After World War II, Europe witnessed the massive redrawing of national borders and the efforts to make the population fit those new borders. As a consequence of these forced changes, both Lviv and Wrocław went through cataclysmic changes in population and culture. Assertively Polish prewar Lwów became Soviet Lvov, and then, after 1991, it became assertively Ukrainian Lviv. Breslau, the third largest city in Germany before 1945, was in turn "recovered" by communist Poland as Wrocław. Practically the entire population of Breslau was replaced, and Lwów's demography too was dramatically restructured: many Polish inhabitants migrated to Wrocław and most Jews perished or went into exile. The forced migration of these groups incorporated new myths and the construction of official memory projects. The chapters in this edited book compare the two cities by focusing on lived experiences and "bottom-up" historical processes. Their sources and methods are those of micro-history and include oral testimonies, memoirs, direct observation and questionnaires, examples of popular culture, and media pieces. The essays explore many manifestations of the two sides of the same coin—loss on the one hand, gain on the other—in two cities that, as a result of the political reality of the time, are complementary.

The changes that Central European cities have undergone since 1989 deserve a complex, interdisciplinary analysis that offers deep insight into the specific nature of the transformation taking place in the region. This book presents a multidimensional and cross-disciplinary case study of Kraków, focusing on the changes taking place in Central Europe over the last three decades. This book answers the question of how the once neglected city of Kraków has transformed into a thriving global tourist destination, an attractive investment market, and a European leader of shared services. It examines political, socio-economic, cultural, and architectural development of the city against the ongoing processes of post-1989 political and economic transition, European integration, and globalisation. The authors offer a portrait of the evolution in thinking about the developmental resources of the city, accounting for what is broadly construed as culture and heritage. Whereas previous studies have offered only one-dimensional insights into these phenomena, this book highlights the specific characteristics of the transition and identifies the challenges typical of many cities in Czechia, Slovakia, Poland, and Hungary, after the fall of communism. This book will be valuable reading for academics, researchers and postgraduate and PhD students of economic geography, urban studies, public management, political studies, sociology, culture and heritage management, and modern history, as well as those with an interest in Central European and transformation issues.

Recent research has revised earlier views about the role of veterans of World War One in paramilitary formations, radical nationalism and political extremism in inter-war Europe, yet there remain considerable gaps in our understanding of the role they played in the ‘successor states’ of the Habsburg Empire. Vanquished and Victorious provides an innovative comparative investigation of veterans in Austria and Czechoslovakia, two states whose wider political development was of crucial importance to the question of stability in Central Europe after 1918. While differing in terms of how successfully veterans reintegrated into post-war society, this volume shows that both countries incorporated elements of ‘cultures of victory and defeat’.

After the Second World War, millions of people across Eastern Europe, displaced as a result of wartime destruction, deportations and redrawing of state boundaries, found themselves living in cities that were filled with the traces of the foreign cultures of the former inhabitants. In the immediate post-war period these traces were not acknowledged, the new inhabitants going along with official policies of oblivion, the national narratives of new post-war regimes, and the memorializing of the victors. In time, however, and increasingly over recent decades, the former "other pasts" have been embraced and taken on board as part of local cultural memory. This book explores this interesting and increasingly important phenomenon. It examines official ideologies, popular memory, literature, film, memorialization and tourism to show how other pasts are being incorporated into local cultural memory. It relates these developments to cultural theory and argues that the relationship between urban space, cultural memory and identity in Eastern Europe is increasingly becoming a question not only of cultural politics, but also of consumption and choice, alongside a tendency towards the cosmopolitanization of memory.

This book is part of an ongoing transnational turn in cultural history. Studies on the history of urban popular culture and the entertainment industries increasingly engage with the European or global circulation of genres, actors, and shows, especially during the period of massive growth and expansion of the sector from the 1870s to the 1930s. Nevertheless, a large part of this research remains focused on exchanges between Western and Central European, and North American metropolises. To provide a fuller picture of the emergence and cross-border transfer of different genres of popular culture, this volume investigates Northern, East Central, and Southern European cities and their relations with each other and the West. The authors analyze the mediating agents, transnational networks, and local responses to new forms of entertainment from Madrid to Vyborg, and from Istanbul to Reykjavík. These examples re-focus the history of urban popular culture in Europe in view of multidirectional transfers and a wider range of regional experiences. Urban Popular Culture and Entertainment will appeal to researchers and students alike interested in the history of popular culture in modern societies, particularly those studying urban centers in Europe, and their transnational and transregional connections.

Urban Multilingualism in East-Central Europe: The Polish Dialect of Late-Habsburg Lviv makes the case for a two-pronged approach to past urban multilingualism in East-Central Europe, one that considers both historical and linguistic features. Based on archival materials from late-Habsburg Lemberg––now Lviv in western Ukraine––the author examines its workings in day-to-day life in the streets, shops, and homes of the city in the late nineteenth and early twentieth centuries. The places where the city’s Polish-Ukrainian-Yiddish-German encounters took place produced a distinct urban dialect. A variety of south-eastern “borderland” Polish, it was subject to strong ongoing Ukrainian as well as Yiddish and German influence. Jan Fellerer analyzes its main morpho-syntactic features with reference to diverse written and recorded sources of the time. This approach represents a departure from many other studies that focus on the phonetics and inflectional morphology of Slavic dialects. Fellerer argues that contact-induced linguistic change is contingent on the historical specifics of the contact setting. The close-knit urban community of historical Lviv and its dialect provide a rich interdisciplinary case study.

This volume addresses the question of ‘identity’ in East-Central Europe. It engages with a specific definition of ‘sub-cultures’ over the period from c. 1900 to the present and proposes novel ways in which the term can be used with the purpose of understanding identities that do not conform to the fixed, standard categories imposed from the top down, such as ‘ethnic group’, ‘majority’ or ‘minority’. Instead, a ‘sub-culture’ is an identity that sits between these categories. It may blend languages, e.g. dialect forms, cultural practices, ethnic and social identifications, or religious affiliations as well as concepts of race and biology that, similarly, sit outside national projects.