(Piano/Vocal/Guitar Artist Songbook). A collection of 19 sensuous songs from three albums by this wildly popular, Grammy-winning Mexican artist, including: Besame Mucho (Kiss Me Much) * Contigo En La Distancia * El Reloj * Historia De Un Amor * Inolvidable * La Barca * La Puerta * Mucho Corazon * Noche De Ronda (Be Mine Tonight) * Nosotros * Sin Ti * Todo Y Nada * Uno * Usted * Voy a Apagar La Luz/Contigo Aprendi * You Belong to My Heart * and more.

Over 40 songs in Spanish, including - Adoro; Always in My Heart; Besame Mucho; Campanitas De Cristal; El Triste; Feelings; Inolvidable; La Puerta; Obsession; Perfidia; Quizas, Quizas, Quizas; Sabor a Mi ; You Belong to My Heart; and more.

(P/V/G Composer Collection). Juan Gabriel is known as "El Idolo de las Multitudes" (the Idol of the Multitudes) to millions of fans in the Americas and around the world. This popular composer and performer has been touring continually since his first hit in 1971 and has received numerous awards, including an induction into the Billboard Latin Music Hall of Fame. This folio features 20 of his most popular songs in Spanish as well as a biography in English and Spanish. Songs include: Amor Eterno (El Mas Triste Recuerdo) * Asi Fue * Costumbres * El Destino * El Mexico Que Se Nos Fue * Esta Noche Voy a Verla * and more.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

(Super Easy Songbook). It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. The arrangements also include lyrics. This edition includes 60 classic songs: Always * Bohemian Rhapsody * Can't Help Falling in Love * Don't Stop Believin' * Edelweiss * Georgia on My Mind * Hallelujah * Imagine * Let It Be * Memory * Over the Rainbow * Piano Man * Someone to Watch over Me * Tears in Heaven * Unchained Melody * What a Wonderful World * You Raise Me Up * and more.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti