(Lyric Library). An unprecedented collection of popular lyrics that will appeal to all music fans! Includes songs from yesterday and today, from Broadway to Rock 'n' Roll. Highlights include: American Pie * Bennie and the Jets * Blueberry Hill * Brown Eyed Girl * Come What May * Don't Cry for Me Argentina * Dream Weaver * Fame * Free Bird * Fun, Fun, Fun * The Girl from Ipanema * Goodnight, Irene * Green River * Hakuna Matata * Have I Told You Lately * Heart of Glass * I Can't Stop Loving You * I Love Paris * I Still Haven't Found What I'm Looking For * Jessie's Girl * Jump * Kansas City * Killer Queen * Last Kiss * Livin' La Vida Loca * MacArthur Park * A Matter of Trust * My Cherie Amour * Now You Has Jazz * Oh Sherrie * Popular * Photograph * Proud Mary * The Rain in Spain * Rocket Man * Runaway * Sixteen Candles * Smells Like Teen Spirit * Somebody to Love * Tears in Heaven * That's Life * These Dreams * Under the Sea * Venus * Walk on the Wild Side * We Are Family * You've Lost That Lovin' Feelin' * Your Mama Don't Dance * Zip-A-Dee-Doo-Dah.

(Lyric Library). This exciting new book compiles the lyrics to more than 1,000 songs, in genres ranging from Broadway to jazz standards to early rock 'n' roll to rap to Tin Pan Alley to love songs to today's favorite hits! Highlights include: Adia * All I Ask of You * All You Need Is Love * Always * Amazed * And So It Goes * Angel * Barely Breathing * Beast of Burden * Beauty and the Beast * Bewitched * Brand New Day * Breathe * Building a Mystery * Can You Feel the Love Tonight * Can't Help Falling in Love * Come Rain or Come Shine * Could I Have This Dance * Crazy * A Day in the Life * Diamonds Are a Girl's Best Friend * Don't Fear the Reaper * Don't Get Around Much Anymore * Edelweiss * Eleanor Rigby * Endless Love * Every Breath You Take * Fast Car * Fields of Gold * The First Time Ever I Saw Your Face * Fly Me to the Moon * The Fool on the Hill * Forever Young * 4 Seasons of Loneliness * Friends in Low Places * Galileo * Genie in a Bottle * Gettin' Jiggy Wit It * Give Me One Reason * Grow Old with Me * Here, There and Everywhere * Hey Jude * Hold My Hand * How Am I Supposed to Live Without You * How Deep Is Your Love * I Don't Want to Wait * I Heard It Through the Grapevine * I Write the Songs * Imagine * Iris * Isn't It Romantic? * Joy to the World * King of Pain * Lady in Red * Let It Be * Love Me Tender * Luck Be a Lady * Lucy in the Sky with Diamonds * Mambo No. 5 (A Little Bit of ...) * Misty * Moon River * More Than Words * My Funny Valentine * My Girl * My Heart Will Go On * Our House * Owner of a Lonely Heart * Penny Lane * Piano Man * The Rainbow Connection * Rainy Days and Mondays * Real World * Reflection * Respect * Rhiannon * Ribbon in the Sky * The River of Dreams * Route 66 * Sgt. Pepper's Lonely Hearts Club Band * Sometimes When We Touch * Stella by Starlight * Stormy Weather * Strawberry Fields Forever * There's No Business like Show Business * 3 AM * Three Times a Lady * Time in a Bottle * Turn! Turn! Turn! * The Way We Were * We've Only Just Begun * What a Wonderful World * When I Fall in Love * Where Have All the Cowboys Gone? * A Whiter Shade of Pale * A Whole New World * With a Little Help from My Friends * Yesterday * You'll Be in My Heart * You're the Inspiration * You've Got a Friend * and hundreds more! Songs are presented alphabetically, and the book also includes an artist index, a songwriter index, and an index listing songs from musicals, movies and television.

A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.

How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.

(Guitar Collection). John Prine has been a pillar of American folk music for close to 50 years. His storytelling song style is loved by millions for its honest charm, insight and wit. This collection of 15 transcriptions features some of the best songs of his career, transcribed note-for-note in standard notation and tab. Now you can learn the licks, chords and lyrics just the way Prine plays and sings them! Songs include: Angels from Montgomery * Illegal Smile * In Spite of Ourselves * Paradise * Sam Stone * and more.

(Guitar Chord Songbook). Guitar chords and lyrics to 34 Green Day faves, including: American Idiot * Basket Case * Boulevard of Broken Dreams * Brain Stew (The Godzilla Remix) * Geek Stink Breath * Good Riddance (Time of Your Life) * King for a Day * Know Your Enemy * 21st Century Breakdown * 21 Guns * Wake Me Up When September Ends * Welcome to Paradise * When I Come Around * and more.

Complete lyrics for well-known folk songs, hymns, popular and show tunes, more. Oh Susanna, The Battle Hymn of the Republic, When Johnny Comes Marching Home, hundreds more. Indispensable for singalongs, parties, family get-togethers, etc.