This highly readable book provides a comprehensive survey of Chadwick's career: from his beginnings as an architectural designer in the 1930s, through his emergence as a major international sculptor in the 1950s, to his late, isolated pursuit of monumental bronze and steel sculpture in the 1980s and 1990s. It reassesses earlier critical positions on his work, and post-war British sculpture more generally, and offers a fresh perspective on all phases of his long and productive career. -- Book Jacket.

Lynn Chadwick (1914-2003) was one of the leading British sculptors of his generation. This illustrated catalogue raisonné of his sculpture is published in a revised and expanded edition which incorporates Chadwick's complete sculptural oeuvre up to his death in 2003 and all known additions and updates to the catalogue information on his work to the end of 2005.Chadwick began his career as an architectural draughtsman, but after the Second World War he took up sculpture without any formal training. He initially concentrated on mobiles, and these were followed by rough-finished metal structures supported on thin legs. He established his international reputation in 1956, when he won the International Prize for Sculpture at the Venice Biennale. He consistently worked in welded iron and was constantly intrigued by human and animal forms: no matter how abstract the sculpture became at times, it was always firmly rooted in a deep understanding of the natural world.This indispensable reference book includes a comprehensive list of Chadwick's exhibitions, the public collections he is represented in, and a full biography, alongside the fully illustrated complete catalogue of his sculpture. The introductory essay by Dennis Farr, which draws on interviews with the artist, examines Chadwick's development as a sculptor and his sculptural techniques.

A necessary reexamination of Indigenous mounds, demonstrating their sustained vitality and vibrant futurity by centering Native voices Typically represented as unsolved mysteries or ruins of a tragic past, Indigenous mounds have long been marginalized and misunderstood. In Earthworks Rising, Chadwick Allen issues a compelling corrective, revealing a countertradition based in Indigenous worldviews. Alongside twentieth- and twenty-first-century Native writers, artists, and intellectuals, Allen rebuts colonial discourses and examines the multiple ways these remarkable structures continue to hold ancient knowledge and make new meaning—in the present and for the future. Earthworks Rising is organized to align with key functional categories for mounds (effigies, platforms, and burials) and with key concepts within mound-building cultures. From the Great Serpent Mound in Ohio to the mound metropolis Cahokia in Illinois to the generative Mother Mound in Mississippi, Allen takes readers deep into some of the most renowned earthworks. He draws on the insights of poets Allison Hedge Coke and Margaret Noodin, novelists LeAnne Howe and Phillip Carroll Morgan, and artists Monique Mojica and Alyssa Hinton, weaving in a personal history of earthwork encounters and productive conversation with fellow researchers. Spanning literature, art, performance, and built environments, Earthworks Rising engages Indigenous mounds as forms of “land-writing” and as conduits for connections across worlds and generations. Clear and compelling, it provokes greater understanding of the remarkable accomplishments of North America’s diverse mound-building cultures over thousands of years and brings attention to new earthworks rising in the twenty-first century.

The celebrated British artist, Lynn Chadwick (1914 - 2003) is renowned for his distinctive semi-abstract, angular iron sculptures of human and animal forms. He worked as an architectural draughtsman and designer and then served in the Royal Navy during WWII. His sculptural oeuvre began to develop most significantly in the post-war years.Chadwick exhibited work in the iconic Festival of Britain in 1951 and he was awarded the International Sculpture Prize for his exhibition at the Venice Biennale in 1956. This book documents the sculptures in the house and grounds of Lypiatt Park, where Lynn Chadwick lived in for over 40 years. It features an introduction written by the artist's daughter, Sarah Chadwick.Chadwick bought Lypiatt Park near Stroud, Gloucestershire in 1958 and spent many years restoring the house and grounds. In 1986 Chadwick purchased 250 acres of land and gradually began placing his monumental sculptures in the landscape, which became known as the Sculpture Park. Lypiatt Park has remained in the care of the family and it is now where his estate is based.

This title was first published 2003. In the twentieth century, Britain was rich in artistic achievement, especially in sculpture. Just some of those working in this field were Jacob Epstein, Henri Gaudier-Brzeska, Henry Moore, Barbara Hepworth, Anthony Caro, Richard Long, Mona Hatoum and Anish Kapoor. The work of these and other known and less well-known artists has an astonishing variety and expressive power, a range and strength that has placed Britain at the hub of the artistic world. Alan Windsor has compiled a concise biographical dictionary of sculpture in Britain in book form. Richly informative and easy-to-use, this guide is an art-lover's and expert's essential reference. Written by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterization of the artist's work, and, where appropriate, major bibliographical references.

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