Martin Luther's relationship to music has been largely downplayed, yet music played a vital role in Luther's life -- and he in turn had a deep and lasting effect on Christian hymnody. In Luther's Liturgical Music Robin Leaver comprehensively explores these connections. Replete with tables, figures, and musical examples, this volume is the most extensive study on Luther and music ever published. Leaver's work makes a formidable contribution to Reformation studies, but worship leaders, musicians, and others will also find it an invaluable, very readable resource.

As the title of this engaging book suggests, "catholicity" was the true intent of the Reformation. The Reformers did not set out to create what later came to be known as Protestant Christianity. Theirs was a quest for reformation and renewal in continuity with the "one holy catholic and apostolic church" of ancient times. The authors of the essays collected here demonstrate this catholicity of the Reformers and stress the importance of recovering the church's catholic tradition today. Robert W. Jenson examines communio ecclesiology, describing ecumenical thought on this ecclesiology and developing it in a number of areas. David S. Yeago proposes a new way of reading Luther, suggesting that the shift in Luther's thought actually brought him closer to the church's catholic tradition. Frank C. Senn discusses the Reformers' changes to the order of the mass, which restored the people's participation and regular preaching on biblical texts. Carl E. Braaten explores the problems that arise from the lack of an office of teaching authority in Protestant churches. James R. Crumley examines various perspectives on the office of pastor, seeking to clarify the notion of ministry in the catholic tradition. Robert L. Wilken looks at Pietism, showing that this movement sought to recover lost aspects of medieval spirituality and called for a deepening of personal piety. Finally, Gunther Gassmann discusses the ways in which the church universal is and should be a communion of churches.

John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.

Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").

Includes bibliographical references and index.

By the end of the fifteenth century, the Eucharist had come to encompass theology, liturgy, art, architecture, and music. In the sixteenth century, each of these dimensions was questioned, challenged, rethought, as western European Christians divided over their central act of worship. This volume offers an introduction to early modern thinking on the Eucharist—as theology, as Christology, as a moment of human and divine communion, as that which the faithful do, as taking place, and as visible and audible. The scholars gathered in this volume speak from a range of disciplines—liturgics, history, history of art, history of theology, philosophy, musicology, and literary theory. The volume thus also brings different methods and approaches, as well as confessional orientations to a consideration of the Eucharist in the Reformation. Contributors include: Gary Macy, Volker Leppin, Carrie Euler, Nicholas Thompson, Nicholas Wolterstorff, John D. Rempel, James F. Turrell, Robert J. Daly, Isabelle Brian, Thomas Schattauer, Raymond A. Mentzer, Michele Zelinsky Hanson, Jaime Lara, Andrew Spicer, Achim Timmermann, Birgit Ulrike Münch, Andreas Gormans, Alexander J. Fisher, Regina M. Schwartz, and Christopher Wild.