Learn how to jump-start your imagination to conjure up innovative, worthwhile ideas with help from some of the greatest artists in the world. How do artists think? Where does their creativity originate? How can we, too, learn to be more creative? BBC Arts Editor Will Gompertz seeks answers to these questions in his exuberant, intelligent, witty, and thought-provoking style. Think Like an Artist identifies ten key lessons on creativity from artists that range from Caravaggio to Warhol, Da Vinci to Ai Weiwei, and profiles leading contemporary figures in the arts who are putting these skills to use today. After getting up close and personal with some of the world’s leading creative thinkers, Gompertz has discovered traits that are common to them all. He outlines basic practices and processes that allow your talents to flourish and enable you to embrace your inner Picasso—no matter what you do for a living. With wisdom, inspiration, and advice from an author named one of the fifty most original thinkers in the world by Creativity magazine, Think Like an Artist is an illuminating view into the habits that make people successful. It’s time to get inspired and think like an artist!

The third volume of a catalogue raisonné of Luc Tuymans’s paintings, surveying nearly two hundred works, charts the artist’s investigation into painting’s relationship to history and technology. Tuymans is widely credited with having contributed to the revival of painting in the 1990s. His sparsely colored, figurative works speak in a quiet, restrained, and at times unsettling voice and are typically painted from preexisting imagery that includes photographs and video stills. The works in this volume, made between 2007 to 2018, show Tuymans at his most virtuosic, subtly but provocatively addressing a range of topics including religion, corporatization, and cultural memory, in addition to modernism and the history of painting. The Internet, in particular, is central to these works as well as the screen—leading to a new style of contemporary image. The works are mediatized to the nth degree, despite the artist’s continuous use of the traditional medium of painting. There is a certain kind of light that comes out of a screen, which can be found in Tuymans’s recent paintings. This volume includes an editor’s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world, when his work continues to be a touchstone for artists and scholars.

A sumptuous, scintillating stew of sixty four short fictions about appetite, food, and the objects of our desire All great meals, it has been said, lead to discussions of either sex or death, and The Devil's Larder, in typical Cracean fashion, leads to both. Here are sixty four short fictions of at times Joycean beauty--about schoolgirls hunting for razor clams in the strand; or searching for soup-stones to take out the fishiness of fish but to preserve the flavor of the sea; or about a mother and daughter tasting food in one another's mouth to see if people really do taste things differently--and at other times, of Mephistophelean mischief: about the woman who seasoned her food with the remains of her cremated cat, and later, her husband, only to hear a voice singing from her stomach (you can't swallow grief, she was advised); or the restaurant known as "The Air & Light," the place to be in this small coastal town that serves as the backdrop for Crace's gastronomic flights of fancy, but where no food or beverage is actually served, though a 12 percent surcharge is imposed just for just sitting there and being seen. Food for thought in the best sense of the term, The Devil's Larder is another delectable work of fiction by a 2001 winner of The National Book Critics Circle Award.

Beginning with 'Gilles de Binche' (Antwerp, 2005) and concluding with 'Against the Day' (Brussels, Moscow and Malmo, 2009-10), acclaimed painter Luc Tuymans produced a landmark suite of seven thematically linked bodies of work. Their meta-narrative, which traces the philosophical and psychic roots of contemporary civilization, weaves together a range of photographic source images, from St Peter's to Disneyland to Big Brother, that together tell the banal and terrifying story of our times. Luc Tuymans: Is It Safe? features this source imagery alongside more than 100 of the artist's newest paintings, many never before published. Accompanying each body of work is an introductory text written by the artist, while the essay 'Tuymans, Loyola, Leibniz', specially commissioned by Mexican artist Pablo Sigg, provides historical and philosophical context. 'Proper', an essay by Belgian art historian Gerrit Vermeiren, looks at one body of work in detail, tracing the themes and sources of each painting and capturing the cultural atmosphere of the moment in which they were produced. And an extensive interview between Tuymans and his assistant Tommy Simoens offers additional insight into the artist's thinking and motivations. Celebrated as one of the world's most gifted and visionary painters, Tuymans has been creating iconic works of contemporary painting for nearly three decades. With their enigmatic compositions and modulated colours, these works are moving and unmistakable, and their power continues to win new converts to Tuymans's chilling vision of history painting.

Widely credited with having contributed to the revival of painting in the 1990s, Belgian painter Luc Tuymans continues to expand our understanding of the medium. Sourcing imagery from books, magazines, films, the internet, and increasingly his own iPhone photos, Tuymans’s unique selection of subject matter reveals his fascination with moral complexities. Exploring diverse and sensitive topics, many of which include historic references from World War II to more contemporary events such as 9/11, Tuymans presents imagery that at first seems innocuous or approachable but upon deeper inspection can be entirely unsettling. Achieved through his masterful handling of paint, his works are often suggestive of memories or familiar people, places, and things. The latest in the Spotlight Series, which focuses on new bodies of work by contemporary artists, Tuymans continues to take on increasingly complex subject matters in his primarily muted palette. Published on the occasion of the artist’s 2020 solo exhibition at David Zwirner Hong Kong, this book features an essay by art critic Su Wei, who approaches Tuymans’s newest paintings and how they expand his oeuvre.

Catalogue raisonne, offering a retrospective of more than twenty years of graphic works in various techniques, from photocopy to serigraph on monotype, lithograph, aquatint, photogravure, in situ projects and installations. Using unpublished source material and proofs, Polaroids and watercolours--some from the archives of the master printer Roger Vandaele and the artist's own studio. An illustrated survey of Tuymans' complete graphic work from 1989 to 2012.

This book, published in conjunction with an exhibition at Edinburgh’s Talbot Rice Gallery, features the Belgian artist’s most recent work. Here, his fascination with Scottish light and its thinkers, who believed in the perfectibility of man, becomes apparent. Inspired by a visit to the art collection of the University of Edinburgh, Tuymans realised three small portraits of Scottish philosophers. Besides the theme of light, the notion of impending horror also plays a role in a monumental dark work, ‘The Shore’, which refers to Goya, and in the portrait of Issei Sagawa, a cannibalistic murderer. Includes a short story by British author Will Self and an essay by art historian Collin Chinnery. 00Exhibition: Talbot Rice Gallery, Edinburgh, UK (31.10-19.12.2015)