The sad lament of Pecos Bill on the eve of killing his wife: Cast: gender - mixed; number - 1 male, 1 female; size - small; ages - adults.

An American girl embarks on a competitive scavenger hunt in England—and along the way, she meets up with a bookish British boy who can’t help her with the clues . . . but might make the trip take some unexpected turns. Britt Hanson has always preferred scoring goals on the soccer field to analyzing dusty old books. But when an injury ends her dream to play in college, she jumps at the chance to compete in a scavenger hunt in England that takes her to the locations of classic novels—the prize money would change her life! Once in the UK, she meets bookish and very British Luke Jackson. He can’t actually help her with any of the clues (against the rules), but something about Luke compels her to invite him to join her. She wouldn’t mind getting to know him—and listening to his accent. To win, Britt must outsmart three competitors who aren’t afraid to play dirty while solving clues and traveling around the English countryside. Along the way, Britt learns that sometimes you have to follow the map and other times, you need to throw caution to the wind and see where the cobblestoned road leads you.

Here are eight of Pulitzer-prizewinning Sam Shepard's most stunning plays. This brilliant American dramatist creates what The New Yorker dubbed "Shepard Country"--a landscape of the imagination, a unique theatrical experience that captures our culture and consciouness, our fears and fantasies. FOOL FOR LOVE * ANGEL CITY * GEOGRAPHY OF A HORSE DREAMER * ACTION * COWBOY MOUTH * MELODRAMA PLAY * SEDUCED * SUICIDE IN Bb With an Introduction by Ross Wetzsteon “Sam Shepard is phenomenal...the best practicing American playwright.” —The New Republic “Sam Shepard is the most exciting presence in the movie world and one of the most gifted writers ever to work on the American stage.” —Marsha Norman “The most ruthlessly experimental and uncompromising of today's young writers.” —John Lahr “Sam Shepard fills the role of professional playwright as a good ballet dancer or acrobat fulfills his role in performance. That is, he always delivers, he executes feats of dexterity and technical difficulty that an untrained person could not, and makes them seem easy.” —Michael Feingold, The Village Voice "One of the most original, prolific, and gifted dramatists at work today.” —The New Yorker “Increasingly recognized as one of the more significant dramatists in the English-speaking world.” —Charles R. Bachman, Modern Drama

Love is awkward, as fans of Rainbow Rowell and E. Lockhart well know. Funny and heartbreaking in equal measure, this grocery store romance was a Morris Award Finalist for Best YA debut. "Smart, honest and full of achingly real characters. And it made me laugh. What else would you want in a book?" —Melina Marchetta, Printz Award-winning author From the moment Amelia sets eyes on Chris, she is a goner. Lost. Sunk. Head over heels infatuated with him. It's problematic, since Chris, 21, is a sophisticated university student, while Amelia, 15, is 15. Amelia isn't stupid. She knows it's not gonna happen. So she plays it cool around Chris—at least, as cool as she can. Working checkout together at the local supermarket, they strike up a friendship: swapping life stories, bantering about everything from classic books to B movies, and cataloging the many injustices of growing up. As time goes on, Amelia's crush doesn't seem so one-sided anymore. But if Chris likes her back, what then? Can two people in such different places in life really be together? Through a year of befuddling firsts—first love, first job, first party, and first hangover—debut author Laura Buzo shows how the things that break your heart can still crack you up. "A sweet and scathingly funny love story." —Kirkus, Starred Review

This is the first anthology of Latin American drama to focus on a single major dramatist, Santiago Loza. "Nothing to Do with Love:" And Other Plays brings together, for the first time in English, several of Argentine playwright Santiago Loza's major works, along with visual documentation of the playwright's productions and their historical and thematic contexts. For nearly twenty years, Loza has written scripts that document the experiences of marginalized individuals who live outside Buenos Aires or in its overlooked barrios, exploring how rural, working-class, and otherwise marginal individuals inhabit a reality different from many of the urban audiences who flock to the nation's theater. Loza focuses his dramaturgy on individuals who lead lives as seamstresses, orphans, ranch hands, or disaffected adults talking about their problems without any expectation of resolution. His plays provide a sense of the richness of Argentina's contemporary theater by giving voice to individuals whose lives are complicated by the economic fallout caused by Argentina's adoption of neoliberal policies and the economic crash of 2001, as well as by the nation's rapidly changing viewpoints on race, gender identity, and sexuality. The first anthology of Latin American drama to focus on a single major dramatist, this book will draw attention anew to the contemporary theaters of Argentina, Mexico, Panama, Uruguay, and Venezuela.

This impressive debut novel, longlisted for the 2020 Booker Prize, takes its premise and inspiration from ten of the best-known thought experiments in philosophy—the what-ifs of philosophical investigation—and uses them to talk about love in a wholly unique way. Married couple Rachel and Eliza are considering having a child. Rachel wants one desperately, and Eliza thinks she does, too, but she can't quite seem to wrap her head around the idea. When Rachel wakes up screaming one night and tells Eliza that an ant has crawled into her eye and is stuck there, Eliza initially sees it as a cry for attention. But Rachel is adamant. She knows it sounds crazy—but she also knows it's true. As a scientist, Eliza is skeptical. Suddenly their entire relationship is called into question. What follows is a uniquely imaginative sequence of ten interconnecting episodes—each from a different character's perspective—inspired by some of the best-known thought experiments in philosophy. Together they form a sparkling philosophical tale of love lost and found across the universe.

Can anyone be truly herself - or truly in love - in a language that's not her own? Sixteen-year-old Josie knows a lot of languages- she speaks High School, College, Friends, Boyfriends, Break-ups, and even the language of Beautiful Girls. But none of these is her native tongue - the only people who speak that are her best friend Stu and her sister, Kate. So when Kate gets engaged to an insufferable guy, how can Josie see it as anything but the mistake of a lifetime? As battles are waged over secrets and semantics, Josie is forced to examine her feelings for the boy who says he loves her, the sister she loves but doesn't always like, and the best friend who hasn't said a word - at least not in a language Josie understands. 'A true-blue lovable weirdo, Josie is the type of character I really enjoy seeing . . . authentically herself, even when being herself gets her into trouble.' Hellogiggles