus of characters—fortune-tellers, shamans, actors, prostitutes, bohemians, and café intellectuals—all living in a fragile dream of a society about to be changed forever. A seminal work of postwar Eastern European literature, Cyclops reveals a little-known perspective on World War II from within the former Yugoslavia, one that has never before been available to an English-speaking audience. Vlada Stojiljkovic's able translation, improved by Ellen Elias-Bursac's insightful editing, preserves the striking brilliance of this riotously funny and densely allusive text. Along Melkior’s journey Cyclops satirizes both the delusions of the righteous military officials who feed the national bloodlust as well as the wayward intellectuals who believe themselves to be above the unpleasant realities of international conflict. Through Stojiljkovic's clear-eyed translation, Melkior’s peregrinations reveal how history happens and how the individual consciousness is swept up in the tide of political events, and this is accomplished in a mode that will resonate with readers of Charles Simic, Aleksandr Hemon, and Kundera.

A New York Times Book Review EDITORS' CHOICE. From the National Book Critics Circle Award-winning author of Motherless Brooklyn, comes the vividly told story of Dylan Ebdus growing up white and motherless in downtown Brooklyn in the 1970s. In a neighborhood where the entertainments include muggings along with games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unraveling of the boys' friendship, Lethem creates an overwhelmingly rich and emotionally gripping canvas of race and class, superheros, gentrification, funk, hip-hop, graffiti tagging, loyalty, and memory. "A tour de force.... Belongs to a venerable New York literary tradition that stretches back through Go Tell It on the Mountain, A Walker in the City, and Call it Sleep." --The New York Times Magazine "One of the richest, messiest, most ambitious, most interesting novels of the year.... Lethem grabs and captures 1970s New York City, and he brings it to a story worth telling." --Time