A reissue of Joe Robert's 2015 release 'LSD Worldpeace.'

A survey of artist Joe Roberts

Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Collecting over 100 new and recent paintings, drawings and mixed-media works along with an introduction by Hamilton Morris (Hamilton's Pharmacopeia), We Ate the Acid is the latest product of Roberts' visionary journeys and a testament to his expansive, singular imagination.

Who really murdered Mary Pinchot Meyer in the fall of 1964? Why was there a mad rush by CIA counterintelligence chief James Angleton to immediately locate and confiscate her diary? What in that diary was so explosive and revealing? Had Mary Meyer finally put together the intricate pieces of a bewildering, conspiratorial mosaic of information that revealed a plan to assassinate her lover, President Kennedy, with the trail ultimately ending at the doorstep of the Central Intelligence Agency? And was it mere coincidence that Mary Meyer was killed less than three weeks after the release of the Warren Commission Report? Based on years of painstaking research and interviews, much of it revealed here for the first time, author Peter Janney traces some of the most important events and influences in the life of Mary Pinchot Meyer—including her first meeting with Jack Kennedy at the Choate School during the winter of 1936, her explorations with psychedelic drugs, and finally how she supported her secret lover, the president of the United States, as he turned away from the Cold War toward the pursuit of world peace. As we approach the fiftieth anniversary of President Kennedy’s assassination—and Mary Meyer’s—Mary’s Mosaic adds to our understanding of why both took place. This paperback edition has been updated and revised with a significant postscript that focuses on Meyer’s alleged assassin, who the author finally located and confronted in person in August 2012, as well as the ongoing saga of Janney’s attempt to reopen the case based on new evidence.

Following nearly a decade of research, this account solves the mysterious death of biochemist Frank Olson, revealing the identities of his murderers in shocking detail. It offers a unique and unprecedented look into the backgrounds of many former CIA, FBI, and Federal Narcotics Bureau officials—including several who actually oversaw the CIA's mind-control programs from the 1950s to the 1970s. In retracing these programs, a frequently bizarre and always frightening world is introduced, colored and dominated by many factors—Cold War fears, the secret relationship between the nation's drug enforcement agencies and the CIA, and the government's close collaboration with the Mafia.

Provides a social history of how the CIA used the psychedelic drug LSD as a tool of espionage during the early 1950s and tested it on U.S. citizens before it spread into popular culture, in particular the counterculture as represented by Timothy Leary, Allen Ginsberg, Ken Kesey, and others who helped spawn political and social upheaval.

THE ACCLAIMED BOOK, NOW IN PAPERBACK, with a reading group guide and a new afterword by the author. At the height of the Cold War, JFK risked committing the greatest crime in human history: starting a nuclear war. Horrified by the specter of nuclear annihilation, Kennedy gradually turned away from his long-held Cold Warrior beliefs and toward a policy of lasting peace. But to the military and intelligence agencies in the United States, who were committed to winning the Cold War at any cost, Kennedy’s change of heart was a direct threat to their power and influence. Once these dark "Unspeakable" forces recognized that Kennedy’s interests were in direct opposition to their own, they tagged him as a dangerous traitor, plotted his assassination, and orchestrated the subsequent cover-up. Douglass takes readers into the Oval Office during the tense days of the Cuban Missile Crisis, along on the strange journey of Lee Harvey Oswald and his shadowy handlers, and to the winding road in Dallas where an ambush awaited the President’s motorcade. As Douglass convincingly documents, at every step along the way these forces of the Unspeakable were present, moving people like pawns on a chessboard to promote a dangerous and deadly agenda.