New York Times bestselling author Diana Gabaldon has captured the hearts of millions with her critically acclaimed novels, Outlander, Dragonfly in Amber, Voyager, and Drums of Autumn. From the moment Claire Randall accidentally steps through a magical stone that transports her back in time more than 200 years to 1743, and into the arms of Scottish soldier Jamie Fraser, readers have been enthralled with this epic saga of time travel, adventure, and love everlasting. Now Diana Gabaldon has written the ultimate companion guide to her bestselling series, the book only she could write -- a beautifully illustrated compendium of all things Outlandish. As a special bonus for those who are eagerly awaiting the next appearance of Jamie and Claire, she includes never-before-published excerpts from upcoming works in the series. And there's lots more in this lavish keepsake volume for the many devoted fans who yearn to learn the stories behind the stories: ¸ Full synopses of Outlander, Dragonfly in Amber, Voyager, and Drums of Autumn ¸ A complete listing of the characters in all four novels, including extensively researched family trees and genealogical notes ¸ Professionally cast horoscopes for Jamie and Claire ¸ A comprehensive glossary and pronunciation guide to Gaelic terms and usage ¸ The fully explicated Gabaldon Theory of Time Travel ¸ Frequently asked questions to the author and her (sometimes surprising) answers ¸ An annotated bibliography ¸ Tips, personal stories -- even a recipe or two! ¸ Essays about medicine and magic in the eighteenth century, researching historical fiction, and more

"Murdering Ministers" integrates everything worth knowing about Shakespeare’s "Macbeth" from four centuries of criticism and performances, stage as well as film, in a scene-by-scene close reading that provides the reader with an exhaustive knowledge of the play and answers questions that have captivated us for centuries. Did Burbage, the first Macbeth, enter on horseback? When does the idea of regicide first occur to the Macbeths? Why does Macbeth withhold part of the witches’ prophecy from his wife? Is Banquo honest? Did Shakespeare believe in witchcraft? Why is the play cursed? What has happened to the baby that Lady Macbeth has given suck? Answers to this and much more come from actors, critics, and directors of countless productions since 1606. Moreover, "Murdering Ministers" is an expedition into the historical context of "Macbeth": the politico-religious turmoil of Jacobean England. It is hardly a coincidence that Shakespeare’s play of regicide and witchcraft followed hard upon an assassination attempt on James I, author of a manual on black magic and how to detect it – but did the playwright mean to praise or to provoke his king with the Scottish Play? Finally, the book questions the tradition of the play as an exclusively sombre tragedy with all humour confined to the brief appearance of the porter in Act II. Macbeth is, in fact, full of hilarious dramatic irony rarely explored or exploited since the early 19th century. Although it may be a stretch to call it a comedy, there is plenty to laugh at. It wouldn’t be Shakespeare otherwise.

This book includes more than 1000 monarchs who have at some time ruled all or part of Britain. This includes the host of tribal and Saxon rulers prior to 1066 as well as famous monarchs such as Richard III, Elizabeth I and Charles II and all the rulers of Scotland and Wales. The book gives full details of the lives of the rulers as well as their wives, consorts, pretenders, usurpers and regents and is a geographical guide to where all Britain's monarchs lived, ruled and died including their palaces, estates and resting places.

This volume analyzes the development of textual theory and practice in the twentieth century, questioning not just the assumptions and methodologies of textual study but the very genesis of textual study and current definitions of the field. Each contributor tackles a specific theoretical or practical issue in essays that cover feminist practice, editorial procedure, political ideology, practical dramaturgy, and sixteenth- and twentieth-century history. The result is a volume at once wide-ranging and detailed, of interest and value to cultural historians as well as to textual scholars.