Lukas Moodysson is one of the most accomplished and unconventional filmmakers of his generation in Sweden. Moodysson, now well known for his English-language film Mammoth (2009) as well as his heartbreaking indictment of sex-trafficking in Sweden, Lilya 4-Ever (2002), debuted as a writer and director while still in his twenties with Show Me Love (1998). The film received four Guldbaggar--the Swedish equivalent of the Academy Awards--including best film, best director, best screenplay, and best actresses. A coming-of-age and coming out film about two young women in a stiflingly oppressive small town, Show Me Love is widely considered a youth film classic and was called a "masterpiece" by Ingmar Bergman. This book, which is the first study of Moodysson in any language, includes discussions of the film's genre, aesthetics, and style, and situates the film in both contemporary Swedish cinema and broader Swedish culture. It includes sequence and dialogue analysis and discusses how and why this particular film became so important: its queer significance, its unusually realistic depiction of youth, and its critical reception. Anna Stenport conducted extensive interviews with the cast and crew, including several enlightening discussions with Moodysson himself. Lukas Moodysson's Show Me Love offers an incisive introduction to Moodysson for readers interested in contemporary film, as well as a history and close analysis of changes in the Swedish film industry.

Provides a reassessment of the question of sexual difference, taking into account shifts in feminist thought, post-humanist theories, and queer studies. This collection of essays offers insights into the question of sexual difference from a post-feminist perspective, and how it is reformulated in various related areas of study, such as ontology.

A sequel to the critically acclaimed My First Movie, Stephen Lowenstein once again talks to some of our most celebrated filmmakers about their debut films. Lowenstein interviews ten directors about their career-launching film and how they got the movie off the ground: how they raised the finance, found actors, searched for locations, worked with the crew and saw the project through to completion. Filmmakers interviewed include Richard Linklater on Slacker; Alejandro González Iñárritu on Amores Perros; Terry Gilliam on Jabberwocky; and Sam Mendes on American Beauty. A wonderfully rich compendium that is lively, informative, funny, and often surprising.

Available now in a paperback edition, It Is Beautiful...Then Gone presents the celebrated graphic design work of Martin Venezky. This unconventional monograph includes both influential commercial work for the Sundance Film Festival, Reebok, and Speak and Open magazines among others. It also features new graphic work created for the book by this champion of the handmade and the unexpected.

The Tsimshian people of coastal British Columbia use a system of hereditary name-titles in which names are treated as objects of inheritable wealth. Human agency and social status reside in names rather than in the individuals who hold these names, and the politics of succession associated with names and name-taking rituals have been, and continue to be, at the center of Tsimshian life.

Textbook