Included in this magnificent collection are some of the greatest works from Dave Berg-one of MAD Magazine's most popular writers/artists. The material will be presented chronologically and interspersed throughout with rough sketches, a rare 1970 interview, an introduction and portrait of Berg by well-known American illustrator Drew Friedman, a "growing up with Dave Berg" essay by his daughter Nancy Berg, newly illustrated versions of classic Berg strips by several noteworthy cartoonists, and much more.

Just about everyone who came of age during the 1960s, 70s, and 80s was influenced by MAD MAGAZINE, and no one at MAD was more influential than "MAD's MADdest Artist," Don Martin. His immediately recognizable style--featuring bulbous noses, wild sound effects, and the legendary "hinged feet"--was filled with broad and daring slapstick and routinely broke new ground. A surprisingly quiet man, Martin's work spoke volumes as he left an indelible mark on several generations, influencing the style of many illustrators while shaping the sense of humor of countless misguided youths. He was inducted into the Comic Book Hall of Fame in 2004. Says Gary Larson, creator of The Far Side: "Don Martin was the one who really stood out."Now, it is with great pride that Running Press, in collaboration with MAD, launches the MAD's Greatest Artists: The Completely MAD Don Martin (MAD's Greatest Artists Series). For the first time ever, here is the complete collection of every piece of art Don Martin published in MAD throughout his extraordinary thirty-year tenure (1957-1987). With all of Martin's strips, covers, posters, and stickers--presented in chronological order--it is nothing less than a masterpiece of comic genius. Complementing Martin's opus of published works are letters, sketches, and rare photos providing an in-depth look at the artist at work. Plus, scattered throughout are notes and original illustrations--commissioned for this volume--paying tribute to the artist and penned by MAD's most-notable personalities, including Al Jaffee, Mort Drucker, Jack Davis, Sergio Aragonés, and more. There are also notes by the likes of Jim Davis (Garfield) and a foreword by Gary Larson. A collector's item and object d'art in its own right, this deluxe two-volume slipcased edition will be the season's must-have gift book for the millions whose childhoods--and subsequent adulthoods--would not have been the same without MAD MAGAZINE and Don Martin.

A contributor to MAD since its earliest years of the fabled Humor magazine, Mort Drucker is recognized throughout the art world as one of the greatest caricaturists of the twentieth century. He has won numerous awards and honors including the National Cartoonists Society's prestigious Reuben Award, the Will Eisner Hall of Fame Award, and an honorary Doctor of Fine Arts degree from the Art Institute of Boston. Drucker's most famous features are his movie and television satires. From The Godfather to Star Wars, and from Hulk Hogan to Woody Allen, he has captured our culture's most popular characters with one master stroke after another. Michael J. Fox once told Johnny Carson on The Tonight Show that he knew he had made it when Mort Drucker drew his caricature in MAD. And George Lucas personally traveled to Drucker's Long Island home to convince him to illustrate the poster for American Graffiti. Drucker's greatest MAD works are collected here for the first time ever, hand-picked by the artist himself. It is a celebration that has been more than 55 years in the making!

Traces the life of the influential book editor who worked with Ernest Hemingway, Thomas Wolfe, and F. Scott Fitzgerald.

MAD magazine cartoonist and writer Dave Berg spoofs the oldest book in the world--the Bible. In his illustrated new work, Berg humorously covers topics like evolution, religious cults, the Ten Commandments, and more.

The work of Mathias Kessler (*1968) critiques and re-imagines the contemporary concept of nature. Quoting from art history, philosophy, and ecopolitical debates, he restages representations of natural processes with humor and gravitas. Romantic painting, land art, and digital renderings compete and collide in order to unhinge familiar oppositions: nature/culture; representation/experience; ideology/aesthetics. For example, the viewer does not know whether the images are photographs of a spectacle of nature or perhaps digitalized artificial landscapes: in the installation The Sea of Ice, there is a picture featuring icebergs as lifeless Hollywood sets staged in wan light, and the viewer is invited to combine looking at the miniature reproduction of a masterpiece in the freezer of a refrigerator with a sip from a bottle of the beer cooling in the lower compartment.