The design processes behind a giant leap for mankind Neil Armstrong in a space suit on the moon remains an iconic representation of America’s technological ingenuity. Few know that the Model A-7L pressure suit worn by the Apollo 11 astronauts, and the Model A-7LB that replaced it in 1971, originated at ILC Industries (now ILC Dover, LP), an obscure Delaware industrial firm. Longtime ILC space suit test engineer Bill Ayrey draws on original files and photographs to tell the dramatic story of the company’s role in the Apollo Program. Though respected for its early designs, ILC failed to win NASA’s faith. When the government called for new suit concepts in 1965, ILC had to plead for consideration before NASA gave it a mere six weeks to come up with a radically different design. ILC not only met the deadline but won the contract. That underdog success led to its greatest challenge: winning a race against time to create a suit that would determine the success or failure of the Apollo missions—and life or death for the astronauts. A fascinating behind-the-scenes history of a vital component of the space program, Lunar Outfitters goes inside the suit that made it possible for human beings to set foot on the moon.

The design processes behind a giant leap for mankind Neil Armstrong in a space suit on the moon remains an iconic representation of America's technological ingenuity. Few know that the Model A-7L pressure suit worn by the Apollo 11 astronauts, and the Model A-7LB that replaced it in 1971, originated at ILC Industries (now ILC Dover, LP), an obscure Delaware industrial firm. Longtime ILC space suit test engineer Bill Ayrey draws on original files and photographs to tell the dramatic story of the company's role in the Apollo Program. Though respected for its early designs, ILC failed to win NASA's faith. When the government called for new suit concepts in 1965, ILC had to plead for consideration before NASA gave it a mere six weeks to come up with a radically different design. ILC not only met the deadline but won the contract. That underdog success led to its greatest challenge: winning a race against time to create a suit that would determine the success or failure of the Apollo missions--and life or death for the astronauts. A fascinating behind-the-scenes history of a vital component of the space program, Lunar Outfitters goes inside the suit that made it possible for human beings to set foot on the Moon.

A guide to conscious living through the moon and her phases, incorporating wellness rituals, spellwork, and witchcraft for the modern seeker. We all know the moon. We all have a relationship with it. The earliest people obeyed her orbit, timed their months and holidays and celebrations and agriculture to the moon; the echoes of that system are still visible today, though the connection to the moon is often forgotten. Sarah Faith Gottesdiener is the leader of a movement to remind us of that lineage, guiding our rhythms and our sleep, our energy and our emotions, reminding us of our humanity and our magic. In her self-published Many Moons Workbooks and Lunar Journals, as well as her sold-out classes, she has guided over 50,000 readers to a deeper relationship with the moon, and through it, with themselves. This evergreen book will be an informative and comprehensive guide to lunar living, incorporating radical, self-empowering, and magical tools and resources for the beginner and experienced lunar-follower alike. Depending on where we are in our lives, depending on what we are feeling or what is happening around us, the moon allows us a space to invite ritual into our daily lives. The Moon Book will provide a framework on how to utilize the entire lunar cycle holistically, while offering ways for the reader to develop a personal relationship with their own cycles—energetic, personal, and emotional—through the lens of the moon’s phases.

The goal of landing a man on the Moon and returning him safely to Earth required the development of three things: spacecraft, launch vehicles, and protective clothing. Spacesuits: Within the Collections of the Smithsonian National Air and Space Museum takes the reader through the development of the last category, the spacesuits used during this venture. Highlighting the pressure suits created during the years leading up to the lunar missions and beyond, this book features dramatic photographs of the Smithsonian's collection, as well as never-before-published historical images of spacesuit development and testing-range-of-motion studies, for example, in which researchers wore spacesuits while playing baseball and football. The book also includes a group of advanced spacesuits, which, though never used on a mission, are in many respects the most exciting suits ever created. One suit glove has steel fingernails and sharkskin pads, in an attempt to harness the abilities of the human hand. Spacesuits are surprisingly fragile; they are made for a short lifespan in the most extreme of conditions, and long-term survival is not part of their design process. The final chapter touches briefly on the current conditions of historic suits, how they have held up over time, the reasons for their deterioration, and the rewards and difficulties associated with caring for and preserving these very complex and iconic artifacts. From the first spacesuit designs of the 1930s through those worn on the landmark Apollo-Soyuz program of 1975, Spacesuits provides a behind-the-scenes look at the history of these remarkable creations, including some that have never before been publicly displayed.

How the twenty-one-layer Apollo spacesuit, made by Playtex, was a triumph of intimacy over engineering. When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: twenty-one layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of that spacesuit. It is a story of the triumph over the military-industrial complex by the International Latex Corporation, best known by its consumer brand of "Playtex"—a victory of elegant softness over engineered hardness, of adaptation over cybernetics. Playtex's spacesuit went up against hard armor-like spacesuits designed by military contractors and favored by NASA's engineers. It was only when those attempts failed—when traditional engineering firms could not integrate the body into mission requirements—that Playtex, with its intimate expertise, got the job. In Spacesuit, Nicholas de Monchaux tells the story of the twenty-one-layer spacesuit in twenty-one chapters addressing twenty-one topics relevant to the suit, the body, and the technology of the twentieth century. He touches, among other things, on eighteenth-century androids, Christian Dior's New Look, Atlas missiles, cybernetics and cyborgs, latex, JFK's carefully cultivated image, the CBS lunar broadcast soundstage, NASA's Mission Control, and the applications of Apollo-style engineering to city planning. The twenty-one-layer spacesuit, de Monchaux argues, offers an object lesson. It tells us about redundancy and interdependence and about the distinctions between natural and man-made complexity; it teaches us to know the virtues of adaptation and to see the future as a set of possibilities rather than a scripted scenario.

Filmmakers employ various images to suggest the strangeness of outer space, but protective spacesuits most powerfully communicate its dangers and the frailty of humans beyond the cradle of Earth. (Many films set in space, however, forgo spacesuits altogether, reluctant to hide famous faces behind bulky helmets and ill-fitting jumpsuits.) This critical history comprehensively examines science fiction films that portray space travel realistically (and sometimes not quite so) by having characters wear spacesuits. Beginning [A] with the pioneering Himmelskibet (1918) and Woman on the Moon (1929), it discusses [B] other classics in this tradition, including Destination Moon (1950), Riders to the Stars (1954), and 2001: A Space Odyssey (1968); [C] films that gesture toward realism but betray that goal with melodramatic villains, low comedy, or improbable monsters; [D] the distinctive spacesuit films of Western Europe, Russia and Japan; and [E] America's spectacular real-life spacesuit film, the televised Apollo 11 moon landing (1969).

No longer a guarded secret, hunting whitetails using a lunar strategy is one of the most effective tactics employed by successful trophy hunters. The father of hunting deer by the moon, the man who started it all, Jeff Murray, shares his best kept secrets and insights on this fascinating aspect of white-tailed deer hunting and tells you how to make it work for you. From game-tracking experts and professional biologists to hunting club managers, outfitters and guides, great hunters know that deer are inextricably linked to the lunar cycle. In his latest book on the subject, Murray teaches how to predict peak rutting activity and how to plan to be afield when big bucks are moving. Other topics include tactics to zone in on deer in transition areas and when, according to moon phase, deer will be at the field's edge and when they won't! This book also covers the different lunar cycles and how the moon triggers the rut activity. Chapters include Does the Moon Trigger the Rut? Master Mast; Timing Food Sources; Zoned Out; Timing the Transition Zone; Wallhanger Whereabouts; The Moon is Unique and Influential; and Secret Scent.