Comes The Period Between 1720 To 1856 And Provides An Analysis On Aspects Of Awadh Administration Such As Revenue, Justice, Police, Military, Education, Health And Forests Etc. Also Contains A Brief Dimension About Art, Music, Architecture, Literature.

An enthralling historical novel based on the little-known female warrior in nineteenth century India who led a revolt against the British. Here is the long-forgotten story of Begum Hazrat Mahal, queen of Awadh and the soul of the Indian revolt against the British, brought to vivid life by the author of Regards from the Dead Princess, a major bestseller in her native France. Begum was an orphan and a poetess who captured the attentions of King Wajid Ali Shah of Awadh and became his fourth wife. As his wife, she incited and led a popular uprising that would eventually prove to be the first step toward Indian independence. Begum was the very incarnation of resistance: As chief of the army and the government in Lucknow, she fought battles on the field for two years; she was a freedom fighter, a misunderstood mother, and an illicit lover. She was a remarkable woman who risked everything only to face the greatest betrayal of all.

After identifying the misconceptions attached to the figure of the Mughal Courtesan and then defining it in terms of the dual-component structure of adaa, in the face of a dearth of literature that exists on the culture and the agency of the courtesan, this analysis would reinterpret the status of the courtesan figure within the domain of feminist theories and self-assertion. The female desire for autonomy, according to Elaine Showalter, defines a female exclusivity in terms of the dynamic phase, which is a combination of the feminine conflict between self-fulfillment and duty, the feminist political consciousness, and the female desire for autonomy. If one operates the courtesan figure in the Showalter domain, then the means to resist gender hierarchies through literary practices lie in a combination of both demand for exclusivity and real struggle into a truly subversive aesthetic which would have allowed the courtesan to have walked the corridors of power. Juliet Mitchells argument states that the gendered treatment of women came into existence through the ideological form of the novel, with females constructing themselves as the women they are under bourgeois norms by reading and writing novels. Rereading the Silencing of the Sirens would uncover another such exclusive female tradition studying the female consciousness from the courtesans point of view.

Collective political projects have become ephemeral and are subject to radical forms of erasure through cooptation, division, redefinition or intimidation in present times. Media and Utopia responds to the resulting crisis of the social by investigating the links between mediation and political imagination. This volume addresses those utopian spaces historically constituted through media, and analyses the conditions that made them possible. Individual essays deal with non-Western histories of technopolitics through distinctive perspectives on how to conceive the relationship between social form, everyday life, and utopian possibility, and by examining a range of media formats and genres from print, sound, and film to new media. With contributions from major scholars in the field, this book will be of interest to researchers and scholars of media studies, culture studies, sociology, modern South Asian history, and politics.

India.

Prof. Mirza Saeed-Uz Zafar Chaghtai is a renowned scholar, scientist and author of many books in various languages. He looks back at adventures that have spanned thousands of miles and included some of the worlds most remarkable people. With candor and humor, he outlines his social, political, and religious beliefs and shares insights on scientific and literary life in India, Europe, the United States of America, and elsewhere. His rise to the top of the scholarly community began in a small town in British India and brought him to Paris, London, Sweden and various places throughout the world, where he shared ideas with distinguished scientists, Nobel laureates, men of letters and many exemplary people. From rural and feudal British India to pragmatic and modern Europe, he honed his understanding of the world and, at times, went through personal, social, political, religious, scientific, and literary upheavals before returning home enthused to work for his people as a scholar and scientist. Scholars, history buffs, and anyone eager to learn about people and places, especially India and Europe through the turn of the century, will be inspired and educated by Memoirs of Three Continents.

The Victorian period, viewed in the West as a time of self-confident progress, was experienced by Asians as a catastrophe. As the British gunned down the last heirs to the Mughal Empire, burned down the Summer Palace in Beijing, or humiliated the bankrupt rulers of the Ottoman Empire, it was clear that for Asia to recover a vast intellectual effort would be required. Pankaj Mishra's fascinating, highly entertaining new book tells the story of a remarkable group of men from across the continent who met the challenge of the West. Incessantly travelling, questioning and agonising, they both hated the West and recognised that an Asian renaissance needed to be fuelled in part by engagement with the enemy. Through many setbacks and wrong turns, a powerful, contradictory and ultimately unstoppable series of ideas were created that now lie behind everything from the Chinese Communist Party to Al Qaeda, from Indian nationalism to the Muslim Brotherhood. Mishra allows the reader to see the events of two centuries anew, through the eyes of the journalists, poets, radicals and charismatics who criss-crossed Europe and Asia and created the ideas which lie behind the powerful Asian nations of the twenty-first century.