A dead body turns up in the East Asian wing of the fictional Dowager Museum of Art. Madame Li – an intelligent and aristocratic Chinese-American art specialist – gets called in by her former colleague at the museum to examine the art displays around the crime scene. When this dear colleague and friend becomes the prime suspect in the murder investigation, Madame Li is roped into investigating the crime herself in a race to find the true killer before the authorities can arrest her friend. As she investigates the interconnected suspects with the help of her colorful friends and acquaintances, she unravels buried secrets in New York’s exclusive art market that ultimately lead her to the murderer. Madame Li and The Mystery at the Dowager Museum is an upmarket cozy mystery set in contemporary New York. It features classic elements of the cozy genre – a female sleuth, off-stage crime, and eccentric supporting characters – but offers an international and cosmopolitan twist. If you prefer a quick and amusing read with refreshing characters, then this is the mystery for you.

After spending an eventful day at the fair held on New Year's Eve, Mei Li arrives home just in time to greet the Kitchen God.

Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.

Suitable for college and high school students and those learning on their own, this fully illustrated coursebook provides comprehensive instruction in the history and practical techniques of Chinese calligraphy. No previous knowledge of the language is required to follow the text or complete the lessons. The work covers three major areas: 1) descriptions of Chinese characters and their components, including stroke types, layout patterns, and indications of sound and meaning; 2) basic brush techniques; and 3) the social, cultural, historical, and philosophical underpinnings of Chinese calligraphy—all of which are crucial to understanding and appreciating this art form. Students practice brush writing as they progress from tracing to copying to free-hand writing. Model characters are marked to indicate meaning and stroke order, and well-known model phrases are shown in various script types, allowing students to practice different calligraphic styles. Beginners will find the author’s advice on how to avoid common pitfalls in writing brush strokes invaluable. Chinese Writing and Calligraphy will be welcomed by both students and instructors in need of an accessible text on learning the fundamentals of the art of writing Chinese characters.